I just want to express how much I appreciated the beautiful and seamlessly executed composition. It truly resonated with me, and I enjoyed every moment of it.

A highly original instrumentation that stimulates the imagination.

Good Classical I Found 9

A subtle, almost organic pulse rises within a textured and enveloping soundscape. Blending silky piano layers with delicately scattered sonic details, this track feels like an introspective drift — intimate, slow-burning, and contemplative. There's no urgency, no clear destination — only a carefully guided immersion where every frequency breathes. A meditative, cinematic piece designed for deep listening and sonic escape.

Under the waves

When every war is lost
And every hatred spent
Some folks will throw a ball
And some will boo
With nothing left to feel & do

Hep hep-hep!

Don't start assumin'
What makes us human

Huh huh-huh
Chet-chet
Hey-ey-ye pom

When I was a child
I did believe, I did believe
In Socrates
And all the Greeks who said that
We could all be good

I sat and smiled
As teachers taught we were the greatest
Fought the hardest
Just to win back
A tiny fraction of what used to be ours

It's understood
The meek & mild must toughen up
When something greater is at stake
A martyr acts
when lemmings leave

No wreaths for cowards!
It took the dying of a world to make it clear
A Holy War rings 
The gold in someone's purse

We did some bad things
But soandso did so much worse...

When every tribe is lost
And all the money spent
Some folks will drown in song
And some will jeer
With no-one left to kill in fear

Hep hep-hep!

Got caught presumin'
What makes us human

Huh huh-huh hek
Chet-chet
Hey-ey-ye pom

I'm still that child
But many reasons and excuses later
I just try to keep afloat without
Kicking my neighbor down

And failing bad
Do I blame the strings that have us tangled
When the strings were made by
Drowners like myself?

What if it's something we can't help?

What Makes Us Human?

instrumental with a gentle classical feel

scala

Gone is the anger.
Gone is the fight.
Gone is your passage into the light.
Gone are the left
Gone are the right.
Gone is your wiggle room.
When things get tight.

Gone is the doctor.
Gone is your hope.
Gone is the ladder. 
Here's some rope.
Gone is the daydream.
Frittered away.
Gone is the saving up.
For rainy days.

Take your war and shove it up your arse.
Take your pretence. 
It ain't all about class.
Take your pity. 
We're breaking the glass.
Break the glass.
Of class.
Class.

Gone are the holy.
Out for a drink.
Gone for a cigarette. 
Having a think.
Gone through the window.
Gone through the door.
Gone is the condemnation.
All for more.

Gone is the outrage.
Gone is the time.
Gone are the young men.
Sinking their wine.
Gone is the passion.
Blowing away.
Gone, paranoia.
Gone are the brave.
Away.

Take your war and shove it up your arse.
Take your pretence. 
It ain't all about class.
Take your pity. 
We're breaking the glass.
Break the glass.
Of class.
Class.

Gone/Glass

I Won't Forget You

Obsidian Reflections for Small Orchestra - Marco Polo Orchestra (Live World Premiere)

Werewolf

Daydream Vol 1

Metaxi

A reflective, mournful piece from Before I Forget by The Jeremias Langsämmer Ensemble, featuring lofi piano, cello, and subdued strings. This contemporary minimal classical track blends intimate piano melodies with gentle orchestral strings, perfect for focus, study, or contemplative listening. The restrained yet cinematic soundscape evokes quiet introspection while maintaining a modern, avant-garde sensibility.

For Fans Of:
Max Richter, Ólafur Arnalds, Nils Frahm, Balmorhea, A Winged Victory for the Sullen

The Jeremias Langsämmer Ensemble – What The World Can't See (I Don't Hide) | Lofi Piano & Strings

sentry 9.13.25

Then There Was You - Arranged by HollywoodPkr VAMPits and written by Paula Jo Taylor featuring Artist Luther Lewis..

Then There Was You

Autumn girl

Wound Up/Unwind - Unwind for String Quartet and Hand Pan
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Unwind for String Quartet and Hand Pan

Wound Up/Unwind - Wound Up for String Quartet and Cajón
Written: 2025
Total Duration: 10'
for string quartet and percussion (cajón with pedal and handpan—D Kurd 10: D) A, B-flat, C, D, E, F, G, A, C )
Commissioned by FAB5 quintet with support from the New York City Department of Cultural Affairs
World Premiere: FAB5, Mostly Modern Festival | The Netherlands, Oostkerk, Middelburg, Middelburg, Zeeland, The Netherlands, May 2, 2025
US Premiere: Mostly Modern Festival. FAB5, Mostly Modern Festival, Arthur Zankel Music Center, Helen Filene Ladd Concert Hall, Skidmore College, Saratoga Springs, NY, June 18, 2026
Publisher: Bill Holab Music
For More Information: https://robertpaterson.com/wound-up-unwind
VIdeo: https://youtu.be/RPyXPYx-nuo


PROGRAM NOTE
For many years, my wife Victoria and her FAB5 quintet (string quartet and percussion), have entertained thousands of people at numerous performance spaces and travel hubs in New York City, including Moynihan Train Hall, Oculus World Trade Center, Javits Center, and Chelsea Market. Having seen many of their shows, especially those at travel hubs, there's a certain tension and release you experience watching people wait anxiously for their trains, and then the release they feel when they are finally on their way. I've had these experiences myself, so I wanted to create two pieces that emulate these feelings.

Wound Up/Unwind consists of two contrasting pieces for string quartet and percussion. The first, Wound Up, for string quartet and cajón, imitates the feeling of being worried, anxious, and frustrated, especially while waiting to board a train. The second, Unwind, for string quartet and handpan, is calm and soothing, perhaps emulating the satisfying feeling of relaxing in a quiet seat as the train leaves the station. Both pieces can be performed independently and in any order.

Wound Up/Unwind is written for and commissioned by the FAB5 quintet with support from the New York City Department of Cultural Affairs.

Wound Up for String Quartet and Cajón

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

American composer Robert Paterson is a true New Yorker—born and bred in Buffalo, he lived in Rochester and Ithaca for over ten years, in New York City for over twenty years, and now lives in Saratoga Springs, near the Adirondacks. Paterson’s colorful music embraces a wide variety of themes, everything from goddesses and online dating to mathematics and the environment. His music is filled with emotion and fierce rhythmic energy, marked by elegance, wit, and meticulous craftsmanship. Named Composer of The Year by the Classical Recording Foundation at Carnegie Hall, Paterson is the winner of the Alfred I. DuPont Award, and his opera Three Way won the Grammy® under Best Classical Producer of the Year. His music is often a Best of the Year pick on National Public Radio. His orchestral tone poem, Dark Mountains, regularly airs on NPR’s Performance Today. Three Way premiered with Nashville Opera, then BAM (Brooklyn Academy of Music), and across the United States. Minnesota Orchestra, Louisville Orchestra, The Oratorio Society of New York, Buffalo Philharmonic, Albany Pro Musica, Albany Symphony, Musica Sacra, Austin Symphony, Vermont Symphony, and ensembles worldwide perform his works. Paterson gives masterclasses at the Curtis Institute of Music, New York University, the Aspen Music Festival, the Cleveland Institute of Music, and more. He is the Artistic Director and house composer for Mostly Modern Projects. Robert is a lifelong vegan and advocates for animals and the environment, celebrating the natural world with ground-breaking works such as his Triple Concerto, A New Eaarth, Listen, and I Go Among Trees.

Unwind for String Quartet and Hand Pan

Robert Paterson Composer

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