Electronic Mix of Mine Plus Re-Ex 90

Cool Ambient 22

Electronic Mix of Mine Plus Re-Ex 91

Electronic Mix of Mine Plus Re-Ex 92

Pure Piano/Jazz of Mine Plus Re-Ex 12

Electronic Mix of Mine Plus Re-Ex 93

Electronic Mix of Mine Plus Re-Ex 94

Cool Ambient 24

Mъdrъ / Mudru

Good Chillout I Found 3

Glenn Miller released this tune in 1944. Performed on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #410 by Glenn Miller

Techdem  (2002)

instrumental: guitar/synth/beats electro-rock build

sidewinder

Tinker Toys

Androids Dreams

Fascination

In this composition, I took a laid-back approach with the guitars. The main melodies and pads are handled by other electronic instruments. The guitar really stands out in the second verse and during the final solo. As usual, all the sounds were created using the AKAI MPC.
90 bpm

Ghost guitar

Serene Havoc

Written and Produced by Dreamtranced.
©2024 Rock Art Records. All Rights Reserved.

Purple Sky

Albums

EUDAIMONIA ( REC00040 )

Unwind to the mellow glow of Sunset Serenade — a warm lofi beat that captures the magic of the day's final light 🌇✨ Perfect for chilling out, journaling, or cruising into the evening with calm, sun-kissed vibes 🌴🚗💭

Let the smooth rhythms and nostalgic tones carry you through golden hour and beyond 🌞🎧

💬 Where’s your favorite place to watch the sunset? Let us know!
🔔 Hit subscribe for more sunset sounds

Sunset Serenade

Website

Sterlan Starr - Sunset Serenade (Mr Silky's LoFi Beats)

Kick off your shoes and sink into the vibe of Sand Between My Toes — a laid-back lofi summer beat that feels like sunshine on your skin and waves at your feet 🌊☀️🌴. Perfect for slow mornings, beach chillouts, or just daydreaming under blue skies 🌺🍹

Let the mellow melodies and gentle rhythms take you somewhere warm and worry-free 🕶️🎧

💬 Tell us your ultimate summer escape in the comments!
🔔 Subscribe for more sun-kissed lofi tracks

Sand Between My Toes

Carmine Bridges - Sand Between My Toes (Mr Silky's LoFi Beats)

WHILE EVERY HELLISH NIGHTMARE IS ENDING A BEAUTIFUL BRILLIANT SUNRISE IS PENDING

Summer Days

Created with:
Hardware: Novation SLK MK3, Ableton Push 2
Sample: Young MC "Non-Stop"
Software: Ableton Live 10 Suite, UAD Opel Synth, UJAM Sparkle, Arturia DistOpAmp-21, Baby Audio Crystalline, Cableguys Shaperbox 3, 

Rockin Bass Rockin Treble

Now is the Only Thing that is Real

Silene - Fleursonseaux
All rights reserved - © Copyright

Silene

mAyEkEyE - Phin

Is it a signal from deep within the Earth... or from a forgotten consciousness?
Earth Intelligency dives into the idea of a living, organic mind—wired into bass, rhythm, and pulse.
A raw drum and bass ride driven by hypnotic "wok wok" vocals, like the breathing of an ancient machine.

Close your eyes. Let Earth think through you.

🧠🌍 This isn't artificial intelligence.
It's Earth Intelligency.

Earth Intelligency

Earth Intelligency - KRT Production

Land of Dreams

"19th. Degree Blues" (Jack Miller) [06.02.25]

19th. Degree Blues [06.02.25]

I heard a nice tune on the radio this morning and immediately had the idea that maybe I could make some nice music out of these sounds. And that's how it turned out!

Crazy Radio

Internal Dialouge

Morning Crazy

Beatport

Calpaina3 Morning Crazy

🎥Video here: https://youtu.be/7kveJYWMzqk🤘
About a month ago, a couple of us went to a Duran Duran concert… and Wild Boys hit us hard. That raw energy, the wild vibe, it stayed with us. So we decided to create something in that same spirit: dirty, loud, aggressive… but 100% our own.
Street Dogs is about instinct, survival, and sticking together. We’re the ones with no masters, no leashes, just fangs, claws, and fire in our blood. In this concrete jungle, we fight dirty, we howl at the moon, and we never back down.
Hope you enjoy the track and the video we had a blast putting together! 
Love you all!🫶
At the moment, this track is exclusively available on SoundCloud.
Released on July 17, 2025.
©2025 Beating Edge

Lyrics:

We move through these alleys
And we got these instincts
Smell blood when it runs
This city still stinks
We chase down these leads
We still got them in heat
Our bodies so sore
But we love it this way

We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs

We're dogs without owners
We ain't got no masters
We come from the ruins
Of war-torn disasters
It's still in our blood
You can still see the bones
In this jungle of concrete
That we still call home

We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs

We don't fight fair
But we still fight together
We howl at the moon
While we're praying for better
We're hungry for meat
But we still love the chase
We're a pack full of bastards
But you can't take our place

We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs
We got these fangs and these teeth and these claws
We are street dogs
We are street dogs

Street Dogs

Official Music Video

Pillars of Creation

Mystic Waves

Vision In Blue

Sin Muro

INNERFREQUENCIES

built this to rise slow and hit late. starts roomy, grows in layers, then lifts.

Jasmine

I started trying to mix new sounds on the synthesizer, while the sun was shining, the wind was blowing softly, and this melody and this music came into play. I wanted something cheerful.....

Dancing in the Sun

Enter Graal

#electronic #dark #uplifting  #downtempo #powerful #vibey #synthwave #nu-disco #experimental #instrumental #Japan #tokyo #110bpm

Lotus

Bass - Sickly Just

Combusted

The Spirit of the Bear

Join us for over 2 hours of Pet Shop Boys remixes!! Covering the period from the first album Please in 1986 right through to Very in 1993. 

Outrageous Intro
West End Girls (Shep Pettibone Master Mix) 
Paninaro (Italian mix) 
Why Don't We Live Together (NY mix) 
Love Comes Quickly (Shep Pettibone mix) 
In The Night (Arthur Baker Extended) 
That's My Impression (Disco mix) 
Opportunities (Version Latino) 
It's A Sin (Disco mix) 
I Want To Wake Up (Breakdown mix) 
Heart (Disco mix) 
It;s Alright (Full version) 
Always On My Mind/In My House 
Losing My Mind (Disco mix) 
Being Boring (Extended) 
Music For Boys (Ambient mix) 
Can You Forgive Her? (Rollo mix) 
Go West (Kevin Saunderson Trance mix) 
I Wouldn't Normally Do This Kind Of Thing (Extended Nude mix) 
Young Offender (Jam & Spoon Trip-o-matic Fairy Tale mix) 
Absolutely Fabulous (Our Tribe Tongue In Cheek mix) 
Yesterday When I Was Mad (Jam & Spoon mix) 
Outrageous Outro

Pet Shop Boys Remixes 1

ENERGY

OJERIME - THIS AINT EASY (TIM.ZED’S EXPERIMENTAL EDIT)

Submission for Weekly Note Composing Jam #28 hosted by emscottish for Itch.IO August 2025, the text prompt for the jam was simply "The Desert"

The first track of Mъdrъ / Mudru draft album

It's titled Part II but only about 5% is from before, to stay within the Jam's rules.

but if you -must- know, Part I is Release CCVI (#206) from December 2023 on DoDeka album twenty albums ago.
https://soundcloud.com/doug-stoothoff/stutterin-bob-dropped-the-rocket-launcher

https://soundcloud.com/doug-stoothoff/sets/duodeka

Stutterin' Bob Dropped The Rocket Launcher Pt. II

The first vocal track of Mъdrъ / Mudru draft album.  A mix of playing an instrumental before writing the lyrics (which is a departure although has been done a little recently), and also later my older style of writing chord-per-syllable to already-written lyrics toward the end of the piece.

Overall I write pretty naive lyrical pieces.  This guy is kind of a paranoid douche but with the best intentions.  She's like absconding off to (heaven forfend) a different little splinter group than his thing but it turns out to be benign and he inflicts some minor annoying damage by sneaking into their outing.

Lyrics:

Somewhere in the past someone set us up the bomb
Culture shifted so fast that 30 Rock is now a right wing sitcom

Somewhere in Ulster's bowels
Were heard the pangs of an alarm
A girl's heterofatalism was giving her an ulcer
The ginger with a minge
Had had enough of Hinge
Since the latest respondent's saccharine charm 
Was rather laid on with a trowel
The states seemed the right place to flee
And that's how she hooked up with me

How have I hated instruction, 
And my heart despised reproof 
It was the nagging ineluctable
Erosion of fitness under our roof
And what came of it was standing aloof
As i witnessed its destruction

After being the fall guy i was focusing on
Survival in the strange waters that i was swimming
Much like tall guys have no idea 
That they are at war with short guys
Normal women have no idea they are at war with crazy women

I saw our coming doom 
Through the bloodshot glass 
At the bottom of a marinara jar
The girls had started having breadsticks parties
And a lot of gossip got said
And pretty soon our burgeoning movement
Was given up for dead
But one can take theorizing too far
Particularly if you're too well-read

And so at the risk of assaulting my intestines
I engaged in a clandestine infiltration
And the leader of her congregation
Served a sumptuously appetizing oration
On the fiscal dangers of being an oversnacker
At the end of the presentation
One presumptuously testy cracker
Pointed out that one of the high watermarks 
Of our civilization
Is the Domino's pizza tracker

You can imagine their reaction
When I said the most frugal drug
Was constant distraction
In sunshine or rain
It lessens the pain
Of trudging dissatisfaction

We got to a really dark place
And the tipping point began
Around when i was being really crass
And implied that the high priestess was an also-ran
She was really about to kick my ass
I think it was the rage of Caliban
Not seeing her own face in a glass

After several mint juleps
She went and staggered amongst the tulips
magniloquent miss molly
Chided me on my vindictive folly
She asked what are you stupid
What's the point of all this skullduggery for me

Well I am genuinely attracted to you
Having walked too close by Cupid
And that is a pretty stupid thing to be

Magniloquent Molly's Mozzarella Jolly

Spotify Albums

Faith

Submission for Composer Synthestration Jam #1 hosted by Joe Chris for Itch.IO August 2025
The jam called either for directly synthesizing a classical/romantic piece or to write an original piece entirely in synthesizers.
Technically all of my output is always done -on- synthesizers with the FA-08 or with software synths in the laptop.
However I took pains in the submitted mp3 to mostly use synth tones.
In *MuseScore* however: if I used all different synth tones the player online in MuseScore's website would give an end product where things sounded very murky and bled-into-each-other. So there are some natural-sounding instrument tones albeit electronically produced, which are indicated in the score PDF as a result of that. And there are probably a small number of natural-instrument tones in the mp3 file which is the principal submission piece: however in that case it's like 90% electronic sequence tones.

The process was to listen to the Bela Bartók piece (4 Stücke Sz 22 BB 27 No.4 "Scherzo") on the mp3 player's earbuds while manually performing similarly "inspired" sections on the FA-08 and then to export that as a wav file. this wav file was then combined in MixCraft with the MIDI export also from the FA-08 and then the MIDI export used MixCraft's instruments in addition which takes us beyond the 16-track capacity of the FA-08 on its own. There are inter-cuts of brand new variations on the Whimsy series' leitmotifs, which cause this to be designated Whimsy Number 7.

Whimsy Number 7 (Bartókian Whimsy) submission for Composer Synthestration Jam #1 hosted by Joe Chris

This is not just a song. This is a chapter.

The lyrics for this track are taken from a key scene in the unpublished novel "Hinter uns das Land" (The Land Behind Us). It tells the raw, unfiltered story of a young German refugee's "homecoming" in 1948 – not to a welcoming fatherland, but to a landscape of destroyed train stations, bureaucratic coldness, and the quiet, heartbreaking moment a lifelong dream is shattered by a single piece of paper.

Musically, this piece is a fusion of melancholic jazz, blues, and deep, weary spoken-word verses, creating a cinematic, "film noir" atmosphere for this tale of disillusionment.

This is the sound of a generation arriving home, only to find they are more lost than ever before.

---

Das ist nicht nur ein Song. Das ist ein Kapitel.

Der Text für diesen Track wurde aus einer Schlüsselszene des unveröffentlichten Romans "Hinter uns das Land" übernommen. Er erzählt die rohe, ungefilterte Geschichte der "Heimkehr" einer jungen deutschen Vertriebenen im Jahr 1948 – nicht in ein willkommen heißendes Vaterland, sondern in eine Landschaft aus zerstörten Bahnhöfen, bürokratischer Kälte und dem leisen, herzzerreißenden Moment, in dem ein Lebenstraum durch ein einziges Stück Papier zerstört wird.

Musikalisch ist dieses Stück eine Fusion aus melancholischem Jazz, Blues und tiefen, müden Spoken-Word-Strophen, die eine cineastische "Film Noir"-Atmosphäre für diese Geschichte der Desillusionierung schafft.

Das ist der Klang einer Generation, die nach Hause kommt, nur um festzustellen, dass sie verlorener ist als je zuvor.

Scars on the Walls and Dust on the Floor

I began writing the harmony and the main guitar riffs of this song right on Blackout Tuesday. Watching antiracism protests around the world, really got me inspired. Hence the title of the song.

No Racists Allowed To Enjoy

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Magniloquent Molly's Mozzarella Jolly

Doug Stoothoff