proper techno sets

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@huffyfibryyx
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240-2025-01-18

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@pax_x
berlin, DE

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clip https://youtu.be/Vj3i_ysFNZk
@lil-nahuatl
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248-2025-04-26

Support the artist here:
Instagram: https://www.instagram.com/henningbaer_/
SoundCloud: https://soundcloud.com/henningbaerberlin

Podcast 202 in the Frenzy series is brought to you by Berlin techno stalwart Henning Baer.

Co-founder and resident DJ of Grounded Theory, Henning Baer has been a driving force in Berlin's techno scene since 2009, curating cutting-edge events and delivering powerful sets that blend industrial grit with deep, hypnotic rhythms . His productions have found homes on respected labels like Sonic Groove and K209, and he continues to push boundaries through his own imprint, MANHIGH, showcasing his evolving sound and vision .​

Enjoy this exclusive one-hour mix from Henning Baer, a true architect of contemporary techno.

Artwork by Janu Krohm

FrenzyPodcast #202 - Henning Baer

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FOWRU 004 | Eerste Communie invites ADLAS

014 - EBASS

(interview below)
Ebass is an emerging force in the techno world, known for driving beats and immersive soundscapes. As a DJ and producer, he blends the raw energy of underground techno with atmospheric detail, creating hypnotic, emotionally charged sets.
With passion and perseverance, he’s steadily earning a reputation for powerful, visceral performances that resonate with techno lovers worldwide. Whether in the studio or behind the decks, his dedication shines through - where precision meets creativity to deliver a complete experience.

INTERVIEW
Was there a specific track, night, or experience that sparked your interest in electronic music or techno?

A moment that truly shifted my perspective was the first time I stepped into this small club in my city. It was intimate, niche, carefully curated. Up until then, I had been used to much larger, more mainstream venues. But this place was different, was dark, raw, with a wall of Funktion-Ones pushing out this bleepy, hypnotic techno. That night, I realized what I was really after, where my ambition was pointing.
If I had to name one track that first sparked that feeling, and still in some ways embodies the vision I’ve held onto ever since, it would be Exium - Subshell (Pfirter Remix). It has everything: tension, groove, and that spatial depth that made me fall in love with techno.

In what way did your move from Italy to Amsterdam influence your musical journey? What motivated that change at the time?

Absolutely. The decision to move was entirely driven by music. That was, and still is, my main focus. I’ve always dreamed big, and I couldn’t accept giving up this passion just because I wasn’t in the right place - or living with that “what if” in my head.
Then, as often happens, other signs and circumstances made things even clearer.
Once I got here, the environment played a big role. It pushed me. I arrived alone, with no connections, but being surrounded by certain energies constantly motivates you to do more, evolve, and learn something every day. Above all, this is where I truly learned what it means to persevere - no matter what.

Are there specific moods or energies you intentionally try to capture when producing – and if so, how do those emotions shape your workflow or your studio setup?

Maybe I’m a bit particular, but when I produce, I try to leave my moods outside. I overthink a lot, and making music helps me shut the world off and tune into myself.
When I hit that flow and things move on their own, that’s when it works. 
The hardest part isn’t usually the technical side, but quieting the mind and finding full focus. The energy in a track reflects me in the most honest way. When everything clicks - when I find a natural, simple workflow that still tells a story - that’s when I feel truly satisfied.

@ebass_off

Artwork by Janu Krohm

6D. Podcast 014 - Ebass

This is a section of my recorded set from ADE 2024 at H7 Warehouse for the Congregate party. 

Sadly i didn't get the whole set but i think this was somewhere in the middle of my 2hrs.

Hope you enjoy it.

H7 Warehouse - ADE - 16.10.2024

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VARIA is pleased to present the next episode in its podcast series, featuring Maemm.

Based in Paris, Maemm builds her sets as immersive journeys, where hypnotic techno blends with ambient textures and subtle psychedelic shades. Her deep curiosity and constant search for new sounds shape a musical identity in perpetual evolution.

She has performed alongside renowned artists and played in respected venues, including the legendary Berghain.

In 2021, she co-founded La Taquinerie, a collective dedicated to ambient and downtempo experiences, merging video art and poetry. For two years, the collective held a residency at La Gare / Le Gore, curating Thursday nights with a singular artistic vision.

This episode continues VARIA’s mission: championing considered electronic expression and lasting artistry.

@mmaemm

Artwork by @gannein

https://www.instagram.com/maemm___/
https://www.instagram.com/varia.berlin/

VARIA 011 - MAEMM

BRUMA Podcast 001 – Fontana 

Inauguramos nuestra serie de podcasts con Fontana, DJ y productor radicado en Ciudad de México, y también el primer artista en firmar un lanzamiento con BRUMA.

Este set no busca llamar la atención con trucos. Es una hora de techno directo, preciso y denso. Una selección que refleja su forma de entender el ritmo, el espacio y la energía en la pista. Sin apuro, sin concesiones. 

Además de publicar EPs, en BRUMA queremos dar espacio al trabajo como DJs de los/las artistas que invitamos. Este podcast es una forma de conocer más de cerca su lenguaje, su criterio, su forma de construir momentos.

 El 8 de agosto sale Introspective, su EP debut.

 La preventa en Bandcamp abre el 25 de julio.

Bruma Podcast 001 Fontana

016 - MICHAEL IUS

(interview below)
For our 16th podcast episode we introduce you to the romanian DJ and producer Michael Ius who blends classical roots with a deep passion for techno.

INTERVIEW
You took classical guitar lessons for 14 years and studied music at university – what was the decisive moment or thought that led you to dedicate yourself entirely to techno production?

All my life I performed other people’s music, whether it was classical or pop. Later I was a guitarist in multiple cover bands. In 2012, I attended a music festival in Bucharest where Luciano was playing. It was melodic techno and it was also the first time I connected with myself on a deeper level. My musical synapses suddenly opened and I instantly fell in love with synthetic sounds. Loved the lowend and the punch! I started producing electronic music in 2016, step by step, and in 2023 I found my current sound and stayed consistent with it.

You're part of the Techno Diatom collective in Bucharest – how would you describe the collective's musical vision and vibe, and what makes your approach different compared to the international scene?

Me, together with Techno Diatom, wanted to bring something different to the local techno scene on a bigger scale. We wanted to actively promote it (via social media ads) to reach more people who like techno and let them know that a “new” subgenre is now present in Bucharest through Techno Diatom. Here in Bucharest and Romania in general, most techno events are focused on Rominimal (which is really good) with slow BPM, Tech House (very commercial), and Hardcore Techno (very fast). Nothing in between.
Compared to the international scene, there’s no real comparison – we’re basically inspired by the international Deep Raw Hypnotic Techno scene, and we’re grateful for that. Western Europe’s electronic music has been going on for generations, and here in Romania we’re just starting to scratch the surface.

In classical music, you work a lot with sheet notes, but these days you probably work more with software and sounds – how has your creative process changed since switching from sheet notes to electronic music production?

Having strong music theory behind me, plus jazz harmony and colorful chords, helped me understand a lot of things faster. I used that knowledge a lot when producing melodic techno in the beginning. But when I went deeper into the real underground minimal techno sound, the theory became useless. Techno has a lot of tension, and if you stay in key, it often sounds too static or melodic. Now the only thing I really use is the octaves. If you “play” the “lead” or “stabs” in the right octave, it works. Everyone can do this by analyzing techno tracks with a frequency analyzer, hovering the mouse on the frequencies when you hear something, and you’ll see in which octave it was played.

@michael-ius-techno
Artwork by Janu Krohm

6D. Podcast 016 - Michael Ius

A respected figure in Malta's underground club scene, Lenny is acknowledged as one of the finest and is known for his high-calibre sets.

This mix is a testament to that.

Dig in - #29

Lenny - in.di.go_waX Podcast #29

Lorenzo Fasano - Techno Sessions Vol.1

Episode 35 brings you - Giammarco Gazzillo 

A dj and producer born and raised in the south of Italy, where his interest in electronic music grew alongside his collection. 
At 17 years old, he made the decision to move to London, where he was influenced by the city’s vibrant London Underground techno scene. 
This experience sparked his passion for exploring hypnotic and old school sounds.

“For me, DJing is not just about discovering the music you want to deliver. It’s also about having knowledge of music genre, history and understanding the structure of sounds, which are what truly define a DJ.”

Gianmarco is also a co-founder and resident of Polyritmica.

His sets take listeners on an immersive journey through raw, deep, and driving hypnotic techno. With constant layering and skilful blending the best of both old-school and new-school elements, he crafts a distinctive sound that strikes a perfect balance between nostalgia and innovation.

As always please show your love and support to the artist involved.

SOCIALS:
IG: https://www.instagram.com/gianmarco_gazzillo

Structure Series Invites 035 -  Gianmarco Gazzillo

Disguised – A dynamic techno duo that has been setting dance floors on fire since 2015.
Alvaro and Domenik combine their passion for oldschool techno with modern elements,
creating a unique blend of driving beats, hypnotic melodies, and dynamic soundscapes.

In their mix for Habitus, Disguised showcase a selection of their current favorite tracks – music that inspires and moves them right now. The set offers an energetic glimpse into their recent live performances, filled with driving rhythms and hypnotic passages.

Instagram: https://www.instagram.com/disguised.wav/
Bandcamp: https://disguised030.bandcamp.com

HABITUS Invites #60: Disguised

HEISSS CLUB RECORDING: Tobi Lack b2b dxrvo @ RSO.BERLIN, July 13th 2025

◦ AgainstMe x Red Rooms | Clergy X Podcast [5/10]

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We’re proud to unveil the fifth instalment of our Clergy 10 Years podcast series - launched in collaboration with Apple Music.

Apple Music “Pay per play” which gives us the opportunity to donate this to a charity of the artist choice!

For this episode, AgainstMe & Red Rooms have chosen to support “TBD tomorrow” with all proceeds from the mix.

Now available on Clergy’s SoundCloud and Apple Music.

Enjoy & Thank you for the support!

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AgainstMe x Red Rooms | Clergy Podcast [5/10]

Jonas Xenon is a DJ and Producer based in Berlin, Germany. His mind is wrapped around the darker side of the music spectrum. His love for hypnotic patterns and restless grooves drove him into the depths of techno production. As an artist with a drum and bass background you can still hear and feel the closeness to his roots. Techno with the little pinch of oldschool aesthetic fused together into a refreshing whole.

IG: https://www.instagram.com/jonas_xenon/
SC: https://soundcloud.com/jonasxenon

proper techno sets

Level X