Luxury House Music

Buy the latest Bargrooves edition here: http://defct.de/bgde17it

Bargrooves curates bespoke soundtracks for discerning house music fans; compilations and playlists to suit your seasonal moods, featuring the best current dance music alongside well-loved classics. 

Escape with records from the hottest producers, mixed expertly by the Bargrooves DJs. 

Tune in for house music at its luxurious best.

With a career spanning over a decade, Shur-i-kan is undoubtably one of the heavy hitters of the deep house world.

An accomplished keyboardist and part-time member of dance improvisional supergroup The Bays, Shur-i-kan's distinctive productions ooze musicality and emotion that has captured the hearts of his many admirers including music legends Kenny Dope, Tom Middleton, Larry Heard, Joey Negro and Ashley Beedle.

A regular fixture in Traxsource's top 10 deep house artists shows his music is as relevant now as when his critically acclaimed debut album Advance was launched on DJ Mag's Best of British award winning label Freerange Records.

With over 50 releases and remixes - his productions have been in constant demand by top dance labels such as Anjunadeep, Simple, Systematic, Z Records, Defected and Lazy Days to name a few.

Without a doubt Vicmoren is an adventurer of the Disco / House . His illustrious desire to express rich emotions that wonder between the velvet and the abysmal result in a broad ingredient highly organic and groovy, in spite of the mechanical of his sonic bet. You can feel in this DJ and Producer, native of Cadiz the Atlantic in his beats. The oceanic bathes all his intuitive musical settlement achieving and merging without collision an original and negroid of a near Chicago developed and very sophisticated. The hedonist and therefore, sensual has a great percentage of presence in the sessions of Vicmoren, but not because of that is there concessions to a presumed mainstream audience. He only obeys to what the dance floor requires and needs to convert the early morning and gravitational centre a night to remember. Both the productions and sets that Vicmoren leads sounds, modern house planned and profound always avant, with strong evident jazzy background, soulful and disco funk that imagines from afar a sunrise in New York that slowly becomes more clear. The warmness and sexiness of its content in spite of the artificiality of his continent is the constant element of his stylish sets. There is no space for emptiness, everything has meaning and sensibility and always at the right speed of about 95 bmps. His sounds are a clear example of what 30 years ago was designed and developed in the uterus of the célèbre warehouse and continues furiously alive evolving adequately towards contemporary spaces where without losing its leit-motif, which is no other than obtaining the rhythm and provoking the unprejudiced and liberate dance, achieving to move, imagine and dream, letting us be caressed by a full of light and vibrant atmosphere that seems to spring out from our own interior expanding towards the outside. The technical side enjoys a relevant responsibility in the sessions of this emerging artist. The way he mixes these rich episodes which gives formation to his nocturnal discussions is crystalline and natural, clearly invisible. In his session you shall find a voyage proceeding from the deep house of today and tomorrow , past and future of the same musical cause towards episodes more electronically pure, including tech-houssies, always gifted with a strong dose of underground and marked by this seminal aftertaste to incite danza, his principal ideal. Without doubt Vicmoren is one of the Spanish artists with interest and international projection who holds a position and attitude well argumentated that favours and help’s become the 21st century house carry on thriving and attaining the utmost heights of quality and efficiency in environments always open to feel pleasure and enjoy the precise audacity for its hearing in absolute liberty. 

  
  

The Classic Music Company by Luke Solomon & Derrick Carter continues to play the game under their own conditions. As a label it never died it just retreated for a while in order to come back stronger. All hail the king because the king is back. Long live Classic!

Launching early June 2013, DFTD is a breakout label to Defected Records. Focusing on fresh, new and undiscovered talent from around the globe - along with the occasional curveball release from established acts, DTFD has released music from the likes of Guti, Jonas Rathsman, Forrest, Andre Lodemann and NiCe 7 over the past 5 years.

DFTD complements its parent label and has a more diverse musical remit, releasing a broad range of electronic music, focussing on quality, discerning dance music.

Music Producer / Composer / Mix & Mastering Engineer / Artist & Record Label Owner.

Network:

► Web - http://bit.ly/1OCDKGo
► YouTube - http://bit.ly/1JeCYID
► Soundcloud - http://bit.ly/1Hv1R5B
► Twitter - http://bit.ly/1KkQtu5
► Instagram - http://bit.ly/1KVsqWh
► Label Store - http://bit.ly/1KlK7bY
► Traxsource - http://bit.ly/1vwowew
► Beatport - http://btprt.dj/1V0d8nK
► Juno Download - http://bit.ly/1Ojhdis
► Juno Records - http://bit.ly/1xyva2W
► WPP - http://bit.ly/1Mvf96Y
► Resident Advisor - http://bit.ly/1MgEIpl

Good Stuff recordings is to combine music recordings of the newer generation with a touch of old school Our styles are Nu Disco / Indie Dance and Deep House.
Business proposals, licensing, demos, questions in general :GoodStuffrecordings@hotmail.com

For Demos & Licensing:perceptionmusic@hotmail.com 

traxsource.com/label/5951/perception-music
www.beatport.com/my-beatport/add/label/16423
twitter.com/PerceptioMusic
www.youtube.com/user/ThePERCEPTIONMUSIC
www.facebook.com/pages/Perception…/240013826090966 
www.residentadvisor.net/record-label.aspx?id=5050

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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