Good Classical I Found 9

Scc23096   Asynchronicities   And Synchronicities 8

My Harmonic Journey, old guitar piece I wrote in high school. #ambient

Orphic

On several occasions, throughout various compositions of mine, I’ve emphasized how a melody or theme was based on something I wrote long ago, during my teenage years.
In this instance, the main theme is probably one of the very first things I ever composed—likely my first 'Eureka' moment, when I first gained some clarity about my musical gifts. Needless to say, this melody holds immense personal significance.
After all this time, I’ve finally decided to properly honor it by writing a set of variations.

Ode For Piano, A Minor, No. 2

Alison Theme [ Orchestral ]

A subtle, almost organic pulse rises within a textured and enveloping soundscape. Blending silky piano layers with delicately scattered sonic details, this track feels like an introspective drift — intimate, slow-burning, and contemplative. There's no urgency, no clear destination — only a carefully guided immersion where every frequency breathes. A meditative, cinematic piece designed for deep listening and sonic escape.

Under the waves

🎵 Title: Tango in the Rain
🎼 Composer: Michael Herter

🕒 Duration: 03:34
🐢 Tempo: Medium
🎻 Genre: Tango / Classical / Neoclassical
🎧 Mood: Romantic, Emotional, Poetic
🎬 Video: 

📝 Description

"Tango in the Rain" sweeps you into a world where every drop of water becomes a heartbeat and every note a whispered promise. Picture a cobblestone street drenched under a silver glow, footsteps echoing as violin and piano entwine in a passionate embrace. The sultry melody of the violin weeps with longing, while the cello’s warm timbre pulses like a lover’s steady breath. The piano’s chords glisten — each keystroke a raindrop dancing on your skin.

As the storm intensifies, the quartet’s rhythm tightens: viola strokes snap like lightning, and the cello’s low-register whispers anchor you in a moment of shared vulnerability. The interplay of solo lines and lush harmonies evokes a stolen midnight rendezvous, drenched in longing and defiance. You can almost feel the dancers’ wet shoes sliding across the pavement, their bodies in perfect tension, surrendering to the music’s electric current.

Here, sorrow and joy swirl together, creating a tapestry of desire that is at once urgent and tender. "Tango in the Rain" isn’t just a piece — it’s an invitation to lose yourself in a torrential romance that refuses to let go.

🎼 Key: d-moll | Time Signature: 4/4 | Tempo: Varies bpm

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

Tango in the Rain

🎵 Title: A Fireside Fairy Tale
🎼 Composer: Michael Herter

🕒 Duration: 03:17
🐢 Tempo: Slow
🎻 Genre: Jazz / Lounge Jazz / Smooth Jazz / Remix / 
🎧 Mood: Christmas, Romantic, Nostalgic, Magical
🎬 Video:

📝 Description

Imagine the sound of a perfect Christmas Eve, captured in a timeless jazz trio. This is it.

This track is a warm, intimate jazz reimagining of the original "Christmas Fairy Tale":

https://michaelherter.bandcamp.com/track/christmas-fairy-tale-fun-magical-romantic-christmas-new-year-orchestral-jazz

At its heart lies the velvet touch of a grand piano, the soulful hum of a double bass, and the gentle whisper of brushed drums. It’s the feeling of a cozy hug by the fireplace, blending sweet nostalgia with pure holiday magic.

This is more than music — it's the soundtrack for your most cherished memories. Press play to unwrap your Christmas fairy tale.

🎼 Key: Es-Dur | Time Signature: 4/4 | Tempo: Varies bpm

► Support my music: https://bnd.link/sibviolin
—
Your support means the world to me and helps me continue creating music. Every like, share, and subscription is deeply appreciated.

🙏 Thank you for listening!

A Fireside Fairy Tale

Obsidian Reflections for Small Orchestra - Marco Polo Orchestra (Live World Premiere)

Remembering. This one is very quiet one. Intense, but using only a few notes on my piano. This improvisation might lower your heart rate and truly comfort you. Best with headphones and eyes closed. Please enjoy and take a break. Looking forward to read your comments. 

Improvisation_110925_Humility

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

Wound Up/Unwind - Unwind for String Quartet and Hand Pan
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Unwind for String Quartet and Hand Pan

Wound Up/Unwind - Wound Up for String Quartet and Cajón
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Wound Up for String Quartet and Cajón

wednesday sketch 1

submission for Weekly Note Composing Jam #37 hosted by emscottish for Itch.IO October 2025

It's maybe messed up a little by the MixCraft 10.6 global effect i chose at the very last minute with like 20 minutes to go: but just approach it like "We're in the late 70's at a Jarre concert in France and we're way at the farthest worst seating in the venue and theres crappy echo on everything. LFG!"  Approached in that way and now after a few hearings I am starting to be more forgiving of it.

Ferromagnetic Frolic submission for Weekly Note Composing Jam #37 hosted by emscottish October 2025

Carefully done timing fix to a pretty good early Synth track from near the end of the Hexa album in August 2023, appropriately during the wildfire season but hearkening back to the days in 2020 when we weren't sure if some of the fires during that contentious year were arson or activists or both.

Track Art has 3 overlays:
1) the original which is a real image of the 2020 wildfires somewhere like a MSM photo
2) an imagining of an intelligence community situation map showing which fires were really set on purpose or not (a "top secret" NORAD like map with a general looking like Kiefer Sutherland in "24" nonsense)
3) a nod to the fact that Yellow Face is Gollum's name for the sun, so a TA 3017 evoking image of the orcs around him and they don't care because they know Sauron released him

Haze Sheathes The Yellow Face (Alpha Remaster)

submission for Weekly Note Composing Jam #38 hosted by emscottish for Itch.IO October 2025 inspired by "The Turn Of A Friendly Card" by The Alan Parsons Project

featured in the game Wyrm Blaster on Itch.IO as a gameplay background music:
game link:
https://exedexes1.itch.io/wyrm-blaster

The Yearn Of A Camelopard / The Turn Of An Ambiguous Trick

Carpathian Cliffs

submission for 1Bitober Art / Music Jam hosted by Luigi for Itch.IO October 2025

The instruments are -not- the same as on the FA-08 on the score because MuseScore has way fewer synth selections.
The jam called for a piece of hand-drawn pixel art to fit a 1920x1080 frame and adjacent to Halloween horror concepts, as well as the music piece.  I opted to be both the artist and the musician.

Thalassix The Mermaid Queen

submission for Weekend Composing Jam #6 hosted by Joe Chris (ScoringTech.NET) for Itch.IO October 2025

because I ditched my FA-08 export of WAV what i did was post-process it with MixCraft's instruments and when you do that, then the MuseScore version -does- closely align with the revised MIDI coming straight from Mixcraft it loaded the latter straight-up with all the closest things correctly chosen already.

Húrin Thalion Dragged Across Anfauglith / Brought Before Morgoth

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Good Classical I Found 9

Doug Stoothoff