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Warsaw based housewife 💿 
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Jazzanova is many things to many different people. For more than fifteen years the eclectic collective from Berlin has been busy producing, composing, arranging, remixing, DJing and generally shaping our musical world – in the clubs, on the air, in the studio, live on stage, and with their label Sonar Kollektiv.
bookings for dj sets and live-shows: booking@best-works.com

𝚃𝚎𝚌𝚑𝚗𝚘 | 𝙷𝚘𝚞𝚜𝚎 | DJ  | Producer

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www.lightgal.co.uk/subscribe

Bookings: lightgaluk@gmail.com

Career Highlights:
Ministry of Sound, London
Corsica Studios, London
Ibiza Rocks Bar, Ibiza
Reading Festival

light gal is a rising star of London’s house and techno scene. Drawing influence from such labels as Terminal M, Drumcode, and Innervisions, as well listing DJs like Charlotte De Witte, Mha Iri and Massano as some of her many inspirations, light gal creates unique and exploratory sets ranging from dark and melodic to peak time techno. With appearances at across Ibiza, Florida as well as various venues accross London such as Ministry of Sound, Corsica Studios and Dalston Superstore, she is quickly emerging as a talent to watch.

Born in Surrey, one of her first introductions to dance music was during primary school, listening to compilations of Ibiza summer hits. She attended Reigate College, whose alumni include Disclosure and Fatboy Slim, and went on to study a Masters degree at the University of Bristol in Maths and Computer Science. It was here that her passion for the music was truly cemented, becoming a frequent visitor to legendary Bristol venues like Lakota, Motion, and Dojo Nightclub. After her studies, she moved back to Surrey, concentrating on her craft while working at the Academy of Contemporary Music.

She was first drawn to dance music through early underground dubstep from the likes of artists such as Plastician and Rusko. When the genre began to die down it opened her eyes to different sounds and styles, particularly house and techno. “The thing I love about the style of house I play is that everyone can be happy and dance along even if they don’t know the songs - it’s that sort of vibe. But with techno though, it’s the opposite. Dark, cold, industrial, yet melodic - but still stuff you can dance to!”

Light Gal kick-started her DJ career by performing in Ibiza over the Summer of 2017. During her time on the island, she performed at Ibiza Rocks and Hush nightclub, and was so well-received that she was invited back the following year. Since then, she has been busy - performing across London and establishing her own event ‘Minority Influence,’ which hopes to disprove the opinions and biases of people who consider the house and techno scene to be exclusively white and male, and looks forward to organising its next instalment soon. Between gigs, Light gal is currently curating DERILIKT Techno - a series of dark and melodic mixes, and the bi-annual Pure House Anthems, packed with UK House dance floor fillers.

«True Electric» returning to our roots within electronic music

Łukasz Seliga needs little introduction to anyone even roughly following Poland’s dance and electronic underground, as his contributions – as a live performer, producer, remixer or DJ – embellished the better part of its story. Between his solo endeavours under the SLG moniker, and projects such as Casiopepe or Seltron 400, he has long traversed genres and sounds, aptly and joyfully, always staying true to his distinct musical vision rather than being prompted by periodic shifts of fancy.
On Sideways, his newest EP outing for Trance-Atlantyk, Łukasz appears under his own name – Seliga – for the first time, thus restating his identity and underlining the honesty of his craft. In a time when dance music tends to be driven increasingly by nostalgia, Seliga takes but a sip, ultimately eschewing it. As a result, the music we hear is more of a direct expression of his own abiding purpose – a lived, rather than re-lived experience, an auditory utopia, sung in a language the artist is deeply anchored in, but whose expressive qualities he seeks to enhance, and not simply exploit.
Across the EP’s four tracks we are treated to impeccable, entrancing house riddims – masterfully executed, with subtle, yet meaningful nods to dub and ambient, and echoing inspirations such as The Orb, Andrew Weatherall’s remix work and the early Warp catalogue. Driving and soothing, kinetic and cordial, refreshing and utterly danceable, these four tunes succeed in conveying a unique sense of the melanphoric – and this is precisely what makes for their delicious seligability.

To keep up-to-date with all things DJ Bone, Subject Detroit, ABM, DJ Bone ... Attacks!!! Please check our other Soundcloud account: 
http://soundcloud.com/subjectdetroit

You can also find us on Facebook:

DJ Bone ... Attacks!!! 
https://www.facebook.com/home.php?sk=group_107859342640645

DJ Bone 
https://www.facebook.com/DJBone313

Subject Detroit 
https://www.facebook.com/SubjectDetroitRecords

FYI, DJ Bone does not maintain this account personally. It is looked after by the Subject Detroit Web Team. 

If you need to reach DJ Bone, you can email him at: info@dj-bone.com

Thank you!!!

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To some he is the champion of the underground. Others see him for the first time and ask the person dancing like crazy next to them, "Where did THIS guy come from?"

Think of Detroit Techno and DJ Bone might not be high on your list of luminaries because he is 100% independent and does things on his terms and on his terms only. He won't tap dance or bend to fit the "popular" dj mold. Those who recognize Bone know him for his uncompromising and innovative ways.

It's no accident that two letters always precede Bone's name whenever he's on the bill. First and foremost, Bone is a DJ---in the truest sense. When he spins, it's as if the turntables and the mixer become a physical extension of his body. He employs every possible technique in the disc jockey arsenal masterfully: blending, scratching, backspinning, no monitors or headphones; unrivaled in his use of the fader switch and he incorporates them all into every set. From his standing room only residency performances to after-hours spots, he rocks every show as if it's his last.

What the general public and far too many DJs don't realize is that Bone spins as much for his own enjoyment as he does for the audience. It's a compulsion that only those who live for what they do possess and those who don't can never understand: Bone lives to spin-it's a necessary part of his existence. His dedication to the art of dance music and DJing is so untainted and intense that the tales of his confrontational encounters with flashy booking agents and "big name" djs are already the stuff of legend. No hype or trends, just a relentless drive and passion to take the party to another level. That's why he's one of the few spin masters other DJs hate to follow.

DJBone is one of Detroit's most coveted underground vinyl technicians. This very talented and highly sought after artist plays events and clubs worldwide, has held a residency at four of Detroit's top clubs and produces music inspired by the city in which he hales from, Detroit. His record label Subject Detroit is futuristic and unearthly while still displaying the true essence of Detroit's Techno Soul.

Bone experienced the emotion, passion and energy of Detroit Techno first hand at the infamous Music Institute. What he witnessed there, along with the eclectic mix of music filling Detroit's airwaves by the legendary Electrifyin' Mojo and The Wizard, would serve to be Bone's main influences.

Bone began his DJ career spinning groundbreaking sets weekly at The Love Club (The Shelter). From there he gained a dedicated following which eventually led to him playing at three different clubs five nights a week, as well as several underground parties in Detroit. An invitation to provide fortnightly, live mixes for the Deep Space Radio show on 107.5 in Detroit was also extended.

After hearing Bone in Detroit (1996 Love Club Anniversary Party), Laurent Garnier booked him to headline at the Rex Club in Paris. Soon after word spread and Bone was invited to play events all over Europe.

A lack of electronic music which fit his style led Bone to produce his own original songs to incorporate into his funky and eclectic sets. He took it a step further and started his label Subject Detroit focusing on true Sonic Soul.

In late 1997, Bone began his residency at the Motor Lounge in Hamtramck (bordering Detroit on all sides) pioneering an underground Detroit Techno night. Within a month, the number of Bone's weekly session attendees topped 1,000 as well as tens of thousands of others tuning in to his live set broadcast on the radio every Friday from midnight until 2 am (87.9 FM). Always looking to expand minds and move bodies, Bone took on the challenge avoided by so many DJs before him familiar with Detroit by name only. For nearly three years, he amazed his crowds, which included out-of-towners from as far as Japan and Australia alongside his Detroit faithful. Unfortunately, due to Motor's attempt to exploit what Bone had founded and loved, he decided to depart from the club and his residency.

Bone's observation of the trend to book producers to spin, as opposed to actual DJs, prompted him to go against the grain and establish himself as a DJ first and foremost. He believes that an individual's talent should speak for itself and not be overshadowed or misconstrued by hype.

DJ Bone describes himself as "an uncompromising, hype hating, 100% independent, real Detroit native come auditory striker and soul controller that cannot be bought".

"If the gig is set-up with the music as the main focus (as it should be), then I have total control over the vibe. That's my duty. I'm not worried about having a Hollywood production going on or special effects with video images, smoke, etc. Just playing the best possible music as well as I can. I feel the need to constantly progress skill-wise and I feel my 3 deck sets are truly unique. Many DJs have 3 decks in front of them but how often do they actually have 3 records playing all at once (with the levels up)?” – DJ BONE


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