BLAST!
Music by Overdrive
Lyrics by Marc Freak

Check out the promo videos for Blast!
https://www.instagram.com/p/CxsubR1OYtf/
https://www.instagram.com/p/CxswLPVgfAj/
https://www.instagram.com/stories/highlights/17992084141919799/

In one sentence, drum'n bass goes punk.

This song is the result of a team work with the always brilliant Marc Freak, a prolific musician, author, photographer, and oddity. I am an outspoken fan of his fantastic work (two of my favorite songs are by him). His music is definitely worth a closer look:
https://soundcloud.com/marcfreak

The instrumental part of this song was originally created in Renoise, with the program's native samples. Voices and effects were added later in Ableton Live.

The cover artwork is based on the amazing illustration created by Heri Shinato (Cyberpunk: The Future is Made of Flesh and Metal), available on his Artstation profile:
https://www.artstation.com/artwork/34aPJ

Hope you like it.

Blast ! (ft Marc Freak)

This Acid
Acid can be and is a very dangerous drug. You should be very careful and think twice before dropping one. It can make you feel has high has a kite. Sometimes you could have the best night of your life. It can make you feel like you are a superhuman or paranoid, like a mental heath patient. Acid can make you laugh uncontrollably at the most silliest of things. You might meet someone and have a very intent and very deep conversation about the universe.  
All in all most people know the dangers of this drug, but still people decide to pop a few tabs, dots at the weekend when raving. This happens all over the world. One world under the same groove. I hope you enjoy this track and thanks for the support 👽👽😎

This Acid

Tuesday Blues

Buy ME!

Bandcamp : https://myckalmarcovic.bandcamp.com/track/cqfd
Spotify : https://open.spotify.com/intl-fr/album/2EkxuH0BZ5y7rMVi2MGmIT?si=58o1yWdiQs22jmvyBgF6sA
Translation above

Texte, musique et voix : Myckaël Marcovic
Lyrics, music and vocals : Myckaël Marcovic



CQFD
(chanson à récapitulation)

Pourquoi faut travailler ?
C’est la faute au pêcher
Qui s’ prend pour un pommier !
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

Mais pour tout démêler
Il suffit de penser
C’est la faute au verger !
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

Mais Dieu, incorruptible,
Dit : « c’est inadmissible,
C’est la faute à la Bible ! »
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

La Bible manuscrite
Sous l’encore qui s’agite
Dit : c’est la faute au scribe !
Si y avait pas eu de scribe / Y aurait pas eu de Bible
Si y avait pas eu de Bible / Y aurait pas eu d’verger
Si y avait pas eu d’verger / Y aurait pas eu d’pommier
Si y avait pas eu d’pommier / Y aurait pas eu d’serpent
Si y avait pas eu d’serpent / Y aurait pas eu d’péché
CQ CQ CQFD CQFD

Mais l’encre sans crier
Maudit le parolier
Et sans un parolier
Y aurait pas eu d’chanson / Y aurait pas eu d’chanson (3 X)
Chanson qui tourne en rond / Chanson qui tourne en rond (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, le 14 mars 2024

CQFD = Ce Qu’il Fallait Démontrer = What had to be demonstrated

CQFD
(recap song)

Why do we have to work?
Blame it on the peach tree
Who thinks he's an apple tree!
If there hadn't been an apple tree / There wouldn't have been a snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But to untangle it all
Just think
It's the orchard's fault!
If there hadn't been an orchard / There wouldn't have been an apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But God, incorruptible,
Says: "It's inadmissible,
It's the Bible's fault!"
If there had been no Bible / There wouldn't have been an orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

The handwritten Bible
Under the agitated still
Says: it's the scribe's fault!
If there had been no scribe / There would have been no Bible
If there'd been no Bible / There'd have been no orchard
If there'd been no orchard / There'd have been no apple tree
If there'd been no apple tree / There'd have been no snake
If there hadn't been a snake / There'd be no sin
CQ CQ CQFD CQFD

But ink without shouting
Curses the lyricist
And without a lyricist
There wouldn't have been a song / There wouldn't have been a song (3 X)
A song that goes round and round / Song that goes round and round (2 X)
CQ CQ CQFD CQFD

Myckaël Marcovic, March 14, 2024

CQFD = Ce Qu'il Fallait Démontrer = What had to be demonstrated

CQFD

Magic in the riddim

I Want To Love You

Two Loneliness Just Met is a profoundly moving composition that immerses the listener in a world of sacred introspection. Siegfried Jünger masterfully weaves melodic ambient textures with ethereal choral synths, creating a piece that feels both intimate and expansive. The track unfolds like a spiritual journey, with layered harmonies evoking the quiet resonance of a cathedral at dusk.

Soft drones provide a grounding undercurrent, while delicate melodic motifs shimmer like distant light through stained glass. The choral synths, rich with reverb and depth, lend the piece a sacred, almost transcendent quality, inviting reflection and solace. Each moment is imbued with a sense of connection and yearning, perfectly capturing the emotional poignancy of its title.

Jünger’s ability to balance minimalist structure with lush, evocative soundscapes makes Two Loneliness Just Met a standout work in melodic ambient music, offering a serene yet haunting experience that lingers long after the final note fades.

Two Loneliness Just Met by Siegfried Jünger

Based on Dorothy Parker's Experience--->


Experience

Some men break your heart in two,
Some men fawn and flatter,
Some men never look at you;
And that clears up the matter.

https://classicalpoets.org/2024/11/the-trochaic-poems-of-dorothy-parker-an-essay-by-joseph-s-salemi/

and her capacity to lash out mordantly

Willie Nelson Karaoke Cover
Recorded top-lining a Karaoke backing track using Cakewalk.

Me and Paul - Willie Nelson Cover

In navigation, a rhumb line, rhumb (/rʌm/), or loxodrome is an arc crossing all meridians of longitude at the same angle, that is, a path with constant azimuth (bearing as measured relative to true north). Navigation on a fixed course (i.e., steering the vessel to follow a constant cardinal direction) would result in a rhumb-line track.

The prompt for the Itch.IO game jam was: "Sail Away!"
And of course, punning on Captain Jack Sparrow's question.

SamāššEšrā

Where Has The Rhumb Gone? submission for WNCJ #11 hosted by emscottish for Itch.IO March 2025

Buy on Beatport

Where Has The Rhumb Gone? submission for WNCJ #11 hosted by emscottish for Itch.IO

This tune was released by Ricky Nelson in 1961 and performed by me here on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: www.harveytwyman.com

Name That Tune #329 by Ricky Nelson

A therapeutic journey into a mix of jazz, classical, and a blend of types of electronica.  And a wry, gradual observation that promotion tends to only go as far as you push it.  At least I make my fellow musicians laugh a little.

Where Has The Rhumb Gone? submission for WNCJ #11 hosted by emscottish for Itch.IO

Doug Stoothoff