Another rhythmic Buchla 200e patch. 

This time I used a pair of "retro 158" VCO's as the main audio source... and a "retro 258" as an FM source: BOTH into the "retro 158's" AND the 285e FM audio input!!

A big part of this improv was the 285e Frequency Shifter. The main audio from the 292e out mix (which contained the output of 4x separate VCO's)was sent split into the 285e AND into a RE-301 Tape Echo/Reverb.

The RE-301 was used for Reverb,  Echo and "Sound on Sound"

The recording was a one-take straight into the computer (via some mild Lindell Audio 500 series EQ & Compression). 

Manual control of the RE-301 feedback and levels... and you get this Sci-fi drum circle jam.

Frequency Of Timing Or Not

Jerzy Przezdziecki was born in Warsaw, Poland in 1973. At the age of 10, as a result of his early, classical fascination with Chopin, Beethoven and Bach, he started his piano lessons. At that time he totally felt in love with music. As the years went by, his passion was getting stronger and stronger. Studying at the Warsaw College of Art he had the first opportunity to hear some electronic - mostly new beat and industrial – music. Front 242, Psychic TV, Throbbing Gristle, SPK and Coil changed Jurek’s attitude for the music forever. It was no longer enough to listen. He wanted to create. No matter what music genre he’s currently in, there’s always one goal: originality.

Teaching digital/electronic music, digital media and theater.

Hello! I'm a composer and songwriter. You'll find different genres in my compositions, mainly because I like to explore and look for innovations. I believe music is an incredibly powerful emotional platform that can impact our lives in a tangible way, and I hope that my music can do the same with you. Thanks for listening.

BLEACH CULT is the musical nom de plume of Vytis Puronas, singer-songwriter and film sound designer, formerly one half of lo-fi synthpop outfit Soy Farm. His music is very textural and direct, with a genre-bending approach that explores post-punk aesthetics, minimal wave soundscapes and intriguing hooks with a pleasantly retro vibe.

BLEACH CULT is all about raw imperfections and beautiful spontaneity, captured live on analog modular synthesizers, often relying on single takes and instinctive executions of tracks that leave little to no room for extensive tweaking and post-processing. Quite interestingly, Bleach Cult’s music is hard to categorize under the umbrella of a single genre. Instead, Puronas creates a distinct noirish tone, which borrows from influences as diverse as post-punk, minimal wave, techno and even pre-war blues and 60s rockabilly, just to mention a few.

Contact:
the@bleachcult.com

Instagram:
www.instagram.com/bleach_cult/

I’m a musician. I’ve played Classical Guitar since I was 7 years old. I have two main music projects; my solo project called Inform3r as well as one with Katya Casio, Hong Kong Counterfeit. I love pre-1983 synthesizers and drum machines. I’m an avid DIY’er who enjoys making synths, effects units, guitar amplifiers, and sundry.

Frequency Of Timing Or Not

Djangosfire