AYO!! My opening set from last month's 6to10 show at Flash w/ The Caracal Project is here!! Big shoutout and thank you to Para Presents, The Gradient Perspective and Closed Sessions for the opportunity to share a ton of sounds that I love. 

This set includes a ton of new stuff that I've been inspired by as of late, as well as some older favorites :) hit those like and repost buttons if you're feeling this!!

Tracklist:

1. piri & tommy - beachin x Technimatic - Sunburst
2. Netsky - Mixed Emotions
3. Technimatic - Holding On ft. Matt Wilson
4. Bou, Slay - Closer
5. High Contrast, Bou - Don't Need You x Wilkinson - Used To This
6. Bredren - Undress x Player Dave - Dumb (dnb edit) x Pola & Bryson - Get Serious x Disco Lines - Babygirl (SAV Bootleg)
7. Alix Perez & Ivy Lab - Maiden
8. Pola & Bryson - Vetur (feat. Hugh Hardie)
9. Alix Perez ft. Liam Bailey - Moving On (Break Remix)
10. Dub Phizix - Suia x imo-Lu - Hard Feelings
11. Technimatic - Clockwise x Pola & Bryson ft. IYAMAH - Too Shy
12. Alix Perez - Concrete
13. GLXY & Halogenix - Unconditional
14. DJ Marky, Dossa & Loccuzzed - Sliding Gliding x Degs (feat. De:Tune & Citrusfly) - Final Notice
15. Togeki - Flamethrower
16. Krakota - Colour The Past (feat. Karina Ramage)
17. Netsky - Iron Heart (Nu:Logic Remix)
18. GLXY ft. Unglued & Javeon - Something Good x Visages - Gaïa
19. Watch The Ride ft. Emz - READY4DEM x Technimatic - Lightwave x Sub Focus - Fine Day
20. Shy FX, Mr. Williamz, Specialist Moss - Sound Killa, Pt. 2
21. Gray - One Spliff x Benga & Coki - Night (Gourski & FR33M4N's Tribute)
22. Monty - First Skank Then Talk
23. DLR - Money For Nothing x Sustance & T-Man x ENiGMA Dubz ft. Snowy - Lost It (Klippee Remix)
24. Krakota - Mismatch
25. Culture Shock - There For You (Breakage Remix)

Flash Rooftop 6to10 Set [4.19.24] *Support for The Caracal Project*

playing with sounds is a thing i love doing! i got my first keyboard for christmas when i was 7 or 8 years old. it was a 1990 or '91 Casio SA-21. thinking back, ..i never learned a fracking chord, scale or note on that thing! :S .. but i've managed to squeeze a couple tunes out of it 14 years later during a jam-session in 2004 with a mate -'sa-21 experiment')

the earliest recordings and programmed tunes i've got lying around is from 2002. Since then me and my mates have come together as many bands. 3-5 times every year. back then i used soundforge to make samples, hammerhead to make beats, sawcutter for them wierd analogue synthlines, puttin it all together was done with .. soundforge, audiocity, cubase and acid, .. haha *laff*
with time i figured i needed a more powerful tool; so i looked at sum alternatives.
i ended up downloading a tracker. yes; tracker! Renoise! the oldest renoise projectfile in one of my many systematic backupfolders on my laptop dates september 2006 (how to learn to learn yourself), and i've been using and stayed true to Renoise since.. after using a v1.5 warez version for a while i bought v1.8 and at the moment running 2.8

DAMN GOES ERR
================\\\\\\

Renoise is my primary tool for both production and live jamming or performing with Redux. The exact application I described in the forums years ago with features and how it should make live ez at. (wow! 2024 here: this is soo old. I haven't made a xrn file for 10 years or so. But as I've kicked the habits I think I might find being creative wiv sounds and samples again brings a warm feeling. only problem is I have not a single VST, Instruments nor FX. Sample packs? none... my first studio is in storage at my baby's mamas house in Australia. 42hr flight yeah! but I can't afford to even get a Korg Mk3 keyboard with the 8 programmable pads and the other stuff. but starting building a VST library and sample library is not exactly the easiest to start over.... if u want to help out msg me! Thanks!!


my laptop is ... was hooked up to a Korg padKontrol i program on 2 midi ports to control multiple effects in any (and many) applications that has got midi support with proper midi-mapping features. computer output from a Native Instruments AudioKontrol1 soundcard playing on M-audio BX5a studio monitors. mic-input from a cheap zennheiser e835 mic. i'm just learning to use my BOSS DR303 SP Sampler. All in storage inMelbourne. i've got running with 2 decks and a 3ch mixer. besides that i have the earlier mentioned sa-21 keyb. 2 flutes, 2 acoustic guitars and 2 hand-drums. Audiokontrol1 2x 70W Active M-Audio BX5a Studio Monitors, the 3 mini series of MIDI kontrollers. knobs+buttons, sliders and the third I can never remember... anyway. I'm thinking about giving this MINT CONDITION BOSS DR 303 SP with 64MB cards and 2TB Audio Library.... He could become very good if he wanted. Smart kid. If not C, then R. He's a nerd like me. I'm 40 now, .. but I want to start messing with Big Dirty Stinkin' Baseline (Dizzee Raz - Baseline Junkie👌) Wish he'd do a remix for a CSGO 1Deag Junkie Tribute Fragmovie hehe.

now I run 2 5" monitors and a 8 IO TRS and 4 XLR, midi IO and guess what.. this EIE Professional Soundcard looks analogue, but is over 12yrs old, and it was so ahead of it's time. 3x USB hub on the back! dafuq?

Some of my work can be found below, and it's not serious. Just playing. #oldboysDAW #Renoise #Fasttracker2 #FT2 #Oldskool #BossDr303SP 

https://www.youtube.com/watch?v=nyhPs2ulBzg (Sexy CS there ;)
https://twitter.com/dctasb
http://www.reverbnation.com/dge/
http://www.virb.com/mlit/

Bookings/Inquiries: dan.warren2344@gmail.com

DJ, Fanatic, Writer for @neurostudio

Follow me on Instagram: https://www.instagram.com/dnnyphntm410/

Check out my articles here: 
https://neuro.studio/blogs/synapse-online

.
International Vermin Consortium
.
.
The vermin will outlive your grand children's grand children.
Like Mickey Mouse the vermin is immortal.
: )
Antifa is my cousin.  I heard some people were looking for her.  Since I like to be helpful when I can, she was in Alexandria last time I talked to her, three weeks ago.  I think she mentioned going to Zurich in the near future.
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...
Is it 1984 already?!?!
...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

VJ
Live projection/laser mapping
Touch Designer enthusiast 


Contact: hapticlive@duck.com

MKULT is presence, a state of mind achieved through sound— a transmission of higher consciousness through frequency and form. MKULT is Shelly Truman, a West Coast–based producer and performer from Port Townsend, Washington and Tonopah, Nevada. An architect of atmosphere and emotion, Truman merges analog and digital worlds through trance-induced production, shaping sound as a state of being.
Her compositions move through techno, electro, drum and bass, ambient, dark wave, synth-pop, and cinematic downtempo, blending glitch, artifact, atmosphere.

Listen. Be here. Be fearless. 

Stillness inside movement, chaos inside order.

A multi-instrumentalist and self-producing artist under her independent label TTwinz, Truman performs, mixes, and masters her own work. 

Her sound exits the stratosphere and is a starlink that remindat the intersection of science and spirit — immersive, psychological, and deeply human.
MKULT is more than an identity; it is a state of awareness — a visionary movement driven by altruism and the belief that sound can awaken collective presence. Truman channels intensity into clarity, inviting listeners into a shared experience where music becomes the pulse of consciousness itself.
You enter MKULT by being fully here.
Booking, press, and collaboration inquiries: https://freetheburn.com

Flash Rooftop 6to10 Set [4.19.24] Support for The Caracal Project

DNNY PHNTM