Oh those drums!  Superb playing, Peter.  Superb track too...

'you can('t) change' with Scratch Kelly 

Scratch: beat, synths, backing vocals, production, art
Scotty: guitars, lyrics, vocals 

I can't even blame you, girl,
after I've learned about your world.
Fucked up, but, still, that is that.
I have given all of me,
and sometimes I did believe
that we'd create a habitat. 

But then tonight happened again,
and I've lost my love, and best friend. 

It didn't need to escalate,
then you wanted to stay out 'late',
drink some more, and party hard.
Then when it was time to leave,
you spoke shit I'd rather disbelieve, 
and now I have to leave. It's hard.

Because when you're straight, you are great.
But, I keep making the same mistake
of forgiving you. Now, it's too late.
My heart is torn, but, so is fate. 

You can('t) change.

you can('t) change (with Scratch Kelly)

INDEEP // In The Depths…
@docfritz // All Musical Stuff, Drums & Percussion, Cover, Mix & Production
Composed, Arranged & Performed by DOCFRITZ @oesj 
© 2025 // All Rights Reserved

INDEEP

This song is about someone being worried and stressed by work, but who connects with something bigger, something wonderful beyond themselves, that provides some solace and gives them perspective on their situation. 
They find this perspective on an insomniac walk, in the beauty of the town at night. Hence my linocut of the fox at night :)

The High Far Fields of Home

Dedicated to the memory of Laura Dahlmeier - Wikipedia https://share.google/E5VFYRuq67j4ScNOd

Rest in Peace Laura. You are an amazing role model ♾️ and your light will always shine on us and in us making this a better planet 🙏🏽🤍🙌🏽

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation guitar, lead vocals, lyrics, and compostion
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
Mistermark-- @user-432503709 -- Mark –- VST timbale, production editing
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T electric guitar, production, mix, and mastering
J.J. Terrell– @j-j-terrell – synth
Llanpsych -- @llanpsych -- Tez – Fender Telecaster HSS electric guitrar
This song began as Carl's tribute poem to our drummer, Ken. Carl came up with the chord progression and started a project, to which he invited the rest of us. This is the third song Eclectic Collective has done that is a tribute by Carl to one of our members. We couldn't feel more honored than to be the subjects of his wild and boundless creativity.
Fittingly, Ken was first in line to add his magnificent drums. Once we had drums, Josh had something to work with to add his bass, which he did shortly after the drums were up. Mark paid the project a visit next, not only editing it to fit the cool drum and strings bridge, but supplying the VST timbale drums, as well. Stephen jumped in soon after, adding the melodic electric guitar riffs that appear throughout. Not to be outdone, JJ added the throwback psychedelic synth that pops up towards the end. Finally, Tez came along and added the electrifying solo that appears about a third of the way in, as well as the one at the end.
Once the recording was finished, we turned it over to Stephen to mix in his always professional manner.
This song is all about our very talented teammate and brother, Ken, and it is well deserved, too. As mentioned, this is the third song from Carl about one of us. It's hard to describe the feeling of having someone who you respect take the time and energy to think about you in such a positive way as to produce a song about you. Then to have all your buddies join in to amplify it to a solid song is just mind-blowing. We are all very grateful to Carl for not only sharing his music with us, but for his thoughtful consideration of each of us as subjects. We hope you enjoy listening to this as much as we enjoyed creating it.
Original lyrics by The Perfect Dark:

Lyrics

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture

Rhythmic mountain maestro
Each day, graft, working hard
So kids can eat
Bruised back see best of yard

Still, beats get born of evenings
Deep love finds joules to jam
May generation X soothe meaning
Let's teach the younger pussies what we can

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

(Delay the next verse for a short instrumental section of some kind here)

Karakoram human
You decorate good future
As many lose their Gods
You stand tall as suture
Sticks in hand
Cymbals a floating
Snare and bass backbone gland
Tom'ed Ringo Star man keep quoting
Keep life steady paced by hand

To Ken, from pen, to page, to Music
To friends, Now is when, Good sage soup soothes us
Honest and brave, To Jesus he save
Kudos our maestro of percussive wave

Rhythmic Mountain - [Eclectic Collective]

Written and performed by Josh McAlexander

A hold on me (Original)

Listen to A Little Bruce Lee Goes A Long Way by Hand on the Rock on #SoundCloud
https://on.soundcloud.com/VfBTjH1PDx6SIDEcWZ

We inspire each other and it's so cool man.
Thanks Hand on the Rock. It was the seed of the above song that put the Bruce Lee Water in my head a while back. That's another little wonderful experience nugget that we can deliver eachother when expressing art and again if guessed by a computer you won't get those fine details and the cherries you choose won't be yours. That cherry is ours because we experienced it together. It was real! It marked properly a moment making it memorable while evoking feelings. Now new feelings link those moments. We don't get that connectivity of feeling and nice moments with art that's handed to us. We have to take it from the start to the finish and reflect on it... Music is our therapy let's not lose that

I think I'm starting to realise... When you add the amount of instances our experience offers us and multiply that by the amount of neurons... When it comes to making art which is the business of discovery ... We have the high ground still.. We have too many connections and we have the force of feeling ... The force cannot be handed to you by a computer! EVER


The Jedi Order

Star warred order for Lucas screen
For now we mute our own mind scream
One Obi Wan or it's mission Darth
Be Yoda of light or emperor of dark

It's Galaxies of neurons filling your skull
Intention to action discerns dark/light pull
Do we silence Luke and be that evil?
Your imperial pain
Wind whooshed mind Eagle

Emanations
Controlled neuron strings
Observational Force empowers all things
The things of you
The things of me
Rings of resonance
Choose jail or free

Whether Youngling, Padawan, Knight or Master
No control of others finds your Yoda faster
Grand master of me
Light like leaf
Yet all cosmic power in this chief

All magnetars tinder like in brain
Those sly supernovas tinder like in my name
Being your blackhole controls right of passage
Singularity known
Freeman charge controlled brassage
Energy
You
Bruce says, Be Water...Be new
Memory of liquid
Good and great
Guide all with pathway
That inner peace make
Deliver us light
Force for all good
Do we dopamine scroll to dark wimp with hood?

The Jedi Order
Good mind be broader
Octillions of atoms
Sayeth Bruce, Be Water
Whether Youngling, Padawan, Knight or Master
Be your liquid Light
Grand Yoda pasture

Use the force
Be Water

🧬 The Jedi Order 🧬

Zarine  - EP Old Fairy Tale CUT Vers.

onde dormem os gatos sevagens

Original title: I like to sample old drums

Open collaborations have always triggered me and they have to be cooked, when they are still hot. So when I listened to the new track of Marquis I knew immediately what I wanted to do and created a remix in a few hours. My approach is, that I have replaced the warm and organic sounding drum-loops with cold and sterile sounding synth-sounds. Though I am far from being a Hip hop-producer I tried to apply a polished and modern attitude. I painstakingly recreated the groove of the original loops, shifting sounds exactly to the same place. All sounds are made with the Zebra-synth and mixed in Logic. I used two raps and tried to create a smooth transition between them.

Open Collab original: https://soundcloud.com/couch-king-presents/i-like-to-sample-old-drums

Lyrics 
Take The Max Down To Hillsboro  
Hey maybe when were done collabing  
You should  
Take the max down to hillsboro  
Kickback and relax 
We could have fun 
Eat some cake at Decadent Creations  
Chill and bake in the sun, then Run to the Bagley park pavilion 
When the rain has begun 
We don’t use none umbrellas here 
Just jackets from Columbia  
I could buy you one cause there Is no sales tax,  
I don’t lie, just facts 
We all like to try to put bike racks on our Subarus  
What chus got to loose  
Boos is only sold  
At the liquor store I got one near me called 
Wholesale Liquor store 
Yo what more  
Do you want to know From the Portland Airport  
You can go  
Take the max down to Hillsboro It’ll cost around 4 to 6 bucks  
And take about an hour and 45 minutes 

This One Goes  
This one goes out to Portland breweries even though I don’t drink keep making them brews 
This one goes out to Washington Park for the oldest west of the Mississippi zoo 
This one goes out to Beaverton Nike workers cause you know we keep wearing them shoes 
This one goes out to Hillsboro  
This one goes out to Cornelius, every day I go to work I’m just passing through 
This one goes out to Forest Grove Pacific University keep collecting them dues  
Fuck going into debt for school



Heartscore and The Couch King - I like to program new drums

Get it: www.beatport.com/release/arab-dub/5340350
Arab Dub is a deep dive into the meeting point of heavy dub grooves and Middle Eastern soul. Across eight tracks, Wöllner invites a diverse lineup of guest musicians - including YUZ & Itzhak Ventura, Roy Smila, Yael Dagon, Eje Eje, IBY, Elad Cohen, Carmelly and Yestegan chaY - each adding their own instrument and spirit to the journey.
From the hypnotic basslines and echo-drenched percussion of ""Roots"" to the soaring strings and desert winds of ""Nakhal"", the album moves between meditative soundscapes and dance-floor-ready pulses. Organic instruments like Oud, Ney, and Kamanche intertwine with electronic beats, delays, and reverbs, creating a cinematic, cross-cultural sound.
It’s music without borders - rooted in tradition, yet fully alive in the present - inviting listeners to drift, dance, and dream across the dunes.

Follow Camel Riders:
Facebook: www.facebook.com/CamelRidersRec/
Spotify: open.spotify.com/user/zg8gl7ko7hhdcsdgtbf11bbik
Soundcloud: @camelridersrec
Instagram: www.instagram.com/camelriders/
Bandcamp: camelriders.bandcamp.com/follow_me
YouTube: bit.ly/Subscribecamelriders
Beatport: www.beatport.com/label/camel-riders/76294

Camel Riders Records by @larozmusic & @Funkamel1 is a pioneering label that fuses electronic music and global beats, blending organic sounds with cutting-edge production. With a signature mix of Afro House, tribal grooves, Organic House, Indie Dance, Downtempo and more, the label has become home to boundary-pushing artists and dance-floor visionaries.

Arab Dub

Wöllner - Hooka (Feat. Elad Cohen) [Slow Riders]

Deep roots reggae with a hypnotic dub groove. Heavy bass, one drop drums, minimal textures and mantra-style echoes. A relaxed but powerful soundscape, built on rhythm and space.

Di librarian Dub

DocFritz aka P. Pasch is a Live & Studio-Drummer, Comp. & Prod. Here you can hear own tracks and collabs. For example @oesj and DRUMAX PROJECT with @joerxworx.

INDEEP

DOCFRITZ

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