two poetry readings by raunoir  and hidekazuwa 
Ⅰ　fox
fox asleep
his soft paws reach
the floor
gloomy is his eyes
all his thoughts
humanized
uncanny
he cannot hide
puzzles unsolving
the mystery
decaying
the garden over the
riverside
fox turns over the
otherside
outrovert is the
universe
glowing particles floats
unexpectedly,
fox awake
tired from another night of
dull colors &amp;
colorful voices,
tacky noises
why,
how,
do the foxes cry
drums drumming
in foxes eardrums
heartbeats untied
they cannot move no more
can you feel the exhaustion
such a bitter thrill
why,
how,
can we solve the puzzle
which foxes had broken
 written and read by raunoir 


眠っているきつね
その優しい手が床に届く
思考は全部
人間みたいで
ぬけめなくて
それをきつねは隠せない
解けないパズル
だめになっていく神秘
川辺の向こうの庭
きつねは踵を返す、反対側に
宇宙って外交的
赤熱粒子が不意に浮かぶ
きつねは目覚める
ぼんやりした色や
色とりどりの声、
ねばねばとした騒音の夜の再来に
疲れてる
なぜ
どんな風に
きつねって泣くの
太鼓の音が鳴り続ける
きつねの鼓膜の中で
乱れた鼓動
もう動けない
そのどうしようもない疲労を
あなたも感じられる？
辛い身震い
なぜ
どうすれば
きつねさんが壊しちゃった
パズルが解けるっていうの
Ⅱ
the perfect day(do you do you remember )
do you remember
the day we woke up very early
to write a story
we went to see the mandrills in the mangrobe
was it nasi goreng or jambalaya we had for lunch?
maybe it was Tom Yam Kun
suddenly found ourselves in a spacy white room
talking about kun dali ni
how many colors did we see
how old did we get
how sad I'm starting to forget the detail of the day
just in my heart you in tears always claim
that day was perfect
because we spent the perfect joy
perfecto?
yes, could be almost perfect
just there's one thing I'm still wondering why
somehow
time didn't stop
we didn't die that day
written by hidekazuwa
read by his docomo mobile phone
music by hidekazuwa
voice by delikatraun


two poetry readings

A Duel between a Human drummer, unedited without a grid, and a Low Frequency Oscillator, ie electrical current.

Birnam Wood

Popping Weasel

سماعي بياتي (إبراهيم العريان) كمنجة: جميل بشير وعود: زكي إبراهيم - حفل الموصل

Musical track, instrumentation and arrangement by Ted Ottaviano. Lyrics and vocals by Jorge Socarras.

Deliver Me

Astor Piazzolla - Chquilin De Bachin (Timeless Tango)

Chiquilin De Bachin(Astor Piazzolla)

dep . R(i)e . viv . al . a . tion (2019)
for ensemble

March 10, 2019, performed by Hezarfen Ensemble in Bilkent Concert Hall, Ankara

Orhun Orhon, conductor
Cem Önertürk - Flute
Kıvanç Fındıklı - Bass Clarinet
Kerem Öktem - Percussion
Müge Hendekli - Piano
Özcan Ulucan - Violin
Ulrich Mertin - Viola
Gökhan Bağcı - Violoncello

Recording and mastering by Engin Dağlık

Art: Limm by Christoph Bader
 
dep . R(i)e . viv . al . a . tion (2019) for ensemble

"unhappy that i am, i cannot heave 
my heart into my mouth: i love your majesty 
according to my bond; nor more nor less."
			King Lear, I.1: 91-93, Cordelia.

dep . R(i)e . viv . al . a . tion, is an artificial word that was created as considering the phonetic features of both deprivation and revival words.
Just like King Lear's little daughter, Cordelia, many people have organic bonds of pure love. The most bitter of this situation is that they cannot leave these ties behind, and over time they become a cyclic deprivation. These types of situations that cannot be left behind and are transformed again, avoiding the progression of the timeline which creates loops. The deprivations that occur in these repeated cycles with particular or unknown periods inform their endings; in fact, every ending is the cause of a new revival. As Shams- i Tabriz says, ’The end is to return to the beginning.’ 
I have observed that this psychological process, which people have to experience from time to time, has an actual physical reaction on our own bodies. The harmonic cycle of music refers to the psychological process; the music, beginning in the “E” harmonic area, that completes its harmonic cycle by achieving different center tones and ends at the “E” center just like in the beginning. The harmonic function of music also serves the formal structure of itself. Transformed small structures texturally reach up in each center tone during the procedure, which is a reflection of the observed physical results.

dep . R(i)e . viv . al . a . tion

Music for SWALLOW MY YELLOW SMILE (1994)
Chroreographed by Meg Stuart / Damaged Goods for the Deutsche Oper Berlin Ballet
http://www.damagedgoods.be/swallow_my_yellow_smile

Yellow Smile

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Accordion : Behnam Omran
Glockenspiel : Negar Niazmand
Violin : Pooya Eshghinejad
Viola : Ali Yazdi
Double Bass : Arash Zarrabi

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