Sort of a pushing-drive piece:
Compare Eye Of the Beholder, Hand Of The Wielder (Track LXXII) and What Did I Had Done (Track CLXIV)
It has intro, outro, custom insertions that are shorter than proper bridges between.

The solo synth-tone fumbles it but if it -had- landed this would be a pretty cool piece.  People following me a lot recognize this is one of the fairly ambitious reacher-pieces.

191: I Had The Thought, But You Were Not There released November 29, 2023

Feature.fm link to this track:
https://ffm.to/had-thought-not

SoundCloud for this track:
https://soundcloud.com/doug-stoothoff/i-had-the-thought-but-you-were-not-there

Spotify for this track:
https://open.spotify.com/album/4scEqAOOsgdn5HBNwJEV0E

Douglas P Stoothoff main site:
https://exedexes1.com/

Feature.fm overall Artist Bio link:
https://ffm.bio/dbx6kbg

Master Track List on SC:
https://soundcloud.com/doug-stoothoff/tracks

Artist page on Spotify:
https://open.spotify.com/artist/7EuvIQRQESX9WFtwI6GqWB

Youtube Artist Topic Channel (autogenerated):
https://www.youtube.com/channel/UC4WSgBZCySWQ-wAQ0GMtXag

Artist page on Apple:
https://music.apple.com/us/artist/doug-stoothoff/1687430940

Artist page on Amazon:
https://music.amazon.com/artists/B0C4YK678Y/douglas-p-stoothoff

Artist page on Bandcamp:
https://dougstoothoff.bandcamp.com/

Artist page on Tidal:
https://tidal.com/browse/artist/39485859

Artist page on Beatport:
https://www.beatport.com/artist/douglas-p-stoothoff/1155579

Artist page on Boomplay:
https://www.boomplay.com/artists/70114948

Artist page on Pandora:
https://www.pandora.com/artist/douglas-p-stoothoff/ARjZ7nth7x9xvpg

Artist page on Qobuz:
https://www.qobuz.com/us-en/interpreter/douglas-p-stoothoff/18758728

Artist page on iHeart Radio:
https://www.iheart.com/artist/douglas-p-stoothoff-40424070/

HenDeka

I Had The Thought, But You Were Not There

Buy on Beatport

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Free Reposts Available | SLOW YOUR ROLL MOOMBAHTON // DEMBOW // DANCEHALL // REGGAETON // CUMBIA // LATIN // +MORE Contact: greatmusicrepost@gmail.com greatmusicrepost@gmail.com

Please also visit my youtube channel, linked below, where I post videos about synth settings, some tracks ...

I am always looking for a collaboration with a female singer who´s voice could be described as melancholic, delicate, fragile, ... 
So far I collaborated with:

1. Kasssandra Langelier 
2. Krolyat
3. Jenny
4. Sumi (Sreyashi Mukherjee)
5. Paige Randall
6. Spacey Panda
7. Enlia 
8. Excess Aria


You can find all my vocal collab tracks in the playlist "Vocal  collabs"
https://on.soundcloud.com/KCyyvYfGMJKMcWJh9

Support artists around the world.
Repost your music bit.ly/3JNNzC7

Follow me!

I am the NTT. Stranded Alien is my synth rock project.

I have a side project called the NTT's Funk Odyssey. I have started posting these tunes here with the precursor label - The NTT

newest offer, short time valid
I m p o r t a n t

If you wan't to collab with me and be featured on my soundcloud profile please contact me on instagram
https://www.instagram.com/ogi_feel_the_beat/ 

New beattapes/album are out

https://ogifeelthebeat.bandcamp.com/album/similar-beats
https://ogifeelthebeat.bandcamp.com/album/forgotten-grooves

For relaxing and finding Inner peace:
https://ogifeelthebeat.bandcamp.com/album/extended-experience

SLOW FLOATING
Easy atmospheric floating downtempo hits from last 3 years
https://soundcloud.com/ogiftb/sets/slow-floating

New era of Old School Chill/Jazzhop

CHILL PROJECT
https://open.spotify.com/album/3vR286tssO8bgrzm2BcJjO

ENDLESS SEARCHING 
https://www.jamendo.com/album/450845/endless-searching

CHILL RADIO 
https://open.spotify.com/album/5SGxEznzMY302e7EC8ysCn


Deep Vibe/out of the box 
MEDI JOURNEY  
https://soundcloud.com/ogiftb/sets/medi

Slow focused, workday, brain activation easy
STRESS RELEASE EP
https://open.spotify.com/album/0XiLezwfHR3mKG1S0QwpXa

Collab with Written by Daniel 2024
FRUITLESS.... LP (Album + Book)
https://www.writtenbydaniel.com/product/fruitless-digital
https://soundcloud.com/writtenbydaniel/sets/fruitless
https://open.spotify.com/album/3BlddjYnkHNV7CBHR03AD6


FAT PRODUCER 
https://ogifeelthebeat.bandcamp.com/album/fat-producer
FORGOTTEN GROOVES 
https://ogifeelthebeat.bandcamp.com/album/forgotten-grooves
SUBTILE JAZZ LP 
https://ogifeelthebeat.bandcamp.com/album/subtile-jazz-lp
SIMBIOZA
https://ogifeelthebeat.bandcamp.com/album/simbioza
DIMENSIONAL RECONSTRUCTION
https://soundcloud.com/ogiftb/sets/dimensional-reconstruction-ep
EVERYDAY JOURNEY
https://www.youtube.com/watch?v=L73cStxUMFw


Organic Flow - New Expiriences
Deep, Unique, Relax & Inspirational Music Tracks
https://soundcloud.com/ogiftb/tracks

#ogifeelthebeat 

https://acidted.wordpress.com/2022/03/02/midweek-boom-bap-from-ogi-feel-the-beat-true-ti-the-game-chill-hiphop/

https://www.affinityascension.com/featured-tracks/ogi-fell-the-beat-marko-smiljanic-future-dial

https://www.thewordisbond.com/ogi-feel-the-beat-shares-a-new-set-of-instrumentals-for-your-listening-pleasure/

https://www.nagamag.com/tag/ogi-feel-the-beat

https://www.theburningear.com/ogi-feel-the-beat-smooth-flashbacks/

"Deepness" official video
https://www.youtube.com/watch?v=2iIYOG5wCAI

Back to the Balance is OUT NOW: https://open.spotify.com/track/3j7UTN4DGs5narjiANKBLx

Hi! I make electrifying EDM tracks and remixes! I also make video game remixes! I like to remix tracks don’t get remixed much, I make music for fun, some tracks may sound weird or have weird melodies! But that’s apart of the fun, enjoy! 💙 Wanna collab? Dm or send an email to 08joshuat@gmail.com

https://linktr.ee/NORISKY    Pasrisky1234@gmail.com

Press / Info / Remixes requests :pasrisky1234@gmail.com
Guest mix request: pasrisky123@gmail.com
https://linktr.ee/NORISKY
https://www.paypal.com/paypalme/DJParisky

Sometimes inglish s not working at all believe me
Compartir es bueno así, pero también sabes que compartir es realmente bueno ;) ¡no lo olvides! 
¡tienes suerte en la futura house music ! ¡no toques ese dial! ¡o toques! ¡lo que sea!
you are lucked on the future house music !! dont touch that dial!! or touch !! whatever !! 

DJParisky straight from France to join to you !!community with a clear statement: !! ,.who was born in Izmir, based in France Paris. His passion for music started from a very young age, as he was always surrounded by friends who were connected to electronic music.
Because of the Facebook Group 'PAS-RISKY Music' he got always linked to the electronic music & environment, working very closely with large production companies in USA and UK until he made the decision to stand at a mixing desk.  He is gonna be on SoundCloud after YouTube streaming live for new podcasting and also new guests ..  Founder Promoter & Head of the @pas-risky & @dhpf.  here on SC. 



https://open.spotify.com/playlist/2FNVLX1je31u9H4aYfwDtx

https://www.youtube.com

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

I Had The Thought, But You Were Not There

Doug Stoothoff