From the moment Jasmine Speers steps behind the decks, her presence is unmistakable. Known for electrifying sets at iconic venues like Poof Doof, Revolver Sundays, and Myaeon—and for lighting up festival stages including Esoteric, Cubic, and Summer Fest NSW—Jasmine brings a raw, driving energy that transforms every crowd she meets.

A true force in Melbourne’s electronic music scene, Jasmine has carved out her place as one of the city’s most dynamic techno and house DJs. Her passion for pushing boundaries doesn’t stop on stage. She is a dedicated advocate for women in music, leading the female-focused networking collective Lotus Group, where she and other DJs run workshops designed to empower, educate, and connect emerging talent.

Her versatility extends beyond club culture: Jasmine was a DJ and MC for Big Bounce AUS, where she delivered high-energy touring shows and mastered the art of crowd engagement across multiple states.
As an independent producer, she has released standout tracks on Bandcamp—including her EP Be My Boyfriend?—with all proceeds supporting Build Bali Better, her charity initiative focused on renovating the We Love Bali orphanage by August 2025.

Off the dance floor, Jasmine hosts Techno Temple on Kiss FM, curating cutting-edge underground techno and bringing listeners the freshest sounds shaping the global electronic landscape.

Jasmine Speers isn’t just part of the scene—she’s actively building it, one beat, one project, and one community at a time.
Playing professionally since 2016.

Hailing from one of India’s most musically attuned cities, Kolkata – Ankur Kedia started his career at a young age of 16 by holding residencies in local clubs. As Deep Brown he’s been delivering to the dance floor a palette of grooves that emerge from the Chicago house and, Detroit techno era.

As a DJ, Ankur is known to subscribe to a strain of dance music that he grew up listening to ever since electronic music began entering venues in India in the earlier years of the century. Since then, he has seduced dance floor sensibilities with a mix of house, funk, disco to the more trippy & beat driven acid/cosmic techno, all within an old-school vibe of pure flow.

The project is a continuous inquiry into the artists’ own identity as a ‘deep’ thinker who belongs to the sub- continent; constantly engaging with and metamorphosing his desire to experiment on the dance floor, honing his craft in the process. Currently, he’s running Bleep which is an artist management & touring agency pushing the electronic music culture in India. Since its existence from 2017, Bleep has toured artists such as Kevin Saunderson, Jimpster, Horse Meat Disco, Sebastian Mullaert, Wata Igarashi & many more, bringing them to India for the first time.

Masquerading himself in jolly tones of printed shirts and silly jokes from behind the deck, Deep Brown has, to date played at leading festivals in India such as Goat and Magnetic Fields Festival, sharing the stage with Ben UFO, Four Tet & Willow. In the recent past he has supported DJ Pierre, Dusky, Tom Trago, Leon Vynehall & Moxie during their India tour.

Bookings : baruni@thestudiobakers.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

domineek is following