Hot new breakbeat bootleg of a 90's classic dance jam by San Francisco's ICONtrol duo (aka DJ ICON &amp; Ground_Control).  Test-driven thoroughly on the recent Illeven Eleven West Coast Tour, smashed up the dancefloor and made the party people say "w00t!" 

Instructions:
1. Listen
2. Download
3. Put bass face on

http://www.djicon.com | http://www.facebook.com/DJ1CON
http://www.facebook.com/groundcontrolmusic

Rhythm is a Dancer (ICONtrol Re-fix) *FREE DOWNLOAD*

A veteran of the north west outdoor party scene and original member of The Farmyard Noises sound system who have been running parties around Cumbria for some 20 years .
He lives up in the hills with bracken and sheep for company and has been making the vegetation shudder and vibrate to his music till the cows come home.
The Farmer has collected and nurtured a vast collection of rural beats and party animals while sowing the seeds for fun & frolics in the fields. Not content with a single genre of music his sets are full of surprises, mixing it up with anything from Blues to Drum & Bass, with Breaks, Funk, Swing & Bouncy House in-between. As one of the early champions of the Ghetto Funk scene in the North West this has grown into a quick fire mash it up party style to keep feet tapping and bodies bouncing round the floor, byre, barn or tent. When not behind the decks he is also part of the crew running `The Snug` at Beatherder Festival ( beatherder.co.uk/line-up/the-snug ) and `The Love Shack` at Solfest ( solfest.org.uk/line-up.aspx )

If we were to assume the existence of a simulation, however, and explore the concept of it through sacred geometry, we might consider the following:

Understanding Sacred Geometry
Sacred geometry is the study of the shapes, patterns, and symbols that are believed to have spiritual or mystical influence. 

Frequency and Vibration:
   * Resonance: If the simulation operates on specific frequencies, understanding and manipulating these frequencies could help influence its functioning.
   * Harmonics: Using sacred geometric patterns and their corresponding vibrational frequencies might create interference or resonance that could influence the simulation.
 
   * Code and Algorithms: Sacred geometry might represent underlying patterns or codes within the simulation. Identifying and manipulating these patterns could potentially create opportunities to influence the simulation.   
   * Entropy: Introducing chaos or randomness into the simulation's ordered patterns could influence its underlying code. 

   * Higher Dimensions: If the simulation exists within a higher-dimensional space, understanding and interacting with these dimensions could potentially allow for accessing hidden functionalities.
   * Fractal Patterns: Sacred geometric patterns often exhibit fractal characteristics, which could be used to influence the simulation's scale or structure.

Without doubt, DJ ICON has become an iconic figure in the U.S. dance music industry and beyond. With a career spanning 25 years, she has captivated audiences the world over with her bass-heavy cross-genre House, Breaks and Bass Music sound; magnetic stage presence, skillful DJ mixes and productions. It’s no wonder why she’s been dubbed one of the leading ladies of this domain.  

Starting in 1996 at age 16, ICON diligently rose through the ranks of the San Francisco underground at a time when female DJs and promoters were few. In just a few years, her skills and growing reputation had already landed her numerous residencies in San Francisco, as well as a steady flow of stateside and international bookings. ICON has also gained success in radio and television in addition to rocking dancefloors. Among her accolades are releases on well-known labels, features in two TV series, a spot in Shejay’s “Top 100 Female DJs”, being voted one of San Francisco’s best in the Nitevibe “Top 10 DJ Dreamteam”, scoring a coveted sponsorship from Pioneer Pro DJ and building a huge fanbase on her social media pages and Soundcloud.

ICON has toured the world performing throughout the United States, Canada, United Kingdom, Europe and Asia at world renowned clubs such as 1015 Folsom and Ruby Skye in San Francisco, Limelight in NYC, Fabric and Matter in London, and Avalon in LA; as well as world-class music festivals such as Coachella Music Festival, Ultra Music Festival, Burning Man and Fuel Festival in Singapore. ICON has shared stages with top tier artists such as Underworld, The Chemical Brothers, The Crystal Method, Ladytron, Paul Oakenfold, Adam Freeland, Armand Van Helden, Deekline & Wizard, The Stanton Warriors, The Freestylers, Evil Nine, Elite Force, Uberzone, Bassbin Twins, DJ Icey, DJ Rap and many more. 

Aside from being busy behind the decks, ICON has also been busy behind the scenes promoting events in SF and NYC over the years. Currently she is a core member of Opulent Temple, a predominant DJ collective that is responsible for producing a large scale sound camp annually at Burning Man Arts and Music Festival, as well as year-round events that are staples in the San Francisco nightlife. 

ICON has had extensive history on the radio waves with past residencies and guest spots on respected dance music programs such as Thump Funk and Boombox Mix Sessions on SiriusXM, Liquid Todd’s Solid State on K-ROCK in NYC (Infinity Broadcasting); IBreaks and NuBreaks in London, Radio Record in Russia; and a plethora of dance music radio shows in her hometown, including House Nation on Wild 94.9 FM, Subsonic on Live 105, Zendada on Energy 92.7, and Future Breaks on KUSF. She has also made her way onto the small screen: In 2001, she was featured as one of twelve up-and-coming American DJs in “Disc Jockey,” a 12-part documentary series that aired on Showtime™. In 2004, she was the DJ on the internationally syndicated MTV™ series “The Wade Robson Project,” a dance competition hosted by the self-titled choreographer.

Lastly, ICON’s production endeavors have proven to be as exciting as her DJ career. Her releases on Illeven Eleven Records: “Welcome To My Dancefloor” with Dustin Hulton featuring Nikki Carabello and “Wha?” a collaboration with Bay Area producer Ground_Control had steller reviews and support by leading artists in the industry. “Dancefloor” charted at #8 and #22 on the Beatport Breakbeat and Electro charts with a great review in Mixmag. The KMFX remix of “Wha?” charted at #12 on the Beatport Breakbeat chart. ICON & GC have also done remixes of “Reload” for Deekline and Ed Solo feat. Million Dan on Rat Records and “Draggin” for Enough Weapons on Vibrance Recordings.

So what’s next for this powerhouse bass princess? More mixes, productions and remixes are in the works, as she continues to make her mark in the worldwide dance music industry.