Bookings: 
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Bio

Márcio Vermelho’s creative force irradiates throughout nightlife in many forms by transforming each corner in a place to materialize itself: be it as a DJ whose sets are odes to the dancefloor, as a producer of tracks that are odysseys of sounds or as the creator of an artistic multiverse such as ODD, a collective that reconfigured the expressive reality of its hometown and made it the focal point of an eclectic and emboldened sound not only in Brasil, but across the continent.

It pulsates through initiatives that garnered him space in fronts as diverse as the Havana Biennale and University of São Paulo’s Paço das Artes, or even global sources of musical excellence, among them Sonar Kollektiv, The Magic Movement and Bastard Jazz. Also manifesting itself in the form of a myriad of projects, individual or collaborative, AV or conceptual, local or global ones, including the performatic Vermelho Wonder, the inebriating Video-Sistema, the sophisticated Sphynx, as well as his own curatorial platforms: the vigorous label In Their Feelings and the acclaimed ODD.

This energy also vibrates in many frequencies, covering a wide spectrum of possibilities that ranges from renowned venues such as Berghain, Salon Zu Wilden Renate and D-Edge, reaching the floors of hedonistic dens across the globe all the way through the colossal ones that festivals such as Dekmantel, DGTL and Contre-Temps manage to gather.

Alas, this kind of tonal range is what allows a talent as multifarious as his to be translated so precisely in the properties of the very colour that names it, warming up hearts, energizing bodies and illuminating horizons.

A visionary DJ and producer straight outta Washington, DC, redefining the game with an unstoppable groove and house music with so much atttitude, it turns dance floors into movements. Rhythm, energy, and pure vibe – this isn’t just music; it’s a revolution.

Seth Troxler is one of electronic music’s most instantly recognisable artists. He has carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur. Descended from a family of cowboys and Baptist preachers, Seth is part African-American, with a singular approach to viewing the world through the prism of contemporary music culture.

Born in Kalamazoo, Michigan, and raised in suburban Detroit, Seth learnt the art of DJing initially from his stepfather (then a college radio DJ) and later from working, at only 16, behind the counter in legendary Detroit record store ‘Melodies & Memories’. It wasn’t until Seth made the decision to explore new horizons in the mid-2000s, moving to Berlin fresh out of his teens (after debuting at Panorama Bar at just 18 years old), that his DJ career really took off.

Since the move from Detroit to Berlin, then settling in London for a number of years, and now with his time divided between Ibiza and Berlin (Round 2), Seth has established himself as one of the world biggest DJs (voted the world’s number one DJ in scene bible Resident Advisor and gracing the front cover of Mixmag three times). He’s equally at home playing to the smoke-filled dance floors of some of the world’s most discerning nightclubs, such as CircoLoco, fabric (London), Nordstern (Basel), The Lux (Lisbon) or Blitz (Munich), as he is headlining the world’s largest festivals, like Glastonbury, Movement, Roskilde or Sonar.

Right from the word go, Seth has been as passionate about food and contemporary art as he is about music, and these two interests have resonated at all points, and in parallel, to his music career. A multi-faceted modern artist: he has held residencies at talismanic music institutions, run numerous record labels, and pursued his own solo recording career (including the recent ‘Play In The Dark’ collaboration with the Martinez Brothers on Crosstown Rebels, and ‘Lumartes’ that kick started CircoLoco Recordings in Summer 2021). Furthermore Seth has found the time to launch the successful Smokey Tails’ restaurant in London, to create and host his own party during the Rio Carnival, and then to stop everything and to take the time out to climb Kilimanjaro for charity.

More recently Seth has focussed his creative energies on his ‘Lost Souls of Saturn’ www.lostsoulsofsaturn.com project, alongside Phil Moffa and further opaque participants, that sits firmly at the intersection between futuristic electronica, contemporary art and technology. In 2019 Lost Souls Of Saturn presented their audio/visual installation Transmission at the Saatchi Gallery in London, after its premiere during Art Basel in Switzerland, and collaborated with the Met in New York and the Fondation Beyeler in Basel in 2021. Lost Souls Of Saturn are currently recording their second album and conducting further experiments in augmented reality and virtual reality, which will be revealed soon.

Extremely well travelled, constantly searching and experiencing, Seth Troxler continues to follow his own unique path.

Bolivian-born and based in the south of Brazil, Bakka first arrived in the spotlight of global underground dance music with the track "Make It Better," along with "Distortion" and "So High," hitting 11 million streams on Spotify. Supported by some of the biggest producers from around the world, including artists like Joris Voorn, Hernan Cattaneo, Solomun, and others, Bakka has released music on many of the industry's most respected labels. These include This Never Happened, Sprout, Armada, Ritter Butzke, MoBlack, Sony Music, and Bunny Tiger, among others. With his musical background, Bakka's talent knows no bounds when it comes to genres and styles. Naturally, his desire to express his musical creativity took shape in the studio, and absorbing all influences, his productions quickly started to imprint his unique music cosmos.

House music com raízes pernambucanas.

contato
dunnocontato@gmail.com

KM073 is out now
https://ffm.to/km073

Keinemusik is a network with the label as the pulse pumping centre. Driven particularly by the spirit that moves the collective behind the imprint. The spirit to find your own agenda and let nobody get in the way. The spirit of refining House and Techno off the beaten path. Be it within their own tracks, within productions of other sorts or DJ-sets. The spirit of recall value within record- and flyer-artworks and everything intermediate in word and image surrounding releases and parties. And the spirit of diversification – Rampa’s effect-gadget-venture TEILE being one example. Keinemusik’s own booking department ‘Worldwide Dancing Club’, established in 2018, being another.

Keinemusik has been around since 2009. It has been naming an existing friendship and linked interests of the four members – &ME, Adam Port, Rampa and Reznik. A more or less constant count of five releases per year have been released ever since, solely laid down by members of the crew. And a considerable count of label-parties went down, not only in Berlin, but around all international focal points for electronic music. And surely, there’s plenty more where those came from. So see you soon in a record store or on a dancefloor in your area!

Making beats since 2008 - http://zzkrecords.com

COMMUNICATE WITH ZZK: gritar@zzkrecords.com

JACKSON is a Brazilian DJ, music producer, and creator of the Hydro-House movement – a new House music subgenre characterized by bold grooves and uplifting vibes, designed to ignite highly dopamine-fueled collective experiences on the dance floor.

With a solid career in the entertainment industry, JACKSON combines musicality with a forward-thinking vision, translating cultural and behavioral trends into unique sonic experiences – both in his productions and performances.

Tomorrowland, Burning Man (Playa Alchemist), Hï Ibiza, and the Zurich Street Parade are among his standout shows. His sensitive versatility also frequently places him in line-ups alongside renowned artists such as Carl Cox, Rufüs du Sol, Eric Prydz, Black Coffee and Vintage Culture.

In 2024, JACKSON released his debut album, Chapter 19, featuring 11 tracks and a music-documentary. With a more visceral and abstract approach, the project was presented at the Museum of Image and Sound in São Paulo and praised by critics.

Currently, JACKSON’s production focus is fully directed toward Hydro-House.

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