https://soundcloud.com/aidons-antoine
https://nosejob.bandcamp.com/album/onkruid

A2 Aidons Antoine - Toupie

Meetsysteem, Victor De Roo - Ampersand

Catch Mystique every 2nd & 4th Friday of the month, from 19h to 20h [CET] on rinse.fr

Rinse France Podcast

Mystique invite Louise Lavi - 24 Juin 2022

Ocelot

Wireless

1.Spiral - Vangelis
2.Bionic Boar - Graham Gouldman
3.Kkk (Instrumental Mix) - Gang
4.Соревнование - А. Родионов и Б. Тихомиров
5.I Wanna Be Your Lover - La Bionda
6.D.i.x.o. (Extended Version 1982) - Brain
7.Cybernetic Love (McGutter Edit) - Casco
8.Livin Up - B.W.H.
9.Dance Forever (D.J. Version) - Gaucho
10.The Things That Dreams Are Made Of (Instrumental) -The Human League
11.Don't Take Your Time (Instrumental) - ES Connection
12.Waiting For A Train (Instrumental) - Moonbase
13.« H » Friend - Black Devil Disco Club
14.Drum's Explosion - Flavio Scogna
15.On Fire ( Instrumental ) - G.Race
16.Take a Chance (Instrumental) - Bizzy & Co. 
17.Musica Spaziale (Flemming Dalum Remix) - Patrizia Pellegrino
18.ThisisnotAmerica(Smackos Emax DiscoRemix)
19.Take A Chance - Mr Flagio
20.Diakova - k Poline/nasovsem
21.Mystery of science-Planet of love
22.Venice Weekend - Carrara
23.On The Air - Space
24.Sleepless Nights - FM Attack
25.DISCO ROLLER (1979 WITH A HINT OF VAPOR) - Peter Zimmerman
26.Slot Machine - Daniele Patucchi

Italo Special ✸

Curated by Palmbomen II & Betonkust
Mastered by Brendan Zacharias at Cirrus Audio

MDM P

Betonkust & Eilandnet - At Her Funeral

Contact for any questions regarding the music played.
Recorded on 07.12.2018 - just before "The Smoothest Tea Cup" (vol.1)

This Is An Obscure Session: New Wave, Blues, Avantgarde...

READ > inverted-audio.com/premiere-philipp-otterbach-the-weak-song

@philipp-otterbach 'The Weak Song' generates contradictory sensations of peace and disquiet, all at once tear-jerking and oddly soothing.

Philipp Otterbach - The Weak Song [Knekelhuis]

Jolly rumbles. Paper crickets. Wasted angels and hellov bass so be careful!

*Note: mixed to be consumed on headphones.

GAS Königsforst - 01 [Untitled] | Remix (Slowed and Throwed)*

Bernardino Femminielli is proud to present his first 2020 LP L’Exil. The album is composed of lost Plaisirs Américains sessions recorded in Montréal, Quebec. Lyrics were written and recorded in Paris and Berlin in 2019 and mixed again in Montréal in early 2020 by producer
Dominic Vanchesteing (Plaisirs Américains, Double Invitation). L’Exil is the “pre-conclusion” (Prequel / Part 0) to two other LP’s— Johnny 4ever (Part I) and Nobody’s Boy: Johnny (Part II)— which will be released later this year.

L’Exil (2020)

L’Exil, the album, the performance, the satire, took shape after the notorious arrest of Bernardino Femminielli by American border authorities during a US tour in 2018. Instantly, the American Pleasures, the American dream became obsolete, irrelevant, of the past. The showman and his anguished wife decide to abandon their failing restaurant, their debts and their meagre North American livelihood to wander the old continent in search of a fresh start.

L’Exil is an paradoxical anthem for the unsuccessful. An elegiac and lyrical autofiction in the form of a concept album. A satire of show business, a tribute to society’s outcasts and heroes— a story which tells of the financial, artistic and spiritual failure of the exiled American showman (Femminielli). We learn early that the showman has a desire to symbolize the contradictions of life. We learn that the showman is affected by a multitude of dissociativeidentity disorders. A visit of an angel named “Johnny” seems to make him believe in the existence of his double, who sadly does not come seeking camaraderie, but with malicious intentions. He's the employee, the boyfriend, the slave. The showman loves his wife because she looks like the showman. Johnny and the wife have become products of his tormented world. Spiritual and psychological cannibalism is rife, and all will be complicit in the showman’s atrocities.

The literary and cinematographic borrowings are here violently diverted from their proper meaning to tell the story in their own way. Pasolini’s Italy, Fassbinder’s Germany, The Years of Lead, Macronist France, police terrorism, paranoia, obsession with the double, substance addiction, money and marriage are all subjects touched upon with humor and despair. As the showman ominously cautions: You don’t argue with a sly dog, you break his teeth and his jaw.

Bernardino Femminielli, frustrated by his status as a misunderstood artist, has constructed a semi-fictional caricature of himself. A guy adrift, an anti-hero, the politeness of despair, a loser crooner who's lost his way. The album has many faces of the same distress: those of the victims of a system that marginalizes them. Repeated themes and catalysts present in the album:

One’s failure to achieve professional success can lead to unexpected volatility.

Exile is oppressive thus one must also transform into an oppressor.
Violence is a direct result of frenzied desperation.
Cannibal mechanics are often precipitated by financial devastation.
Self destruction becomes a means of self preservation.
Consumption always without moderation.
Money is earned, and then like life, it’s burned.

All music and lyrics by Bernardino Femminielli except Track 4 (D. Vanchesteing / Femminielli). Recorded in Montréal, Paris, Berlin and Copenhagen. Special thanks to Yair Elazar Glotman, John Katsav (CRAVE), Dimitri Dedonder chez Les Studios Mégaphone, Adrien Belkout and Elliot Berthault pour le hot tip. Artwork by Thea Govorchin. Insert art and layout assistance by Jesse Osborne-Lanthier.  

Produced by Dominic Vanchesteing
© 2020 Bernardino Femminielli / Éditions Appærent. All rights reserved.

La Ballade De Daddy & Johnny

Ex Donjon Radio
1/3 of Todo Baine
Based in Biarritz, France.

Italo Special ✸

Mario

Recent comments

Midnight Magic

City-Hunter

Related tracks