DJ Terrance Lalley was a resident DJ at The Manor, from 2010-2015. The Manor, located in Wilton Manors, is one of South Florida's largest, state of the art dance clubs. DJ Terrance Lalley was a Saturday resident, with a consistent crowd of 2,000+ party people!
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In the Spring of 2000, Terry had a life altering experience dancing with thousands of men on the sands of South Beach to an unfamiliar sound. It was House Music. He was amazed by the powerful energy and camaraderie that can be created by total strangers in just a few hours, driven by the music and the DJ. He never envisioned that someday he would conduct his own musical journeys as a DJ. Terry and his husband, Michael, have been fortunate to develop many friendships with leaders of the gay music scene. This has allowed Terry to witness the art of DJing first-hand and be influenced by the talents of Alyson Calagna, David Knapp, Manny Lehman and Abel (among many others). 

In 2007, Terry purchased his first CD decks and mixer and over time, honed his mixing skills. His numerous compilations, recorded live with no post-production editing, have become hugely popular with friends and fans. For the past few years, Terry has entertained thousands of people spinning private parties (Pool, T-Dance and Late Night). Ambition and curiosity led him to the DJ booth. In 2010, legendary Coliseum Nightclub promoter, Gary Santis, gave him his big break. Gary booked him to spin at the hottest and largest gay dance club in South Florida, The Manor. Terry has played his unique sound of driving, energetic vocal house to packed dance floors with resounding success.
 
Terry enjoys various genres of house music and his styles vary from daytime European house to classic pool party, to hands-in-the-air T-Dance, to peak hour anthem house fused with relentless Latin/Brazilian drums, to funky electro and tech-house. Terry invites you on a musical journey, whether it’s one of his compilations or on his dance floor. What the future holds is up to you…

DJ/Doer of many things
Credits: OZ Southern Decadence, NYFW, FIP Pavilion, 3 Dollar Bill, The Q, Polygon BK

For any DJ and bedroom producer, the ability to “hustle” is often the most underestimated, yet most important factor in determining whether they will fade out or successfully make their mark on the industry. Good hustle is the epitome of both the man and monumental career of international DJ, Roger Sanchez. From humble beginnings in New York City, diggin’ in dusty crates of old vinyl and spinning at house parties in Corona, Queens, to dominating huge dance floors and headlining festival main-stages in every corner of the globe, Roger is truly a self-made man and a house music legend.

The crafting of Roger Sanchez, the DJ, started in the late 80s, where as a young man he was enticed by the explosion of hip-hop that was taking over the city. Embracing the culture as a b-boy and graffiti artist, he would hit parties on the Bronx River and before long, his friends had him trying his hand on the wheels of steel. In a time and place where hip hop, house music, and “turntablism” all collided in a perfect storm of creativity, opportunity, and sick beats, Roger seized his moment and began to build his empire on vinyl and slip mats, starting with a few singles and expanding into a massive collection of over two thousand original productions and remixes.
Releasing music under a multitude of monikers, including the S-Man, Roger S., The Nu- Solution, Underground Solution, DV8, Ego Trip, El Mariachi, The Funkjunkeez, Tribal Infusion, Twilight, and Transatlantic Soul, just to name a few, Roger has been able to maintain the essence of his sound, his flavor, his “sabor”, if you will, while still using each alter ego as a tool to expand on various fresh and experimental sounds. Each one of his multiple music personas have allowed him the opportunity to defy the mainstream and travel out to the far reaches of the musical galaxy, collecting depth, wisdom, and perspective along the way and applying them to his future endeavors in innovative dance music sounds, allowing him to remain fluid and cutting edge across decades.

So many successful endeavors would have never been possible without a rock solid work ethic, something that Roger prides himself on. From the very beginning, he was a dedicated crate digger, searching for obscure samples and break beats in influential NYC record stores like Rock & Soul and Vinylmania. His infallible work ethic, paired with the strong foundation of art and culture that he gained from the Pratt Institute’s School of Architecture took control of the wheel as his passion for music expanded, driving him to start hustling mixtapes on the sidewalks of Broadway in order to finance his earliest gigs. With the encouragement of his father, an engineer, Roger abandoned his plans for a career in architecture and decided to devote all his efforts to his music.
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BUTT started in 2001 as a pink, pocket-size magazine by, for and about homosexuals.

Defining the true meaning of ‘dance music’ in 2023, Glitterbox’s 21st century disco will move your mind your body and your soul.

http://www.glitterboxibiza.com

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