Tracklist:

1. Belive Is Belive - HD Substance
2. Panna Cotta Eyes - Magda
3. Edamame - Marc Houle
4. Thirds in Trees - Marc Houle
5. Lockjaw - Magda
6. Snabeln - Hugg & Pepp
7. Du What U Do (Trentemøller remix) - Yoshimoto
8. Doch Doch - Extrawelt
9. 2000007 (Paul Kalkbrenner remix) - Modeselektor
10. Tatü-tata - Paul Kalkbrenner
11. Outhouse (Main Mix) - Nathan Fake
12. 
13. Lesh - SIS
14. Horizons - Sebo K
15. Blacklight Sleaze (Radio Slave Vocal Mix)- Peace Division
16. Frozen World - Peter Grummich
17. Nia - Ãme

On the Wall

The video artist Paulievalent has made a cool video to this track. You can see it at his Vimeo, or our YouTube pages.

Variant of Concern γ OA11

Variant of Concern 3γ OA11

Thank you for listening.
Already registered on each distribution site
Instrumental Arrangement,Lyricist, Mastering / sdmk&shiradow

whisper in the night

Just because.
My sincere thanks to David Dunham for his generosity in mastering my track. @david-dunhamuser589535203

Rather Strange

Tension

Tension (Live From The Tension Tour)

Café au Soleil, Prison sans Sucre

The Münchaunsen Man- Short Movie main theme. Now on Fetchflix

Like Many people, Robert has a Factitious Disorder. One day he thinks he can be a cook, an architect the other a lawyer, a pilot or even a surgeon each time putting the life of others in danger. Robert learns quickly but fundamentally, he is ignorant in many ways. When he pretended that he landed the lunar module Falcon on the moon with Luis Armstrong one should have understand that he was totally phony but clearly indicating that he may have been a jazzman. However, his charisma and his good spiel may bring him to the presidency of his country. Will someone stop him before it is too late?

Note: The lunar Module is the Eagle landed on the moon by Niel Armstrong with Buzz Aldrin.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental. And for those who did not get it, Fetchflix TV is also fictitious.”

Music: Syrel
Photography: Meta AI

Musical notes: This song is vaguely inspired by Chick Corea’s album The Mad Hatter, a classic that you should listen some day.

The Münchaunsen Man

A Life Recalled

Prompt: drum and bass acoustic rock, chill pop, trap groove, math glitch rock, electro latin house, experimental electro, shibuya-kei, grunge metal, funky bass riffs, jazzy and spacy guitar solo, funky slap bass, funky bass riffs, pedal effecter bass, hard kick drum, hard bass, bright & heavy guitar, [[ dirty male vocals, harmonic vocal group, 3 vocals harmony ]]

Words:
I’m in a moon drop, spinning in a jar
No truth, no map, just chasing stars
The noise is velvet, the ground is tall
I’m afloat in the moon drop fall

© 2024-2025 Stingray Tokyoska, © 2024-2025 Primal Groove, All Rights Reserved. "Primal Groove™” is a project of music production, since 2007.

Creation with SUNO AI
https://suno.com/s/3BP7AIkalP2ElYDk

X
https://x.com/Stingray_tks

Moon Drop Fall

Ibiza 2025 IV

A gleam on glass, a promise lightly spoken,
The moments fall, a slow and silent crime.
I sit here on the edge of a day broken,
Lost from the fading traces of his time.
A glassy shrine within my frozen hand,
Where his reflection, mute and still, is held.
A strange and half-believéd, distant land,
That will not open, that remains unspelled.

Is it only waiting? Is it only waiting?
This echo in the chamber of the soul?
To lose and never have had all control?
Is it only waiting? Is it only waiting?
A phantom promise falling into dust,
A wilting leaf betrayed by autumn's rust.

The world spins on, indifferent and fast,
A play of faces I no longer see.
An angel, maybe, from a sky downcast,
Looks on and wonders what has captured me.
The irony in glances passing by,
They cannot see the chasm deep and wide.
They cannot grasp the reasons that I lie
In wait for something that has already died.

Is it only waiting? Is it only waiting?
This echo in the chamber of the soul?
To lose and never have had all control?
Is it only waiting? Is it only waiting?
A phantom promise falling into dust,
A wilting leaf betrayed by autumn's rust.

Perhaps the test was never him to find,
But just to be, the self I left behind.
The silence grows where promises were spoken,
A brand new world inside of me has woken.
The emptiness becomes an endless space,
And on its shore, I see another face.

Is it only waiting? Is it only waiting?
This echo in the chamber of the soul?
To lose and never have had all control?
Is it only waiting? Is it only waiting?
A phantom promise falling into dust,
A wilting leaf betrayed by autumn's rust.
Is it only waiting? Is it only waiting?
The phantom promise has returned to dust,
And on new ground, I find a different trust.

The screen goes dark. No echo. Not a trace.
I breathe me out. I breathe me in. This space.

—
Arrangement and vocals: Volker Redder, Udio, Apple's GarageBand
Loops and samples: Volker Redder, Apple's GarageBand
Editing and sound design: Volker Redder, Ozone 11, Sound Studio, VirtualDJ, GarageBand
Lyrics: Volker Redder, translated with the help of Google Translate
Cover design: Volker Redder, Adobe Photoshop, ChatGPT

Is It Only Waiting?

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.

Hi, I’m Volker – or "docredder"/"redder" when it comes to music. My journey into sound started early: as a child I sang Bach in a boys’ church choir, and that’s when I discovered how music can feel like both mathematics and magic at the same time. Later in life, I studied science and technology, but music has always stayed with me, as a way to process emotions, ideas, and imagination.
I’m not a virtuoso on any instrument, just a little guitar and some keyboard, but that never stopped me. For me, music is not about technical perfection, it’s about creating moods, telling small stories, and experimenting with sounds. That’s why I produce everything myself: the writing, the arrangements, the vocals, the mixing, and even the cover artwork. It’s a DIY approach, but it allows me to keep every piece authentic.
My influences are eclectic. I’ve always admired the timeless soundscapes of Pink Floyd and Genesis, the storytelling of Supertramp, the bold arrangements of Yes, Electric Light Orchestra and Muse, and the free spirit of Miles Davis. From progressive rock and indie pop to touches of jazz, funk, or ambient - I enjoy blending different textures until something new emerges.
Over the past years I’ve released a wide range of tracks, from introspective ballads like "Lament of the Last Generation" and "The End of Our Human Days" to playful experiments such as "Anna Sutter" or "Das Sein im Tinder-Schein". Some songs are melancholic, others ironic, some are inspired by literature, history, or science fiction. What connects them all is that they come straight from the heart - and from curiosity.
Every song is a little adventure for me. Sometimes it begins with a lyric, sometimes with a guitar loop, sometimes just with a feeling. I use simple tools like GarageBand, samples, my own voice and AI voices, but I try to arrange and transform them in ways that keep the listener surprised. My hope is that, even if just for a few minutes, the music opens a window into a different perspective.
I’m grateful for everyone who listens, shares, or gives feedback. Music for me is about connection - and every play, every comment, every message makes this journey worthwhile. If you enjoy honest, handmade songs that mix styles and don’t always follow the rules, I’d love for you to join me on this path.