you’re waiting for a train that might never come. the air hums with sleep and something older. you stand between what’s real and what remembers you. places unfold in your head like old film burning through the reel. you can’t tell how long it’s been. the rails keep singing soft and low like they know your name. you think you know where it goes but maybe that’s another dream. time bends here it forgets itself. still you wait. the fog moves like breath. something out there is calling but it sounds more like a memory than a voice. maybe it’s not about the end anymore. maybe it’s just the waiting. the hum. the small faith that you’re still moving.

DeeperDream!

A journey through splendor and shadow, guided by a serene strength and an invisible purpose. Each step reveals a new reflection of power: refined, serene, and untouchable. The path does not lead upward, but inward, where true majesty lies in the intertwined silence and light.

Aurora Throne

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Email: shemarx30@gmail.com
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Sympathy

Nils Frahm & Olafur Arnalds : An excerpt from Trance Frendz 3

Joshua Sabin "Terminus Drift" (SUB020)
Vinyl & digital: subtextrecordings.net/SUB020-Joshua-…Terminus-Drift

Subtext's latest signing is Joshua Sabin, a Scottish musician and artist based in Leith, Edinburgh.

Joshua's debut album Terminus Drift explores humans' relationship with environment and space, and how this experience is augmenting us as we further embrace a digital age. Our structures of communication, exploration, and discovery are mediated by technological shifts and we exist in simultaneity between our physical environment and emerging cyberspaces with a blended perception of embodiment and orientation within both.

Sirens reverberating through station tunnels, fluctuating harmonics of subway engines, echoing tannoy systems, piercing screams of electromagnetic fields.

The sonic material of this album is composed exclusively of field-recordings captured in transit through Kyoto, Tokyo, and Berlin, in addition to electromagnetic field recordings captured in Glasgow and Edinburgh. By interrogating the sonic properties of our physical environment, Terminal imagines the sonic landscapes of these dualistically navigable 'cyberspaces' we transiently create and move through interacting with our world.

http://subtextrecordings.net/

Terminus Drift

erminus Drift

Vinyl & digital

Joshua Sabin – Terminus Drift

From the album "Woven Tide" by From the Mouth of the Sun (Dag Rosenqvist & Aaron Martin):

http://www.experimedia.net/?artists_id=2741&typefilter=artist

Color Loss (From the Mouth of the Sun)

Love / Marriage

Listen / Purchase: https://lnk.to/theletdown

‘The Letdown’ is a record better identified by the vibe it creates rather than a particular genre or style. It’s dirty, unapologetically loud and charmingly haphazard. It’s the sort of self-educated, non-jazz record that critics of Moondog would have written off as impure. Frankly, we’re good with that. The strength of the record lies not with any collegiate-level classification, but in its ability conjure moods that just feel good, are instantly familiar and invite a certain nostalgia. The gritty, noir side of it, brings to mind the old black and white detective stories. The jovial, 1920’s romanticism, lends a bit of class and gives the sense that even though everything is falling to shit, we are going to power through it with a bit of song and dance.

Whatever one happens to take away from this album, ‘The Letdown’ is meant to be fun, help the whisky burn just a bit less, and keep the blood flowing. Read into it too much and you might spoil it. Guaranteed it is unlike any Fritch record to date.

The Letdown

Unhinged

William Ryan Fritch - Unhinged (from The Letdown)

Hello everyone, I would like to show you my new album "Pereehali". This is my third album, it was written and recorded in the summer of 2012. After a long writer's block that was caused by a very pretentious and bombastic second album I decided to make a really intimate, solo-piano work. I lived in the countryside during the recording sessions, and every recording was done by me tête-à-tête with my lovely piano in the wooden house. It was a priceless experience working and writing while having a close contact with nature, it helped me a lot to understand the music I compose, to make it more organic, touching and moving.


playing & recording // dmitry evgrafov 
mixing & mastering // martyn heyne 
cover // vika bogorodskaya 
special thanks to nils frahm & dave howell

Flow

Dmitry Evgrafov