Management: sean@mammothmusicgroup.com jason@mammothmusicgroup.com phil@mammothmusicgroup.com 

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Flamingosis (the name comes from a free- style Frisbee move that his father invented) is a New Jersey-based electronic music producer and beatboxer. Drawing on influences from other producers such as Flying Lotus and J Dilla as well as vintage funk and disco music, Flamingosis creates engaging and souful tracks and puts on an infectiously energetic live show.

I've been absorbed in music since the early 80's listening to electro, soul, Chicago house etc. Discovered funk and disco in the early 90's when away at Uni and have spent the past 20 + years buying back into this amazing music genre. Don't get the time to play out much nowadays but I have DJ'ed at Funkademia in Manchester a few times over the past year or two which is always a top night and great place to play! The older I get the more I seem to appreciate not only the music I have collected, but all of the hidden gems I am discovering through edits posted on either Soundcloud or new releases from one of the many talented producers/ editors currently in the Disco Scene. Big fan of labels such as Disco Deviance, Editorial, Midnight Riot, Editors Kutz, Razor N Tape, Whiskey Disco, Chopshop, Hot Digits etc. In my mixes I try to blend the records as subtly as possible and be respectful to what has already been created.  



🌲 Peer on down the forest path to come and shake your better half 🌲

Bookings & Enquiries: flickerscapeproductions@gmail.com

French Kiwi Juice

New album "22_23 Live Sessions" out now: https://fkj.ffm.to/livesessions

Official Store: https://fkj.ffm.to/shop

Sign Up: https://fkj.ffm.to/newsletter

Management: info@verdigrismanagement.com

Bookings: 
North & South America: bowen@paradigmagency.com
Rest of World: michael.harvey-bray@paradigmagency.com

Melbourne’s Benny Cam has come to rile up Australia’s electronic music industry at some of the cities’ hottest clubs and festivals to airwaves tuned into from around the world. Having brewed a solid repertoire in dance music since his inception, Benny Cam commands some of the fondest reception from enthusiasts and dance floor devotees, basking in disco, house and tech house tones while known for his solid music catalogue. Weaving a phenomenal barrage of tunes capped off with a cheeky iconic party shirt behind the console, Benny’s die-hard passion for the music is unmistakable.

Encapsulating listeners across the map, Benny Cam takes the masses on a passionate journey with pulsing backdrops, groovy basslines and soaring vocals. From ‘The Movement Radio’ show on Kiss FM Australia to killer spots on some of the country’s most enviable bills at Beyond The Valley Festival to the late Stereosonic and iconic institution that stands in Melbourne- Revolver. In the midst of these shows, Benny Cam has attained respect from fellow industry pioneers, friends and dance floor fans, having also supported the likes of Solardo, Sonny Fodera, Lane 8, Bontan and Riva Starr. 

Across his career in the electronic music industry, Benny Cam has driven his initiative and mission to support the local scene. Lifting up the community of artists, record labels and events, pushing these to the forefront of his radio show and work with Global PR – Australia’s leading Dance and Electronic Club Music Promo company. Benny eases every party-goer into the weekend and warms a Sunday sunset session, from the tunes to the vibes.

Bookings:
djbennycam@gmail.com
Corporate:
request@requestartists.com.au

D-Nox (born 06 December 1975) is a German DJ/producer and 1 time DJ Awards winner whose career in electronic music spans well over 25 years. Everything started for him with the electronic scene in his hometown of Düsseldorf in the early 90ties, branding his mark in the music community by also being a part of the duo D-Nox & Beckers who are responsible for various club hits since 2004 and are still currently releasing 16 years later on prestigious labels such as Bedrock, Suara and Sudbeat to name a few, as well as through D-Nox’s own record label Sprout Music. 
D-Nox has brought his sound all around the world with his international bookings as a DJ, keeping him constantly on the move with his travels every weekend, through Europe, down to Australia, across the Americas, and around Asia and Africa. D-Nox has an exceptionally outstanding career in Brazil where he has his biggest fan community.
D-Nox was born in East Germany, but his family escaped to the West of Germany before the wall went down in 1989. As a young boy, he fed his interest in music by recording music on cassette tapes, as there was no way to buy records in East Germany. It was only in the time that he and his family moved to the West, that he got access to all the music which he had been recording on tapes and this is when his real passion for collecting music was born. In the early 90ties he started to go out and meet people from the nightlife scene of his new hometown Düsseldorf. Düsseldorf has always played an important role in the underground music scene. Many important bands such as Kraftwerk come from Düsseldorf.
With the first money that D-Nox made after he had left school, he was able to buy himself all of the important equipment needed to start the art of mixing vinyl records.
Around 1992 was the first time he got booked to play in a nightclub and by 1993 he became a professional DJ. These early years made D-Nox one of the most booked DJs in his region, with numerous gigs in his hometown and other cities near by. In 2001 he started to work as A&R for the record label Tatsu. This job taught him even more about the music scene and inspired him to start his own record label Sprout Music in 2003.
In 2004 he met Beckers and both started the form the famous duo D-Nox & Beckers which was responsible for many underground club hits such as „Jetlag Slave“, „Memory Cell“, „Seven Hours“ and many others. In 2007 the duo D-Nox & Beckers won the price for best selling progressive house artist in Beatport.com and in 2010 the duo won the DJ award for best progressive house artist. 
D-Nox & Beckers have released 3 albums; in 2007 “Left Behind”, in 2009 “Big City Lights” and in 2011 “Distance”. Since 2004 the duo have released more than 50 EPs and made over 70 remixes. Until today, D-Nox & Beckers still receive a lot of recognition and respect, and continue to play shows all around the world together.  But due D-Nox’s change of location in 2016 when he moved to South America, he is now focusing again on his solo gigs, with current shows booked in Germany, Belgium, Japan, Turkey, Israel, Australia, Russia, Poland, Costa Rica, Hungary, Brazil, Canada, Mexico, Argentina and many more to follow.  
Along with D-Nox’s change of location from Germany to South America, a few new collaboration partnerships in the studio were formed. One of them together with Victor Ruiz, one of the most demanded DJs of today.  Together Victor and D-Nox produced ‘Arise’ which was released on Sudbeat Recordings in 2016, the label belonging to Hernan Cattaneo. This track became one of the most played tracks in sets of DJ’s all around the world. They followed up this release, with a second best seller in 2017 on Sudbeat from Victor Ruiz and D-Nox, called ‚Pure’. Another new collaboration made with Stereo Underground, a very well respect producer from Israel „Dolby“ has reached number 1 in Beatport, the world wide leading digital store for DJs and was holding the top position for over 3 month. The pandemic month have d-nox become way more creative in his studio than he ever was before and his discography has just grown bigger and bigger. Its is now over 20 years that D-Nox is traveling all around the world and keeps on moving the dance floors.
D-Nox came out quite strong of the pandemic years and all the time he had spent well during those month off brought more shows and new fans. The years 2022/23 sent to to over 20 countries and his single „Dolby“ with Stereo Underground managed to stay 3 month on top 1 of the Beatport sale charts.
In 2023 D-Nox is celebrating his 30 years as a professional dj and he keeps touring the world. 
By now, D-Nox and/or D-Nox & Beckers have played many mayor festivals such as Rainbow Serpent, Ozora, Fusion, Tribe, Boom,  ADE, Love Parade, Tomorrowland, Lollapaloza, Loveland, Extrema to name a few and  many important clubs around the world, such as Stereo, Womb, the Bow, Dedge, Pacha, The Block, Warung, Ame, and so on, stoking up gigs in over 70 countries, this duo belongs to the most important underground dance music products from Germany.

Mgmt: andres@paperclip.no
Booking: thomas.reade@allofloride.eu (World except), brent@good-direction.agency (US+CAN), watty@movidamusica.com (MX)

For over a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like Chic and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rodgers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

Dozal is following