X-Press 2 
the past bonds us the future leads us

Management: lindsay@mn2s.com
Booking Agent: lindsay@mn2s.com

In an era of rapid technological advancements and instant gratification, the ability to adapt and evolve is the only way to cultivate longevity. Only those with a true purpose and a relentless passion for the craft will go on to stand the test of time, and nobody knows this better than George Morel.

With his roots firmly planted at the forefront of electronic music, he is the epitome of a true pioneer. Bit by the bug at a very young age, he found himself drawn to the captivating sounds of synths and drum machines. Morel’s urge to learn and create became undeniable, and it wasn’t long before he found himself deeply immersed in his passion, leading him to discover his purpose.

Little did he know, his newfound obsession would eventually evolve into a career beyond his wildest dreams.

Sheer curiosity is what guided him to discover the craft. An insatiable desire to master it is what helped him uncover his gift. A gift that would land him his first global hit record, leading him to shine a light on an impressive list of undiscovered talent. Morel's dedication in the studio and his natural-born skills with sound resulted in countless dance floor classics, quickly making him a permanent fixture in the musical libraries of DJs around the world.

With Morel’s performances at some of the hottest spots on the planet to his prolific and consistent work as a label owner and manager for his own Groove On Records, he has no plans on stopping there. Under his secondary label II.0, Morel continues the theme of exploring new grounds, moving forward as he evolves his signature sound. 

Expanding his creative horizons has only broadened his spectrum in the field of electronic music, giving him the freedom to push his vision in unique and creative directions. Fueled by his genuine love for music, there’s no doubt Morel will continue to grow both behind the decks and in the studio, captivating present and future generations of music lovers while maintaining his place as one of electronic music’s most everlasting artists.

Groove Motion are a DJ/Editing duo consisting of Wayne Altham & Jack Henwood. What they do.. Soulful bangin music.

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From 1996 through 2005 Moody Recordings regularly released tracks from some of the most influential players in house music. Hailing from Chicago, Moody became known by DJs as the go to label for the purest of house sounds. After taking a few years off, the Moody team is reuniting and ready to resume releasing only the highest quality house music. Thanks for your support. 

Demo Submissions only via: https://www.labelradar.com/labels/getphysical/portal

A lot has happened in the last 20 years of dance music, but one constant has been Get Physical right at the sharp end of the scene. The label has become a globally recognised symbol of quality, renowned for its always varied and vital house output. Forming the backbone of the label's vast catalogue is the influential in-house DJ mix series, Body Language. It is a snapshot of exactly where the underground is at and has been assembled by tastemakers such as Azari & III, Catz ‘N Dogz, Dixon, DJ Hell, Francesco Tristano, Nôze and of course label-founders Booka Shade, DJ T., and M.A.N.D.Y..

Next to that there has been a constant stream of innovative, dance-floor ready singles, crossover club classics, seminal remixes and a number of standout artist albums. The label has always stayed true to its house roots, but with a rich array of influences taken from the worlds of disco, deep, tech and melodic house. Along the way, Get Physical´s core artists have been joined by red hot new talents including Alinka, Thandi Draai, PAUZA, Yulia Niko, Birds Of Mind, CIOZ and Monkey Safari. There have also been carefully considered forays into thriving house music scenes in Africa, Brazil, Cuba, Croatia and India: dedicated compilations and EPs have highlighted those region's most exciting new talents and given them a global platform. 

The name says it all: Get Physical tracks could hardly be more moving and corporeal. It was true in 2002, and it will be true in 2025 and beyond.

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