It's all about the Music.

Made in Naples, Italy, Music On proposes the creation of a cutting-edge club sound, along with unique events across the world.
After some amazing years at Minus, Marco Carola @marcocarola felt the need to expand his musical realm and create a home for up and coming, talented and inspired artists. Music On was born. Music On is a music label where the only requirement is good quality music, which is the standard for everything Marco Carola puts his stamps on.

demo@musicon.com

For Booking: show_off78@hotmail.com
Promos/Remixes: show_off78@hotmail.com

Dj & Productor Madrileño con mas de 20 años recorriendo cabinas y haciendo warm ups a nombres como Marco Carola, Dave Clarke, Claude Young, James Ruskin, Surgeon, Oscar Mulero y un largo etc... de djs internacionales y tomando residencias en los clubs mas punteros de la capital como CLUB 7, DEEP o CASSETTE CLUB (donde permaneciò 17 años) compartiendo cabina con numerosos artistas nacionales e internacionales de la escena Techno actual.
Como productor tiene varios tracks en el mercado en diferentes sellos nacionales e internacionales (ILLEGAL ALIEN, DKN SELECTIONS, SUB tl, SELECTED RECORDS, HARDTOOLS RECORDS, HIDDEN RAGE, REKKTOR MUSIC, TRUE TYPE TRACKS, CUBIC CAPACITY)
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Dj & Producer based in Madrid, 20 years around sharing cabins and doing warm ups with names like Marco Carola, Dave Clarke, Claude Young, James Ruskin, Surgeon, Oscar Mulero… and a big list of international Djs, and taking residency in the best clubs (CLUB 7, DEEP, etc..)

Nowadays he is resident at CASSETTE CLUB (Madrid), sharing cabin with a big number of international and national artist from the panorama of the actual Techno.
As productor he has some tracks already at the market in different records labels national and international (ILLEGAL ALIEN, DKN SELECTIONS, SUB tl, SELECTED RECORDS, HARDTOOLS RECORDS, HIDDEN RAGE, REKKTOR MUSIC, TRUE TYPE TRACKS, CUBIC CAPACITY)

Listen to Melodica now: https://found.ee/EDancer-Melodica

Bookings: ed@arcade-talent.com 
Management: phil@onehouse.com

Platinum-selling recording artist, label boss, festival promoter, true innovator in the pantheon of popular music, cultural champion, cracking DJ: there’s a lot to be said about Kevin Saunderson.

His influence runs deep, through both adopted hometown of Detroit, and music culture as a whole: as one of the Belleville Three, the high school trio which also includes Juan Atkins and Derrick May, he irreparably changed the face of electronic music; with Inner City, he gave it some of its most memorable tunes. 

The genesis of today’s enormous techno scene can be retraced straight to Kevin, Derrick and Juan, as their formative experiments on rudimentary hardware sketched a blueprint for a genre that was yet to exist. By absorbing Kraftwerk, cutting-edge funk, local radio stalwart The Electrifying Mojo’s electicism, and all manner of new synthesiser and drum machine-led pop music, the Belleville Three broke new ground as musicians and DJs in the 80s. 

Saunderson’s comparatively late start as a producer – kicking off in ’87 under the moniker of Kreem, with E-Dancer and Reese two of the more well-known names to follow – inadvertently gifted him a headstart. With the eruption of house music a few hours down the I-94 in Chicago, Saunderson married Detroit’s raw sound to more tactile, pop-leaning sensibilities. Inner City was born, and global success followed.

Between “Big Fun”, “Good Life”, debut album Paradise and a number of follow-up singles, Inner City (Saunderson and vocalist Paris Grey) amassed 12 UK top 40 hits and over six million records sold worldwide during their peak. A dancefloor-dominating remix by Luciano in 2008, and a globetrotting reunion tour in 2012, underscores the longevity of Inner City’s classic sound. 

His nickname of ‘The Elevator’ is apt: for his role in transporting Detroit’s new sound to a wider audience; as anyone who has seen him perform live can attest, his high-energy, high-spirit and high-impact DJ sets; and for spending the past 35 years of his life progressing the culture he helped create. 

Operating in tandem to his golden run as a producer in the late 80s and early 90s, Saunderson’s own KMS record label – a remarkable 30 years strong in 2017 – has chronicled the early footsteps of R-Tyme, Blake Baxter, MK, Chez Damier, Derrick Carter, Bicep and even Saunderson’s son and regular DJ partner Dantiez more recently. 

A special 12” series in 2008 called History Elevate, released in tandem with fellow polymath Carl Craig’s Planet E label, brought contemporary names like Mathew Jonson, Simian Mobile Disco and Loco Dice into the fold, proving his nous for fostering relationships with each new wave to come through techno’s gates. 25th anniversary compilations and numerous reissues have followed suit. 

Saunderson has a behind-the-scenes role to play, too: he is intertwined with the history of Detroit’s flagship Movement (formerly Detroit Electronic Music Festival / Fuse-In). Having produced the event in the mid-2000s, the last handful of years have seen repeated invites from Movement to display his ORIGINS showcase at the festival, bringing acts like Delano Smith, Phuture and DJ Minx under his curatorial umbrella. 

And of course, with a stacked international touring schedule over the decades, playing in nearly every country and at nearly every festival or club worth mention, he has not stopped pushing the feeling of techno on and on. 

The Groove That Won’t Stop, indeed.

Lover of “minimalism” as the expression of communication both musical and visual, the main theme which links unquestionably  his choices as far as music and design are concerned.
Professional graphic designer since 1997, he works on several projects (for famous agencies and on his own), but he cultivates at the same time a passion for electronic music that originated in the mid-80’s with groups like Depeche Mode and New Order, and that grew in the 90’s thanks to the sound of djs Paul Daley, Darren Emerson and the progressive-house music of the moment; a passion that matures under the influence of dj-producers Richie Hawtin, Luciano, Steve Bug, Ricardo Villalobos and Loco Dice.
As a dj, Vito succeeds in gaining little by little some space and respect into a hard setting such as the Neapolitan musical scene, crowded with legends, promising young artists and big bluffs: he manages in sharing the turntables  with guest stars as John Acquaviva, Davide Squillace, Gaetano Parisio, Andy Weatherall, Marc Henning, Sasha Dive, Format B, Wighnomy Brothers and becomes “resident” in two memorable underground clubs of Naples, the Velvet (whose console through the years has been occupied by giants as Luciano, Villalobos, Jeff Samuel etc.) & Rising South.
Lately, even the first gigs abroad have come! At the Underground(2006)and Sankeys (2014) in Ibiza, in 2007 and 2008 in Madrid and Toledo.
From 2009 is resident for Orbeat Regeneration Phunk and other important parties (Electrocasbah, Woo!, Auditors) sharing the turntables with artists like Richie Hawtin, Marco Carola, Marc Antona, Leon, Kabale und Liebe, Kaiserdisco, Danilo Vigorito, Onur Ozer, Cassy, Rhadoo & many others, and in the best italian clubs like Old River Park, Ciclope, Arenile, Duel, Ribbon etc..
In October 2010 creates (with some of his friends/djs) his own monthly party called "The hole of the Tigers" with the goal of putting music quality in the center of the club scene working on simply concepts: Music, Soundsystem, Club & People.. No more is required for a successful party and quickly "Tigers Parties" become the benchmark for naples underground movement. 
As far as his sound is concerned, he doesn’t like to place and label it, but if a tag is needed, he would define it minimal tech-house with gradients of techno and dub proposed and mixed each single time in different proportions according to the vibes felt on the spot.

Not so long ago two great friends left the country where they lived and moved to Brooklyn, NY. There they re-builded their studio, produced new tracks far away from day-in day-out madness of the life they left behind for a while.
In this creative and intimate isolation the idea of the label came up – just like the next step to be taken in their intense relation. In July 2007 this idea became reality when Desolat was born.

Desolat is now a Düsseldorf-based label founded by Loco Dice and Martin Buttrich. Both Dice and Buttrich had a long-standing artistic career in music before they decided to take a challenge and create a platform to release music they like independently and fast.

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Dance TV Soundcloud curated by @karinamusic

Spinning tunes since 2001. I've been collecting music when very young. This interest took me to study music journalism and since after I worked as PR for many music events . In the year 2000 I went to Morocco to an electronic music festival and there I was captivated by the amazing music played in the chill out stage. That was my call, that was where I wanted to be next.

Djing all round the world, my sound excursion have reached the crowdin such places like Brazil, India, Peru', Bolivia, U.S.A. and all Europe. Living for sometime in London gave me the chance to play at the main psychedelic trance parties and from there was commissioned to play at Ozora and Sonica festivals. Highlight for my 2012 tour was the magical experience to play my new uptempo set at Ozora Chill-out Temple. This was followed by Hahha Hanna festival in Slovakia and a 6hrs set at Paka Wala Festival in Cappadocia (Turkey). the early month of 2013 have seen me having such amazing experience playing in Goa and at the magic Holi in Pushkar. Summer 2013 will see me performing at Sonica (Italy), Ozora (Hungary), Mo-dem (Croatia), Blackmoon (Italy), Psychedelic Freakshow (USA). 2014 Crisalyd & Wildthing (UK), Ozora (Hu), Human Evolution and Sonica (Ita), Modem (Croatia).  Every winter i move my self in Goa playing in the best parties of psychedelic scene.
From the 2014 I’m the main manager of Gaia stage, Sonica Festival alternative stage.
My style goes from dowtempo to techno, from progressive to psytrance.  

I am fullfilled the most by playing long hours set with such eclecticism influenced by looking at crowds' mood and vibes. A sound everyone can tap into and journey through. Very recently I am experimenting with a new uptempo ambient style, a driving 125bpm, for a high energy experience...


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