Stores & Download - https://ffm.to/74568ej

Lost Planet

Battle Moon

STELLARE – dark, driving and full of emotion. A sound that goes under your skin and unleashes its full power at peak time.

Beatport

Stellare

“Harmony in Blue”
                  by Hans von Burg;
 
“A Uplifting deep tech interpretation of the Lords blue sky and the true beauty that He brings us everyday”   -HVB

Harmony In Blue

Harmony In Blue (Radio Remix Edit)

Hans von Burg - Harmony In Blue (Radio Remix Edit)

Sebastien Bouchet - Jeff Goes Riot

Buy Link: http://bit.ly/2Z96Oi5

https://soundcloud.com/familyname
https://soundcloud.com/terrondarby
https://soundcloud.com/demianmusique

Release info

Premiere: Terron Darby - Stars (Demian Remix) - Family N.A.M.E

Trans Orient Express (Snippet)

A1 Dominik Marz - Windpulver (Original Mix)

Since Biesmans made his debut on AEON last year with his “A Long Road” EP, he has continued to build a profile and musical output that is both exciting and ground breaking. So it’s with great pleasure that we welcome him back to the label for his follow up EP “Top Gun”

Biesmans has decided to showcase two subtly different versions of the title track “Top Gun”. Version 1 is a stunningly produced lo-fi disco workout with nod to 80’s synth classics. A dynamic bass line underpins a delightfully simple but effective groove and delicious melodies. Version 2 is similar in it’s approach but is perhaps a little more strident. Biesmans said “I often make several versions of a track when I’m writing and then focus in on a particular version. In this case I couldn’t decide so I figured let’s release both!'
“Dr Electric” is a more melancholy in it’s approach, with a broken beat, subtle synths and vocodered vocals taking centre stage, with almost blissful prog rock leanings in places.

Remix duties are taken up by Permanent Vacation head honcho and AEON favorite Benjamin Fröhlich and Italian duo Phunkadelica.
Both have chosen to tackle “Dr Electric” and the results are sublime. Fröhlich’s approach stays closest to the original but employs a tougher breakbeat as the foundation for his version, borrowing heavily from the synth content before delivering a driving bass line to take the track into peak time territory. Phunkadelica’s more traditional progressive house style treatment serves up a more hypnotic mix with a galloping baseline and an ever evolving layered style that draws in the listener until a breakdown delivers the spin tingling moments.

Another perfectly balanced EP from the AEON crew with something to satisfy all palates.

Biesmans - Top Gun II

Amberoom return to TAU with three brand new tracks forming the Common Factors EP. German trio Amberoom are the first act to release two EPs with us. We loved their first release so much it was only a matter of time before we invited them back. Their enchanting productions produce moments of exhilaration, emotional presence and contemplation - as well as inspiring you to dance.

The EP begins with the title track ‘Common Factors’, a stirring journey into a spellbinding world. Using a heavy dose of melancholy, this cut really tugs on your heartstrings, encouraging you to connect with your emotional centre and letting the rising energy to whisk you away to new, undiscovered territory.

Next up is ‘Convoi’, a gnarly, avant-garde cut that feels grandiose and mystical thanks to a looming vocal that sweeps across the breadth of the track at regular intervals turning the mood ominous. The track hooks you in and refuses to relent, leaving you totally immersed in its deeply moving vibrations...

Lastly, ‘Seclusian’ is another showcase of the trio’s dexterity. This one is more uptempo, with a jaunty rhythm and scattered use of emotive pads. By the time we get to the breakdown Amberoom are at the playful peak, removing all the layers before thrusting them back to work, jabbing away at your cerebral cortex.

@amberoom

Common Factors EP

Vinyl, Digital, Stream

TAU015 | Amberoom - Convoi

Buy: https://kompakt.fm/releases/higher

Home is where the heart is, and in this case that saying rings true. Though @michael-mayer-kompakt puts his love, sweat and tears into running KOMPAKT between producing music and DJing, he has managed to evade releasing anything solo on the mothership for the past 8 years (!!). There’s been no shortage of musical output in that time – be it his DJ Kicks, the ambitious collaborative full length “&”, and remixes for Metronomy, Weval, Arthur Baker and Jagwar Ma to name a few. This new decade promises a world of change, and fortunately for Michael (and all of us), his begins with the release of HIGHER on April 24th.

Italo Disco and early 90’s US Deep House (think Nu Groove, Strictly Rhythm, Nervous) are some of the foundation blocks of what motivated Michael to become a DJ and create music. He finds inspiration with the sample heavy tracks from that era – particularly the ones that used the human voice as an instrument to generate freshness, soul and warmth. To those that have seen Michael Mayer DJ will immediately recall the spirit of his sets when first hearing the title track HIGHER. A House number that is playfully serenaded by lyric-less throwback vocals. DOOT DOOT is a deeper acid tinged affair that is carried by wordless vocal melody that recalls a classic Susanne Vega song from an era gone by.

Michael has never been shy of playing a little proto-trance now and then – Take A Stand For Love adheres to the harmonic practice of the genre but changes things up thanks to a growling, gorgeous bass rhythm. Peak time pleasurable.

Belle De Lune is how we know Michael best and an apt finale that is introspective but very much dance floor driven. The track evokes an insatiable steaminess thanks to melodic bass rhythms and haunting synths. Epically lush.

Buy/stream

Michael Mayer - Belle De Lune

Buy/stream: kompakt.fm/releases/total_20

Two decades. Twenty years. Twenty compilations. Over 400 tracks. Over two days of total playing time and countless coloured dots. If someone would have told us in 1999, when we put together TOTAL 1 that this would turn into one of the longest standing compilation series in techno world we would have laughed out loud. But here we are – in the year 2020 which will probably go down in history as the most difficult period ever for club culture. But we won’t stop doing what we’re doing. Music is our oxygen. We’ll dance together soon again.

The TOTAL series has always been like KOMPAKT’s yearbook and to say it with the late Frank Sinatra: It was a very good year. Our family of artists delivered a strong heterogeneous mix of uplifting sounds, from the lush reveries of ROBAG WRUHME and SOELA to the stark primetime bangers of MARC ROMBOY or ANNA & KITTIN and everything in between. Notable new entries to our crew are the Londoner KIWI with his wonderfully careless “Hello Echo” that picks up the camp disco vibes Justus Köhncke made a staple in our repertoire. Amsterdam’s DAVID DOUGLAS delivers an appetizer for a full course meal. His quirky pop approach sits comfortably between fellow dutchmen WEVAL’s abstract beats and AGENTS OF TIME’s opulent Italo Disco. YOTAM AVNI blends Detroit techno with new age jazz that reminisces the sound of ECM artists like Jan Garbarek or John Surman. The man with the hat, KÖLSCH also picks up jazzier notes in his very own big room style. Youngblood JONATHAN KASPAR appears twice, fortifying his status as one of the hottest beat smiths of our hometown Cologne. TOTAL wouldn’t be TOTAL without our permanent staff present in full force. As per tradition, KOMPAKT’s founding fathers, VOIGT & VOIGT, JÜRGEN PAAPE, JÖRG BURGER, MICHAEL MAYER as well as our Berlin outpost SASCHA FUNKE all deliver exclusive gems that also feature on Total 20’s double vinyl edition.

May TOTAL 20 become your trustworthy companion in these uncertain times.

Blackrachas - Giorno Di Pioggia (Total 20)

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic. 
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors. 
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today. 
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label. 
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks. 
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries. 
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.