Fusion PREV

Set Dj-Techno-30min

This is a true story: 
On November 23, 1977, Debbie Harry and Blondie performed in a concert at the Radio Bremen studio in my hometown of Bremen. The audience consisted of only 20 people, including me, just 18 years old. 
Nobody here at the time knew what a great band they were and that they would conquer the world.

There is a recording of this performance, which can be found on YouTube: https://youtu.be/3aWsq0ykFfE?si=5MbzDK7DoPm7PiOg


Bremen town, a foggy night
November cold, but the lights were bright
Radio station, Studio Three
You were gonna be on TV
Just eighteen, a nervous kid
Didn't know the history we did
Platinum blonde, a punk-rock queen
The coolest thing I'd ever seen!

The room was small, not even packed
Twenty kids in a TV act
The camera pans, "Now look alive!"
"Pretend there's more than twenty-five!"
You hit the stage, a sonic wave
For the tiny, secret crowd you gave
Your everything, we loved the sound
On that forgotten German ground.

No photograph from 'seventy-seven
No polaroid of teenage heaven
But fifty years, a flash of light
A.I. makes the memory bright
It's a fake selfie, yeah I know
But in my heart, it's our first show
Me and Debbie, side-by-side
Got nothing to prove and nothing to hide.

You thought the ocean was just down the street
Made us all smile, oh that was sweet
A moment lost in time, no trace...
Until the A.I. puts a smile on my face
Yeah, I know it isn't true
A pixel-perfect me and you
But the feeling's real, it takes me back
To that sound, that new wave track.

No photograph from 'seventy-seven
No polaroid of teenage heaven
But fifty years, a flash of light
A.I. makes the memory bright
It's a fake selfie, yeah I know
But in my heart, it's our first show
Me and Debbie, side-by-side
Got nothing to prove and nothing to hide.

No photograph from 'seventy-seven
No polaroid of teenage heaven
But fifty years, a flash of light
A.I. makes the memory bright
No photograph from 'seventy-seven
No polaroid of teenage heaven
But fifty years, a flash of light
A.I. makes the memory bright
So bright...

—
Arrangement and vocals: Volker Redder, Udio, Apple's GarageBand
Loops and samples: Volker Redder, Apple's GarageBand
Editing and sound design: Volker Redder, Sound Studio, Ozone 11, GarageBand
Lyrics: Volker Redder, translated with the help of Google Translate
Cover design: Volker Redder, Adobe Photoshop, FLUXpro, Apple's Keynote

A.I. Makes The Memory Bright

I saw them argue over coffee
Steam forming secret shapes
She laughed at something small and lofty
He reached, then fixed his sleeve in haste

Rain dropped one perfect tear
I almost caught it in my case
Their shadows leaned until they neared
A crime they forgot to embrace

He looked right at her and said
"That's not really you"
And God help her
She hoped it was true

He'd chased the edge of every map
Collecting stamps, abandoned rooms
But she smiled
And just like that
The ground felt...
Nice
It bloomed

'Cause happiness isn't happiness
Without a violin-playing goat
Without something real and tender
No one can name or quote
It's a string fraying mid-song
A bow that forgets its place
A note that stays too long
And still finds its grace

The wind heckled
Coins chimed in the case
He looked ridiculous 
In the shivering rain
And she knew
She wanted ridiculous too

I kept the melody clean and slow
They kept their tempers, let them strain
They learned to bruise without retreating
I learned their silence had a grain

'Cause happiness isn't happiness
Without the risk of being wrong
Without someone who keeps your silence
Like it belongs in the song
It's a vow spoken sideways
A chord that won't resolve
A goat still bowing at midnight
While the rest of the world dissolves

I only play on Tuesdays
And sometimes Wednesdays too
Tonight, I played for them
Tonight... they nearly knew

The Goat Plays On

Who knew a Bill Nye Remix could go so hard?? — a little bit of Breaks in the beginning to give it that old school 90s flavor, a chunky Bass House drop for the club rats and then a Trap section that just might give you permanent bass face. The nostalgia on this one is S tier; a guaranteed weapon for your sets!!

Bill Nye The Science Guy (Dance Party Time Machine Remix)

FREE DOWNLOAD

Seven is a concept album based around the theory of the cosmic and esoteric evolution of the planet, musically depicting the the seven races and their existence on seven continents, past, present and yet to come.

Composed, performed, produced and recorded by Paul Landry
Album cover design and photography Paul Landry 
© 2018 Paul Landry & Aeon Records
℗ 2028 Ditto Music LTD


Atlantis

Music from Dogs on Wheels 2

Those lovable Dogs on Wheels return in this sequel for an outer space adventure / Rated PG

- Opening Sequence
- Above the Planet
- What are you looking for?
- Jo Goes Below
- Last Communication
- Tears in Space
- Happy Return - End Credits

Composed and Produced by Sparky Bonehead

©2024  Sparky Bonehead

Music from 'Dogs on Wheels 2'

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Slikback x Skrillex - Kixa

Part One of Goodbye (I’m Gone)

Met a girl in Memphis
Beneath the Southern sun
All those years of loneliness
Lovers taken one by one

Touched by the smallest sorrows
She gives all her jewels away
A thousand souls on a through train
With not a word to say

I hear they’re buildin’ rocketships
To reach out to the stars
Recruitin’ all the Innocents 
From all the dives and bars

You say you believe in one God
Then you turn your back on me
Just because we don’t think the same
You breed hypocrisy

Part One of Goodbye, I’m Gone!
Part One of Goodbye, I’m Gone!

I ain’t got no time for hate
No I ain’t got no time
You think what you wanna think
You go your way, I’ll go mine

Evil takes on many shapes
Some will blind you with the sun
Blind you with prophetic words
And say you’re the chosen one

She still sleeps in his blue shirt
His scent upon her skin
Though he’s a thousand miles away
She feels so close to him

Corrupt weak politicians
A prostitute with a gun
I’m leavin’ town tomorrow
Livin’ here ain’t so much fun

Part One of Goodbye, I’m Gone!
Part One of Goodbye, I’m Gone!



The sun has moved from East to West
The day is almost done
She realises she don’t love him
His race is almost run

Like shadows your clothes lie
Lie on the bedroom floor
You know I never thought like this
I never thought like this before

Your tender touch so tender
So tender in the gloom
I’m tired of lookin’ in the mirror
Tired of howlin’ at the moon

Don’t judge me by my skin
Or the colour of my eyes
Don’t believe the news you read
It’s just a pack of lies

Part One of Goodbye, I’m Gone!
Part One of Goodbye, I’m Gone!

Two laughin’ French girls
Whose world has just begun
All bright eyed and full of life
Oysters ain’t for everyone

It’s so beautiful when you sudd’nly
Sudd’nly look up at me
Your hair fallin’ down in your eyes
You’re where I’d rather be

No one ever broke her heart 
She never learned to hate
She’s the very pink of honesty
But that won’t be her fate

She glows like she’s steeped in sunlight
Her infectious smile like smoke
I’m headin’ off where I can think for free
This life’s some kind of joke

Part One of Goodbye, I’m Gone!
Part One of Goodbye, I’m Gone!

Now it’s time for coffee
Coffee and a currant bun
Time to say Night and Bless
My time is almost done

Part One of Goodbye, I’m Gone!
Part One of Goodbye, I’m Gone!


Part One of Goodbye, I’m Gone!
Part One of Goodbye, I’m Gone!

Part One of Goodbye, I'm Gone

Barfuß Blues

Space Fantasy – The Ride 
is a spinning roller coaster at 'Universal Studios Japan' in Osaka.

Osaka Space Coaster

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.