Hi just want to let you know that we presented this track in our latest podcast episode: http://machtdose.de/podcast-august-2013.html

This is a track from the "Turning Witch EP," released April 22 on Montross Music. It was recorded with Alan Weatherhead (Sparklehorse, Denali) in Virginia and Denver, and mastered by Rafael Anton Irisarri (The Sight Below, Orcas).
Available for purchase at mombi.bandcamp.com or Itunes, Spotify etc.


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Rain Schadow

Meteoric End

Stillness isn't absence, it's memory frozen in motion, a spiral suspended in velvety air. Echoes return with form and warmth, transforming silence into presence. Dreams leave residue in reverse, and names become breath, refracted. Somewhere between static and radiance, emotion is reproduced not to be understood, but to be felt again, ever softer.

Neon Weeps Softly

wavey twin

Nils Frahm & Olafur Arnalds : An excerpt from Trance Frendz 3

Order Page: https://seabuckthorn.bandcamp.com/album/turns
Subscription Series Page: http://losttribesound.com/declineseries
Subscribe on Bandcamp: http://smarturl.it/declineseriesbc

After 2016’s well-received EP,  'I Could See The Smoke', experimental guitarist Andy Cartwright (aka Seabuckthorn) returns with his new full-length album 'Turns', releasing April 21st on vinyl, CD and digital with Lost Tribe Sound.  Cartwright immediately caught our attention with his commanding full-length album 'They Haunted Most Thickly' in 2015. With 'Turns', Cartwright further solidifies his anomalous position within the genres solo guitar music, American primitive, and modern classical. 

The vinyl and CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for. 'Turns' takes form with a lush 180 gram audiophile grade vinyl housed in a heavyweight reverse printed jacket (limited to 500). The lacquer process vinyl edition was masterfully cut by Paul Gold at Salt Mastering in NY. Each edition comes with a Bandcamp download coupon. Plus, 'Turns' introduces a new handcrafted panoramic CD design (limited to 150 editions). 

'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope.  It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below.  That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card. 

Cartwright wields his minimal, yet powerful arsenal in new and intriguing ways throughout 'Turns', comprised of various twelve string guitars, a well worn resonator guitar and heavy waves of lumbering percussion. Plus, for the first time ever, Cartwright invites an outside player, composer and fellow friend of rustic orchestration, William Ryan Fritch to play double bass on three of the songs. In addition, LTS is honored to have worked with visual artist Gregory Euclide (Bon Iver, Lubomyr Melnyk) on the incredible original cover artwork for 'Turns', and sound engineer James Plotkin who handled the mastering.

Turns

Occurring Water

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Seabuckthorn - Occurring Water (from Turns)

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				</a><br/>Our humble collaborations is back! Here is our second track. We hope you will like it!

Dmitry Evgrafov & Vika Bogorodskaya — Monday

Love / Marriage

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Sallaw

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PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Rêbendan

Listen / Purchase: https://lnk.to/theletdown

‘The Letdown’ is a record better identified by the vibe it creates rather than a particular genre or style. It’s dirty, unapologetically loud and charmingly haphazard. It’s the sort of self-educated, non-jazz record that critics of Moondog would have written off as impure. Frankly, we’re good with that. The strength of the record lies not with any collegiate-level classification, but in its ability conjure moods that just feel good, are instantly familiar and invite a certain nostalgia. The gritty, noir side of it, brings to mind the old black and white detective stories. The jovial, 1920’s romanticism, lends a bit of class and gives the sense that even though everything is falling to shit, we are going to power through it with a bit of song and dance.

Whatever one happens to take away from this album, ‘The Letdown’ is meant to be fun, help the whisky burn just a bit less, and keep the blood flowing. Read into it too much and you might spoil it. Guaranteed it is unlike any Fritch record to date.

The Letdown

Unhinged

William Ryan Fritch - Unhinged (from The Letdown)

Hello everyone, I would like to show you my new album "Pereehali". This is my third album, it was written and recorded in the summer of 2012. After a long writer's block that was caused by a very pretentious and bombastic second album I decided to make a really intimate, solo-piano work. I lived in the countryside during the recording sessions, and every recording was done by me tête-à-tête with my lovely piano in the wooden house. It was a priceless experience working and writing while having a close contact with nature, it helped me a lot to understand the music I compose, to make it more organic, touching and moving.


playing & recording // dmitry evgrafov 
mixing & mastering // martyn heyne 
cover // vika bogorodskaya 
special thanks to nils frahm & dave howell

Flow

Dmitry Evgrafov

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