Bushbby - Oye

Remix by QECHUABOi
Design by Pounda
Mastering by Tribilin Sound

Brutal Macala - QECHUABOi Remix

Morning Riddim

DVRX Remixes

El Buga - DVRX (Ripio Remix)

https://soundcloud.com/orieta-chrem
https://soundcloud.com/selvagia
https://soundcloud.com/meetdjkaren
https://soundcloud.com/alejandrozoras
https://soundcloud.com/klein-rat-dub
https://soundcloud.com/ana-helder
https://soundcloud.com/r-o-o-i
https://soundcloud.com/jaijiu

Artwork by Valen Paulucci
Mastering by Nico Bruschi

Orieta Chrem & Selvagia - Anubis en la Jungla

Don Plok & Rafael Aragon - Churuwia
Folcore Records https://folcore.org

About Camino de Cintura

Two EPs of 5 tracks each that function as the two facets of the same work, and that cover the different bifurcations in the production process of the album, one with calmer yet catchy sounds and the other more nocturnal and frenetic.

‘The process was paused several times for tours, and each time we picked up the musical mood evolved, so there are different moods and genres, representing different interests and musical pursuits. The first tracks are very much influenced by the music I like to listen to, and the last ones by what I like to play in a club’ - says Don Plok regarding the two volumes in which the album is presented.

The tracks on Vol. 1 go through different stages, such as tranquillity, creativity, enthusiasm, eclecticism, mystery, while those on Vol. 2 go through other emotions, such as euphoria, wildness, stimulation, excitement and madness.

Camino de cintura, is the route that borders the city of Buenos Aires. It represents the diversity of the peripheries, as well as the proximity and connection between apparently distant points. The album is a journey along the creative route of the multifaceted Argentinean producer, in two instalments, which offer that variable vision of a chameleon-like artist who knows how to adapt to the different realities of his day-to-day life as a DJ, producer and communicator of musical language through the soundsystem culture and raver ‘bonaerense’.

‘Camino de Cintura is a road close to my house, it crosses the entire Buenos Aires suburbs but from the depths of the city. The wide route represents the diversity that can be found on this road, telling a story that pays homage to the different types of suburbs and imaginaries’ - says Pablo Carpignano aka Don Plok.

The second release will be available on platforms on Friday 14 June, and consists of 5 tracks as well and includes collaborations with more guest artists. It features a higher BPM sound, closer to dancefloor.

The album was artistically produced together with Manuel Schaller (Sexteto Irreal, Axel Krygier, Orquesta Hypnofón, Dick el Demasiado, Avant Press) in his Buenos Aires studio Oídos Contentos.

Camino de Cintura Vol.1

Churuwia

Underwater Orchestra House (HER Kiss Mix)

Burn13

Daniel Haaksman ́s remixes have been a fixture in the global club scene for years, offering up a hard-to-define blend of Brazilian and Afro sounds mixed with various club genres. “Remixes 2008-2017” shows Daniel Haaksman ́s eclectic sound melded into a more club-friendly format with eleven remixes for artists such as Schlachthofbronx, Batuk, Felipe Cordeiro, Omulu and Populous amongst others, most of which were released over the past nine years.


The compilation “Remixes 2008-2017” now anthologises Daniel Haaksman ́s best remixes, covering his finest remixes from 2007 up to 2017. The compilation displays his preference for remixing a diverse range of artists from around the world, including Germany ́s Schlachthofbronx, South Africa ́s Batuk or Weird Together from New Zealand. The opener, a remix for Brazilian Nordestino star Felipe Cordeiro kicks off with a hip shaking, dembow inspired beat. Colombia ́s Makine Del Karibe gets reworked in a tropical house fashion, the Brazilian-French collaboration of Omulu + King Doudou receives a trap inspired treatment. The compilation excels when it showcases Daniel Haaksman ́s knack for transforming the original onto a club ready rework withouth losing the original ́s essence and identity. “Loco” for example by Cuban outfit Madera Limpia is remixed into a dancefloor bomb, deftly layering synths and percussions on a thundering beat. Other highlights include his recent remix for Italian up and commer, Populous as well as Montreal- Moçambican singer Samito.

Creating a great remix is a delicate process, one that requires a relationship to the original, yet also a certain forcefulness in order to create a new production, rather than merely adding another beat to an acappella or melody. Over the last decade, Daniel Haaksman has displayed exactly this balance of reverence and confidence, creating his own sound in using the groundwork of others to build upon. This compilation presents Haaksman ́s capacity to produce remixes that sound today as fresh as they did when they were originally released.



Yours from Berlin,
Banda Man Recy

Daniel Haaksman Remixes 2008-2017

Buy on Itunes

Schlachthofbronx - Vem Que Tem ft. Marina (Daniel Haaksman Remix)

Los Defensores - Pandilla (Dengue Dengue Dengue Remix) taken from Humos EP Vol. 3, the last part of the vinyl release series celebrating 10th anniversary of @dengue 

The story of this track dates back to 2015 when during my stay in Peru I got to spend a week in Lamas, a lovely town in the Peruvian part of the Amazon rainforest. One day, while waiting for food in the nearby village called Tabalosos, I suddenly heard very raw and intensive music based on fast percussive rhythms that seemed endless. Until that point I was rather surrounded by salsa, cumbia, reggaeton and música criolla so such vigorous sound came to me as a total shock and got me hooked instantly. It turned out that this music was pandilla, a queen of Amazonian folklore.

Thanks to Nelly Valverde and her family I got my hands on a CD filled with over eight hours of pandilla recordings. Fortunately I kept it safe, subconsciously understanding the great value of this material. Few months later I started Basy Tropikalne (back then operating simply as a radio show only) and some time after that I began searching for information about pandilla - which turned out to be almost nonexistent in English and very limited even in Spanish. I fantasized how amazing it would be to translate it into electronic music and hence introduce a new, completely fresh genre. In order to be culturally consistent I thought that it should be done by Peruvian producers - and when you think of electronic music and Peru, Dengue Dengue Dengue come into your head first.

Amazingly enough, the duo liked the idea and after our first meeting in real life in early 2018 it became clear that the project will be continued. It was firstly announced to the public later that year when Dengue Dengue Dengue got to perform at the opening night of the world-renowned Unsound Festival with a special show that focused on this concept of pandilla explorations - it was the first time that this genre was presented to a broader audience outside of Peru.

The track that we are premiering here opens another chapter by showcasing pandilla in the environment of electronic music within an official release. It was based on the recording of a group from Tarapoto called Los Defensores and it cleverly highlights the crucial elements of the genre - melodies played on wind instrument in very high notes and steady percussive sections - turning the song into a mesmerizing gem.

[PREMIERE] Los Defensores - Pandilla (Dengue Dengue Dengue Remix)

we can hardly believe it ourselves, but our little label just turned fifteen. In human terms it would mean we´re teenagers in full swing, in dance music terms it´s like we´re silver agers. In the fast paced world of dance we´ve seen a lot of trends come and go. We´ve also seen artist careers rising quickly to the top and then suddenly crumbling. And despite the profound changes in the musical landscape, we´re still here and people still play our music. One of the reasons is that we stuck to our original aim: To release exciting music from around the world.

Since Man 01, the "Não Wave - Brazilian Post Punk 1979-1988" compilation, we were especially keen on blending local roots with the global in music, which has become a mega trend in pop and dance music. When we started the label in 2005 the internet was still a privilige of the Northern hemisphere and people were still buying vinyls and CDs.

Since we can´t throw a big celebration for our anniversary due to pandemic restrictions, we decided to put together a compilation with remixes of fifteen tracks from our catalogue. We asked young and upcoming remixers that grew up with the Man Recordings sound over all these years, to put their hand onto selected tracks and rework them 2020 style.

The line up is great and the remixes even greater. The "15 Years Of Man Recordings" compilation features reworks by Ckrono, Lorenzo BITW, 2Pekes, Rolv.K, Kensaye, KG, Don Low, Bianca Oblivion and So Vital amongst others. There´s some super fresh takes on our former releases, and some solid club compatible bangers. They all resonate that Man Recordings is here to stay!

V.A. "Daniel Haaksman Presents: 15 Years Of Man Recordings"

Fock Me Avontade ft. MC Gringo + MC Nem

Uproot Andy - Fock Me Avontade ft. MC Gringo + MC Nem ( Don Low Rmx)

@balamii residency - every 3rd Tuesday 9-11 pm
https://www.balamii.com/host/dj-raff

Bookings: alan@rasoestudio.com

London-based Chilean DJ and producer DJ Raff crafts lysergic, low-slung dance music, lacing together samples from across the Afro-Latin diaspora into a heady mix of percussive patterns and hypnotic melodies. With support from Gilles Peterson and Tom Ravenscroft among others, DJ Raff has established himself as one of the most prolific producers on the scene. He describes himself as a relator - or sonic storyteller - speaking in a “musical language” of kaleidoscopic rhythms and atmospheric instrumental moods that draw on myriad influences from the Andean regions of Chile, Peru, Bolivia and beyond.

Morning Riddim

DJ RAFF

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