"Are You Happy Now?" by Richard Shindell

Performed by Laurie MacAllister (of Red Molly) on her solo album "The Lies the Poets Tell"

Featuring Richard Shindell on harmony vocals and electric guitar!

The Lies the Poets Tell

Are You Happy Now? (feat. Richard Shindell)

A tune written by Cornelius Lyons @1706, with my own variations, played on a Preston cittern or English guittar. This track is from the Demarzi CD -

https://docrossi.bandcamp.com/album/pasqualini-demarzi-six-sonatas-for-cetra-or-kitara

Miss Hamilton - 18c English Guittar

On my radio show "Folk 'n Trad show" 30.10.2015

Blackbird with Tim O Connor and Doc Rossi

A tune I wrote a couple of years ago for solo cittern with tape delay. It'd just been sitting around...

Eye In The Sky

more pics here: https://goo.gl/WFb3SL
figured salvaged redwood top
flamed walnut body
laminated african mahogany neck
ebony fretboard and binding
22.5" scale, unison strung
smaller 14" wide body

OM Ftop, Redwood,walnut, Small Body, Long Scale, 2017

Demo of this fine 1920s Julio Teixeira Portuguese guitarra - a rare Porto model. They are shallower than the Lisboa but tuned like a Coimbra.

Poll Ha'penny

A remix from my Daubat CD (available on Bandcamp).

Daubat Phase Three

La Fidélité & La Merveilleuse

A mighty bad man but a good life, anyway. This "Railroad Bill"
has Jon Evans' fretless bass and Bruce Abbott's flute.

Cave Art

Railroad Bill

Birches
© 1993 Bill Morrissey
From “Night Train”

They sat at each end of the couch, watched as the fire burned down
So quiet on this winter night, not a house light on for miles around
Then he said, "I think I'll fill the stove, it's getting time for bed"
She looked up, "I think I'll have some wine. How 'bout you?" she asked, and he declined

"Warren" she said, "Maybe just for tonight
Let's fill the stove with birches and watch as the fire burns bright
How long has it been? I know it's quite a while
Pour yourself half a glass. Stay with me a little while"

But Warren, he shook his head, as if she'd made some kind of joke
"Birches on a winter night? No, we'll fill the stove with oak
Oak will burn as long and hot as a July afternoon
And birch will burn itself out by the rising of the moon”

"And you hate a cold house, same as me. Am I right or not?"
"All right, all right, that's true," she said, "It was just a thought
She said, "Warren, you do look tired. Maybe you should go up to bed
I'll take care of the wood tonight" "Oak" he told her, "Oak" she said

She listened to his footsteps, as he climbed up the stairs
And she pulled a sweater on her, and set her wine glass on a chair
She walked down cellar to the woodbox, it was as cold as an ice chest
Then climbed back up with four logs, each as white as a wedding dress

And she filled the stove and poured the wine, then she sat down on the floor
She curled her legs beneath her as the fire sprang to life once more
And it filled the room with its hungry light and it cracked as it drew air
And the shadows danced a jittery waltz like no one else was there

And she stood up in the heat, she twirled around the room
And the shadows they saw nothing, but a young girl on her honeymoon
And she knew the time it would be short, soon the fire would start to fade
She thought of heat, she thought of time, she called it an even trade

Birches (feat. David Glaser)

This is a demo of a tune I wrote for an accordian player - I never came up with a title, so if you've got any ideas...

March

A version of this song that I have been singing for years ... and have no idea where it came from. Any information about it would be welcome!

Here this is a rehearsal recording with Ralph Jordan on guitar and myself on vocal. We were having fun with it, and recorded two endings - a straight "folk" ending and a slightly more experimental jazzy end. Guess which one we preferred!

EDIT: Ten years later, or so, I found the wee small publication "Folk" edition number 1 published in 1962 which I had bought while at university in Wales in the 70s ... and there was the song. Apparently arranged and edited by Frank Purslow and John Pearse. Still on the hunt to find out where it actually came from in the first place!

Blow the Candle Out (Irene Shettle Vocals; Ralph Jordan Guitar)

I specialise in the links between traditional music from a range of European cultures and the music of the Galant era. I have focused on citterns of many periods and sizes, but I also play related instruments such as the Irish bouzouki and the steel-string guitar in a variety of tunings. My work has involved blending the ancient sounds of early music and the intricacies of traditional dance music. I have a deep reverence for the past, a varied repertoire, and as a performer, a relaxed, conversational style that I hope draws listeners in as if they were sitting in my music room.

Although my musical base is firmly in America and Europe, my travels, interests and research have led to an appreciation of many kinds of traditional music. I discovered an affinity with Irish traditional music by first falling in love with the dance music of medieval, renaissance and baroque Europe. My passion for the cittern led me to Fado and the Portuguese guitarra tradition, as well as to the Corsican cetera. I play historical as well as modern citterns, and have recorded several albums of music for the 18th-century cittern, often called the English “guittar”.

Miss Hamilton - 18c English Guittar

Doc Rossi - Cittern & Guitar

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