This piano whispers in twilight, every key a stepping stone across stillness. Francesco Adornetto

Very nice! That mystery note leads you to some meditative music.

N-Depressed Calling

« L'harmonie, c'est la conciliation des contraires, et pas l'écrasement des différences. »
(Jean Cocteau)

[Verse]
L'amour c'est la fleur solitaire
Nous sentir seul
Nos douces rêveries
Amours infinies

[Chorus]
Ma main pressant ta main
Mes yeux cherchant tes yeux
Nos cœurs se parleront sur nos lèvres unies
Dans nos larmes
Dans nos rires
Nous dirons les mots doux
Que nous soufflons
En secret
À la nuit
Dans la solitude
Nous resterons
Et nous deviendrons tous deux

Titre : Tous deux
Poète : François-Marie Robert-Dutertre (1815-1898)
Recueil : Les loisirs lyriques (1866).
Tous deux, pour nos amours invoquons le mystère,
Cachons à tous les yeux nos entretiens si doux ;
Car l'amour, vois-tu bien, c'est la fleur solitaire,
C'est l'oiseau qui s'enfuit au regard des jaloux.

Tous deux, quand le printemps ornera les prairies,
Pour mieux nous sentir seuls loin des bruits d'ici-bas,
Nous irons épancher nos douces rêveries
Sous les bosquets en fleurs où l'on parle tout bas.

Tous deux, nous goûterons des amours infinies,
Ma main pressant ta main, mes yeux cherchant tes yeux,
Nos cœurs se parleront sur nos lèvres unies
Et nous irons un jour ensemble vers les cieux.

François-Marie Robert-Dutertre.
À découvrir sur le site https://www.poesie-francaise.fr/francois-marie-robert-dutertre/poeme-tous-deux.php

Tous deux

Big Heartbroken (Rehearsal)

New Song here, finally.  A slower version than what I'd like.  Hope you enjoy it.

Egg And Chicken

A "True2Nature" Production...    My first track with out any AI in a long time..  (beside the graphic)  my computer can finally run a decent "session/project"   so hopefully this is one out many more to come..  

CONTROL FREQ (MUSIC)

This one's pretty typical of how I tend to compose music - I often create a drum beat I like, then add a bass and build around that. The main inspiration for this ditty was basically to play to a less common time signature, in this case a 7/8 rhythm. That reminded me of the funny 'yes, but yellow' meme circulating out there on the internet, so I whipped up this quick image in Photoshop to go with it (note the yellow slice is 1 eighth of the pie).  😊

I'm playing all instruments here on keyboard, except the slide guitar (dobro?), which is made up of several short loops in Garageband, sliced up to fit the 7/8 pattern I wanted)

Thanks for listening; hope to ketchup with your stuff soon!  


INSTRUMENTS:
-bass
-drums
-percussion
-Wurlitzer electric piano
-slide guitar (loop)
-tenor sax
-trumpet
-clavinet
-B3 organ

Most of the Time (Funk in 7/8)

Blood Moon

One of the most famous quotes about cowardice comes from William Shakespeare's play Julius Caesar:

"Cowards die many times before their deaths; the valiant never taste of death but once."

Produce in the
ARAPA Music Studio
Sydney - Australia

Artwork:  #azcreativestudiosydney

She's Got To Run, Run and Hide

Thank you for listening.
music composition / sdmk
arrangement / m-tek
Sample Sound / shiradow
Mastering / sdmk

Captivating Brilliance

Amazing (2009) Lost Tracks

sentry 9.13.25

I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

sentry 9.13.25

Chris Bright

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