It started out as just trying to sound weird, and turned into a pretty solid mental image of the first level of some shmup that doesn't exist. im actually a lot happier with this i than i thought i'd be

breakcore shoegaze

An insane comedy album about a (fake) cartoon & game franchise from the mid 2000s about a group of spy-cats created through CIA experiments.

This will take you on a journey to space and back with mind-blowing breaks and extremely warm mixing style, incorporating modern tech with digital recreations of 60s and 70s gear. Tubes, tape and FET galore!

Mono is not supported and a DAC/Amp is recommended, but you don't need any thing fancy, this will still sound OK on everything. Also this isn't for kids, you must be this tall to ride this ride kiddo, now scram! Parental Advisory.

Intro - Theme of Acoustikitty

as of the time of the comp's release, the song was already like two years old LOLL

for Telemist's "WE R MASSIVE VOL. 2"
listen to the full compilation here:
https://telemist.bandcamp.com/album/we-r-massive-vol-2-curated-by-telemist

luster (WE R MASSIVE VOL.2)

inspired by 網守将平(Shohei Amimori) and Ryoji Ikeda

huri2-1

00年代トロニカ ぜひヘッドフォンで

00'tōf, glycine

a theme for a hypothetical visual novel route that ties into the tablestuck campaign i ran

for v, wherever you are

empty home

for another automaphonica flip friday thing, made in osctet with a little editing in logic pro. 41edo, schismatic/occasional magic. 

find the module here: https://osctethub.agargara.com/entry/70/

cypress st

This song is experiencing a monetization bug. The system won't allow me to turn off monetization, but my earnings report shows no revenue. I have submitted multiple support tickets without a response.
THIS BUGGY MONETIZATION SYSTEM WON'T LET ME TURN IT OFF.

So what happened?

SoundCloud rejected monetization for my original 8 tracks and distribution for 1 track, claiming they are remixes. The rejection notice stated, 'Cannot monetize unofficial remixes, covers or content with uncleared samples without proof of rights. If you have the rights to monetize this content please upload a license or documentation to your monetization submission for review.'

However, all of these songs were created from scratch with no AI, unofficial samples, or remixes used. They each have a unique melody, tempo, music instruments, and genre as well.

So, I was upset, and made this song :)
Please, enjoy :D

[Lyrics]
Hey, SoundCloud
What's wrong with you
You are saying
my songs are a copy

Hey, SoundCloud
What's wrong with you
You are saying
my songs are a remix

Hey, SoundCloud
What's wrong with you
All my monetized songs are made by me

Hey, SoundCloud
Get your head straight
I am a person
a real person

You said proof it
How? What documents?
My signature??
It's just me

This is not a remix
This is not a copy
This is not a duplicate
This is not a lie

This is not a remix
This is not a copy
This is not a duplicate
This is not a lie

Hey, SoundCloud
What's wrong with you
You are saying
my songs are a copy

Hey, SoundCloud
What's wrong with you
You are saying
my songs are a remix

Hey, SoundCloud
What's wrong with you
All my monetized songs are the original

What's wrong with SouldCloud?

In 2025, the composer introduced a revolutionary six-mallet independence technique, treating each mallet as a pianist’s finger to achieve an unprecedented level of articulation and expressive control. Unlike the conventional approach in which six-mallet marimba players depend largely on hand-alternation technique for fast passages, this innovation focuses on complete mallet independence, enabling the performer to shape contrapuntal textures and intricate polyphony with clarity and precision.

To showcase this technical and musical advancement, the composer composed a cycle of five etudes for six-mallet marimba, each exploring distinct dimensions of independence, inter-hand coordination, and tonal balance. Together, these etudes not only expand the instrument’s technical vocabulary but also mark a significant step toward bridging the expressive and structural capabilities of the marimba and the piano, establishing a new standard for six-mallet performance in contemporary percussion literature.

Via Spiritus No. 5 for 6-mallet marimba

Artist & musician living with chronic pain, but inspired by the fun things in life such as video games or a good book, or anything that takes you to another world for a little bit, as well as psychedelic experiences, happy/sad music.

Thank you all again for 300 followers!

Discord: Donny#1128
donovankirkmusic@gmail.com

Intro - Theme of Acoustikitty

Donovan Kirk

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