OSC My Favs

One Synth Challenge #183: AudiblePlanets by Greg Recco / gregrecco67

KVR One Synth Challenge  OSC

Made for the KVR One Synth Challenge 155:
https://sites.google.com/site/kvrosc/2022/osc-155-any-one-synth
https://www.kvraudio.com/forum/viewtopic.php?f=1&t=575714

All sounds made entirely from scratch with the Roland System-8 hardware synthesizer on the System-8 Model.
DAW: FL-Studio 20.9
Instances / Recordings: 40 Audio Tracks

DAW Plugins:
Fruity Parametric EQ2 [22], Fruity Limiter [3], Fruity Stereo Enhancer [14], Fruity Delay 2 [4], Fruity Delay 3 [4], Fruity Reeverb 2 [3], Fruity Convolver [1]

3rd Party Free:
Youlean Loudness Meter 2 [1], Melda MCompressor [2], Analog Obsession LOVEND [2], Xfer OTT [8], TAL Reverb 2 [3]

3rd Party Commercial:
Waves H-Reverb [II]

3rd Party I got it for free but it´s actually Commercial:
Izotope Ozone 8 Elements [1]

No wolves were harmed during the production of this track.
Mixed and Mastered by a Neodymium-doped yttrium orthovanadate crystal.

Impedance Music - DPSS (OSC#155 - Roland System-8)

One Synth Challenge 156 @ KVR. Sequenced using 12x instances of Synister.

DLA (Osc156 - Synister)

The servant robots have sensed that an attack is eminent.

OSC156 Down Everybody (Synister) 22/25 88%

Monthly OSC contest track using Synister to create all sounds in Ableton Live 11. 
A melancholic track for the times.

Techquiem (OSC 156 - Synister)

My submission for the One Synth Challenge, using Synister https://the-synister.github.io/ as only sound source.

YT: https://www.youtube.com/watch?v=QJ3wYgS0TIM

DAW: Ardour 6.9 on Archlinux
38x Synister instances via yabridge/wine

Audio Effects:
-LSP Parametric Stereo EQ
-Calf Vintage Delay
-ZaMultiCompx2
-ACE Compressor
-airwindows Reverb
-TAP Tubewarmth
-Dragonfly Hall Reverb
-Wolf Shaper

MIDI effects:
-B.Schaffl
-x42 MIDI Strum

Masterbus:
-Luftikus EQ
-LSP Parametric EQ (Stereo and MidSide)
-LSP Stereo Compressor
-airwindows ToTape5
-Refine
-x42 DPL Limiter

MyLoFy - Shattered

Tal Bassline submission for OSC 65

DAW: Reaper (yee haw)

Once the MIDIs had been created for each track ... the workflow was thus:
Each track was built by programming the synth for the sounds I needed, then the FX were added to the track chain, and the synths tweeked. Once I was happy I froze the tracks WITHOUT the fx chain. Then I used Reapers drag to pull over each fx from the synth track to the rendered audio track (thus keeping all the settings). I did this twice for each track (hence the "28" instances of TAL). Then the pairs of tracks were panned and fx tweeked to taste.

Tal Bassline  --- 28  (all tracks doubled up and layered with different pan, verb and comp - depending on which fx are on which track!)

FX used ...


Classic Reverb  ---20
Epicverb --- 6
ReaComp --- 11
BootEQ Mk 2 - 1
Classic Limiter - 1

Ok - what is here now is a re-visited version. Now with  more layers with different EQ/verb/comp.

If the opinion is that this is not as good a mix/performance - please let me know and I can revert ...



DoctorBob - The Grass is Blue - TAL BassLine (OSC 65)

Enjoy another happy retro sound with classic smooth solo from DoctorBob

[Now at version 3, small bits of volume automation done]

[Now at version 4, extra soloing added before and after the main solo to brighten the sound and lift it a little out from the very dense soundscape]

[Aw heck. Now at Version 5. Better dynamics now I think, wall of sound still there, but overlaid solos now thinned out and EQ'd as well]

V6, rimshots down in the mix and the end fade is longer.

V7, lots more surgical EQ ... maybe this one breathes a little more.

KVR OSC 66 ODsay

DAW: Reaper

27 * ODsay
3 * MidiPolyphony
5 * MidiForceToRange
18 * ReaEQ
11 * BootEQmkII
3 * ReaComp
5 * TwinDelay
1 * epicVerb
1 * Classic Compressor
1 * Classic Limiter





DoctorBob - Service Manual - (ODsay OSC 66)

Entry for KVR OSC 67 using Digits Synth


DAW: REAPER

24 instances of Digits
16 * BootEQMk2
13 * Classic Compresser
6 * Limiter No. 6 (yeah, I joined the club!)
3 * ReaGate
12 * epicVerb
1 * Classic Reverb


Notes on the sound design:

All sounds programmed from scratch as follows.

The lead organ has 4 layers. One is a tuned percussion sound to give that classic Hammond style jazzy attack.

The Bass has 3 layers, one for the string attack, another for the body sounds and another for the low resonance. 

The piano hits at 1.03 onwards are 3 layers. 

The Percussion is quite complex - the kick is 3 layers, the hats, ride and snare 2 layers each.  The tuned toms (hear them as the panned fills) are only 2 layers!

The easy one was the organ doing the chords - simple 2 layers one a basic organ sounds and another to add body.

and, oh yes, the wahwah voice is JUST one instance Digits, with verb and EQ!! Just so we are clear about modulation eh?

PLEASE DOWNLOAD FOR MAXIMUM PPPP-PUNCH

The download here is a 320 kbps MP3 ... you can also get a FLAC lossless encoded download if you visit the same track here:

https://soundcloud.com/doctorbob/drbobblues-2

for that real as rendered sound vs any MP3 artefacts, even at 320kbps.

Please remember to leave any comments on the track here though (not the FLAC version!)

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DoctorBob - Giving the Digit - (OSC 67 Digits)

Made for OSC 68 - Synth1

The download is a FLAC. Even a 320kbs mp3 doesn't seem to have the "bite".

All patches made from a starting point from the 10,000 presets and tweaked!!! (More so now I have RTFM!)

DAW Reaper

Synth1                       32 instances
BootEQMkII               * 19
EpicVerb                    *  2
ReaEQ                        *  1 (essential to cut a hf ringing!!)
Classic Compressor   * 3
LFX-1310 (autopan only)  * 3
Twin Delay                           * 2
Limiter No6                          * 1

Most of the FX are native from Synth1, just a few EQ tweaks, a couple of verbs and delays extra.

DR 11

Enjoy!

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DoctorBob - Space Bubbles - (OSC 68 Synth1)

My entry for the OSC XJ Flexoid.

Daw: Reaper 4.75

24 instances of XJ Flexoid

Track FX Use:

24 ReaEQ
17 Classic Compressor
8 LFX-1310 (autopan only)
6 Twin Delay
5 EpicVerb

Master FX:

BootEQMKII
Limiter No 6.

DR: 7

Enjoy.

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DoctorBob - Sleep Philae - (XJ Flexoid OSC 69)

Entry for OSC#183

13 Instances of Audible Planets Synth
All from Init

ReaEQ, ReaXComp
Dead Duck: Delay, Limiter, Filter
JS: Midi Arpeggiator, Saturation
Valhalla SuperMassive
KhS Gain
SPAN, YouLean Loudness Meter

But What Do Electric Sheep Dream Of?

This track made for the KVR One Synth Challenge #183. All sounds made by the free VSTi AudiblePlanets. Only DAW and free 3rd party FX used.

Quite a sparse arrangement based around A7#5#9, D7#9, G7b5b9, CMaj9, Cm11, Ebm11, Gbm11, Am11

DAW: Reaper 7

Track Details:
9 * AudiblePlanets
9 * ReaEQ
2 * Oril River
4 * OTT
1 * Limiter No. 6

Master:
TDRVOS SlickEQ
Voxengo MSED
Limiter No. 6

Meter:
SPAN
Youlean Loudness Meter

Stats:
LUFS: -14.2
DR: 11

The Planets are Not Silent - OSC #183 - AudiblePlanets

Liqih meets the Audible Planets synth in a glitchy cha-cha hard electronic match.
Six instances of synth in Albeton Live,  6 sound patches made from scratch.
EQ-Eight, Reverb and Limiter from Ableton stock, all other effects from the synth itself.
Made for OSC #183

Soul For Future Singers

This track was made for the One Synth Challenge 183 using a single instance of the free software synth Audible Planets.

Audible Planets x 1 + Audible Planets built in effects

DAW: Ableton 10

Ableton Effects: EQ 8 x 1; Utility x 1

Third Party Plugins: Loudmax Free; Youlean Loudness Meter 2 Free

Maltoné - Lost In The Planets - OSC183

Here's my OSC track made in Bitwig with 21copies of Audible Planets making all the sounds.

Using the following free FX:
AirWindows Air2
AirWindows Inflamer
AirWindows Galactic
AirWindows MacEQ
Frontier
Limiter No6
LoudMax
Sound Delay
TDR Kotelnikov
TDR Nova
Pancz
STFU
SuperCharger


and Bitwig:.
Audio Reciever
Compressor+
Convolution
Drum Machine
EQ-5
Instrument Selector
Key Filter
Note Transpose
Peak Limiter
Stereo Split
Tool