ILL PHIL aka Phil Dolman has been DJ'ing for almost 18 years now, having played all over the world Phil is no stranger to the business. He has been part of a few other projects prior to this, he worked with the super producer Will Bailey AKA Lowsteppa for 3 years. Together they gave you 'Bass Weazal' & 'Punk Rolla' These projects saw Phil tour the States, and see most of Europe and even go as far as South Korea.

Radio 1 and Capital FM, KISS FM & many more have supported a lot of his productions, and continue to do so.

Phil also hosted a show called ‘The Certified Jackin Takeover’ on Grant Nelson’s the D3ep Fm network. This was a monthly show that goes out all over the world, and reaches a vast amount of listeners.

Recently Phil has decided to stay his hand at the more bassy sounding music currently known as 'House & Bass'  or  'Jackin House'  With over 100 solid tunes to his name, he is a driving force in the UK scene playing all over the country every week.

In early 2013 Phil joined the prestigious 'Certified Jackin' brand. He now does 6 mixtapes a year which achieve huge listenership's, exceeding well into the 100's of thousands of views & downloads. He also runs parties at the famous ‘Lightbox’ Club in London with ‘Certified Jackin’ which have been a huge success. 

2018 was a crazy year for Phil, seeing him play all over the country and over seas. Phil took the stage at many clubs &festivals.  2019 is set to be his biggest yet, with planned tours in Canada & Germany already, plus some other exciting things in the pipeline. Along with a very busy UK schedule, it’s going to be an amazing year for him. There will also be the release of 5 new exclusive track to mark his final year producing!

Phil is getting great support from the crowds and gaining a keen following from the scenes main heads, so if you go to one of his shows… expect a high energy set, packed full of exclusive tracks!

It's a bright future for the young DJ with plenty of new tunes in the pipeline and some great shows lined up.

To book Phil for your event or have any general enquires get in touch here…

BOOKINGS CONTACT: 
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M:Upon request 
E: punk_rolla@hotmail.com 
F: www.facebook.com/phil.dolman

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In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Independent Artist | Songwriter | Virginia.  
I make soNGs. 
Thanks for swinging through.
features/soNGwriting/booking: anya.good@gmail.com

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