My favorite one so far.  Mournful and organic with electronic undertones.

A set collecting the tracks from the 52nd weekly project from the Disquiet Junto group.

The Assignment: Celebrate the Creative Commons by remixing three tracks from the Bump Foot netlabel.

More on the specific project at:

http://disquiet.com/2012/12/27/disquiet0052-bumpcc/

More information on the group at:

https://soundcloud.com/groups/disquiet-junto

Disquiet Junto Project 0052: Bump Foot CC

Spring Has Withered

 I had never listened to my garden before.

This is my contribution to the Disquiet Junto project's Midnight Glitch assignment (0170).

I made a 1-minute recording in the garden, at midnight on Apr 6 2015, using a Soundman OKM II binaural mic. I then used Live to add a low frequency drone track with random high pitch notes (the glitches).

The artwork was based on a photo by David Nestor, licensed under Creative Commons:
https://www.flickr.com/photos/thenestor/13570999

More on this 170th Disquiet Junto project — “Create a one-minute track that takes the project title, ‘A Glitch in the Night,’ as its guiding aesthetic” — at:
http://disquiet.com/2015/04/02/disquiet0170-midnightglitch/

More on the Disquiet Junto at:
http://disquiet.com/junto/

More on the One Minute Past Midnight series at:
http://oneminutepastmidnight.com/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

Photo associated with this project by Javier Morales, used via Creative Commons license:
https://flic.kr/p/fsje4t

In my garden [disquiet0170-midnightglitch]

Simply a random field recording recorded on April 5th or 6th 2015 sometime around midnight in my SW Florida back yard. The track was then uploaded to my iTunes playlist and broadcast to an FM frequency from my iPhone through a mobile bluetooth device. I purposefully took it slightly off frequency to attain the static and a slight, indecipherable bleed through from a nearby station before recording.  

Disquiet Junto Project 0170: A Glitch in the Night
Create a one-minute track that takes the project title as its guiding aesthetic.

This project is the third in an ongoing occasional series that focus on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse, reworking, and sharing.

The steps for this project are as follows:

Step 1: The primary goal of this project is to make a one-minute track. That track should, in your imagination, fit the description “A Glitch in the Night.”

Step 2: You may create an entirely original work that fits the brief project outline in Step 1. Or, you might choose to rework audio from one of two previous projects in this series, #0160 from January 22, 2015, and #0163 from February 12, 2015, both of which involve field recordings made of the sound one minute past midnight:

http://disquiet.com/0160/
http://disquiet.com/0163/

Step 3: If you choose, per Step 2, to use pre-existing material, locate segments that are especially quiet and meditative — and confirm that they are available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 4: Upload your track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, April 2, 2015, with a deadline of 11:59pm wherever you are on Monday, April 6, 2015.

Length: The length of your finished work should be roughly between one and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0170-midnightglitch” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 170th Disquiet Junto project — “Create a one-minute track that takes the project title, ‘A Glitch in the Night,’ as its guiding aesthetic” — at:

http://disquiet.com/2015/04/02/disquiet0170-midnightglitch/

More on the Disquiet Junto at:

http://disquiet.com/junto/

More on the One Minute Past Midnight series at:

http://oneminutepastmidnight.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project by Javier Morales, used via Creative Commons license:

https://flic.kr/p/fsje4t


Night Air - disquiet0170-midnightglitch

Starseed [disquiet0170 - Midnightglitch]

Loopscapespace[disquiet0170 - Midnightglitch]

This track is dedicated to my Dad who passed away unexpectedly in his sleep on Saturday, October 1st. He was 58.

I had originally meant this as a bonus track to be included in the tape release of Healer, and had named it Sleep Now because that's what the music made me think of. But since Saturday, both the track and the name have taken on a completely different meaning to me.

The photo is a polaroid selfie of him from the late 80's, when he was working the US with the hope of bringing my Mom and I over from Poland to North America.

Rest In Peace Dad

Sleep Now (for Dad)

Six Conversations in Variation

Nails in Wood

I haven't attempted any of the Junto projects in 10-12 weeks -- and haven't completed one since #32 -- mostly due to them either not catching my interest or presenting technical issues, but occasionally through not having time or not feeling well enough to work on music.

Anyway, I picked up some new VSTs as well as a couple of software upgrades, and I figured this was a good opportunity to test them out. I clipped out the first 20 seconds of the "Bongo" track as per the instructions, and selected three clips each from "Broken Robots" and "The Cat in the Ocean", picking sections I felt would work well together, all in Sound Forge.

I then brought these seven clips into Acid Pro, and with some experimentation made an arrangement, using the beginning of "Broken Robots" as the most recurring section. The application of various VSTs on the individual clips changed their sound significantly from the original source -- again, this was a trial-and-error process as many of the plugins I used were new -- and a selection of plugins on the master channel brought everything together despite originally being sections of three unrelated tracks.

Also, the new Soundcloud layout is horrible. I am not sure if I will get used to it.

This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net/.


More on this 52nd Disquiet Junto project at:
http://disquiet.com/2012/12/27/disquiet0052-bumpcc/


More details on the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

[disquiet0052-bumpcc] Cats and Robots

<b>Disquiet Junto Project 0052 - Bump Foot CC</b>

Some serendipity involved in this one, as well as a certain amount of initial laziness on my part. The 20 second Bongo intro ended up as an over-stretched drone by accident, but after being cut up and mixed was irresistible. A short section of Broken Robots provide a counter-drone with a melodic feel and part of "The Cat in the Ocean" was stretched, reversed and processed through a number of ambient filters and delays to provide a weird, backwards rhythm track. All of this ended up as a rich, soaring ambient drone with a chorale quality.

But I couldn’t let go of the fact that Robots and Cat sound great played together, just as they are, so I mixed them together and used part of that as a tuneful sprinkle over the drone – I was going to fade that out, but quite by accident (again) the abrupt ending seemed to work.

Accidents can be fun.

----------------------------------------------


This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net/. ; 

More on this 52nd Disquiet Junto project at: 

http://disquiet.com/2012/12/27/disquiet0052-bumpcc/ ;


More details on the Disquiet Junto at: http://soundcloud.com/groups/disquiet-junto/info

Cat Bump & Bongobots [disquiet0052-bumpcc]

This is my contribution to the 52nd disquiet collaboration project, and brings together tracks from three separate artists. 

I sat down tonight to see where I'd land with this. I started by figuring out what key and bpm the three separate uploads were, and imported them to Propellerhead Reason. Once I had them playing nicely together in the same tempo and key I started playing with filters, and particularly tempo-synced filters to create new rhythms from the original ones. 
I tweaked EQ here and sound levels there, and added a wide reverb and an echo over yonder, and finally added a beat, a bass and a pad and called it a day.

The first half is all original sources, except for a new kick/snare. The second has a lot more of me in it.

On a related note, Disquiet Junto has been an incredibly helpful initiative for me to be part of this year. Marc is a heck of guy to have continued to drive this for a full year, and I'm really grateful for his efforts.

Original project notes below:

"This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: “Bongo” off the Aguas Tonicas album titled Los Desposeídos, “Broken Robots” off the Gridline album titled Red Music, and “The Cat in the Ocean” off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net/.

More on this 52nd Disquiet Junto project at:

http://disquiet.com/2012/12/27/disquiet0052-bumpcc/

More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/"

bamipafutu [disquiet0052-bumpcc]

Downloaded the three original tracks and converted into wav (with Audacity).  Used Ableton Live to create six core sounds/loops (two from each original piece) and treated/processed them for pitch, texture, etc. Then basically played the resulting Live set (using two Korg nanoKontrollers) with the available sounds.

Some minor edits done afterwards (small volume adjustments throughout, removed a few bars to fit under 5 minutes, put a limiter at the end before rendering), but this is basically the Live set, as "played".

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at www.bumpfoot.net/. ;

More on this 52nd Disquiet Junto project at:

disquiet.com/2012/12/27/disquiet0052-bumpcc/ ;

More details on the Disquiet Junto at: Groups – Disquiet-junto

The boatman's dream [disquiet0052-bumpcc]

This track is entirely sounds from 3 tunes off the Japanese Bump Foot netlabel.  (Not sure if we were free to add our own sounds for this week's Junto, but I liked the challenge.)  Links to the Disquiet Junto instructions are down below my description...

From "Bongo" I only took a muffled bass stab, transposed a few times through the track.

From "The Cat In The Ocean" I took the guitar lick that comes up throughout.  I've stretched it out to suit the tempo I had in mind and EQed it, but otherwise it's intact.

All other sounds are (duh) from "Broken Robots".  I cut out tiny bits of percussive sound and tweaked them a lot to make the drum sounds.  Lots of transposing, etc.

The chord stabs and so on are a 4-bar loop played at half-speed, with some tape stop-start effects made by messing with the tempo in AudioMulch while the loop was set to automatically stretch to match tempo.  I exported that stuff and chopped it up to try to get it in time with the beat I'd written. 

----
This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net/ .


More on this 52nd Disquiet Junto project at:

http://disquiet.com/2012/12/27/disquiet0052-bumpcc/


More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Jet Jaguar - Stubbed [disquiet0052-bumpcc] (free DL)

I used looping, time-stretching, pitch-shifting, reverb, distortion, and tremolo to create something reflective, moody, and hopefully interesting.

This Disquiet Junto project was done as a celebration of the efforts of the Bump Foot netlabel, and to support its employment of licenses that allow for derivative works. These Junto netlabel remix projects are intended to promote reworking as itself a means of music distribution. This track is comprised of three pieces of music, all originally released on Bump Foot: "Bongo" off the Aguas Tonicas album titled Los Desposeídos, "Broken Robots" off the Gridline album titled Red Music, and "The Cat in the Ocean" off the Pics Frunk album titled Low Voltage. More on the Bump Foot netlabel, and the original versions of these tracks, at http://www.bumpfoot.net/.


More on this 52nd Disquiet Junto project at:

http://disquiet.com/2012/12/27/disquiet0052-bumpcc/


More details on the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Sad memorandum [disquiet0052-bumpcc]

www.triac-act.com
more here:
http://soundcloud.com/triac_sounds/departures-part-i
Follow us on last.fm too
http://www.lastfm.it/music/Triac_

Us - to Nils Frahm

parallel

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Dowsabel is a musical/sound art project without many boundaries and a lot of exploration. I have started issuing limited edition physical releases of Dowsabel under my micropress/mail art project, Faint Press (faintpress.tumblr.com).

For high-quality downloads of complete albums, please visit dowsabel.bandcamp.com.


Sad memorandum [disquiet0052-bumpcc]

Dowsabel

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