Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

* Message me if you have any copyright issues *

Home of my own mixes - predominantly jungle/hardcore with the odd bit of D&B, plus eclectic sample-digging, breaks and hip-hop, techno & electronica. 

Pre-2001, all mixes vinyl; Post-2016, all mixes digital (DJay 2); Post-2018, Ableton Live. Why? Why not?
I've got an old skool DJ's mentality, early influences ranging from Sublove, Ratty, Randall & Hype to Coldcut, DJ Juice, MK & Primo.  In the early 00s I turned my back on D&B, retired my turntables in favour of family/work commitments, and got into funk, soul, reggae and so on... a lot of this driven by curiosity around the sample roots of hardcore and jungle.  Forward another decade and an early mid-life crisis saw me messing around with virtual decks on my phone, and later acquiring a vinyl ripper, with one vision in mind: making mixes.
Although I'm partial to the odd DJay or vinyl mix when I get the chance, the progression into Ableton Live was a simple means to an end.  My ideas stretch further than the limitations of my physical collection and real-time mixing, and by sequencing I can pick, choose, chip away and structure mixes at my leisure. Which I do... a lot :)

Wait, there's more ... an absolute stack of classic golden era/old skool hip-hop/turntablism, jungle and d&b, hardcore, techno and house mixes retrieved from my dusty tape & CD archives.  This includes (by my reckoning) the most exhaustive collections of classic Full Cycle and Sublove Galaxy Radio shows, live Ruffneck Ting jungle tapes, loads of studio & compilation mixes, all manner of rave tapes, and so on. 

Have fun, spread the love :)

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ʟɪᴠᴇ, ᴀᴠ & ᴅᴊ ʙᴏᴏᴋɪɴɢs agathe@klsbookings.com
Promos to tunes4zoeee@gmail.com
ʟɪᴄᴇɴꜱɪɴɢ & ꜱᴏᴜɴᴅ ᴅᴇꜱɪɢɴ simon.ballard@mute.com

Label based in Berlin, est. 2008. http://www.p-a-n.org

Having fun with FoxDot & SuperCollider. Technohead.

Dhakira is a fusion of two different, yet inseparable artistic personalities: 
Space Design ( Amalia Jaulin ) and Sound Design ( Sinan Varis )
Our project raises questions about the impact of the world on our sensibility by describing the soundscapes of thought.
By playing with the curve of time, we plunge into fragments of memory through sound and visual mirages.
In this echo, a bath of reminiscences is created.
In  an immobile wisdom, we transform space and its sound identity to keep  the memory alive, we speak of a dreamlike geo-experience.
We sacralize silence by listening to the noise of the world.
Each  individual tells what he has seen, experienced or heard in his own way,  the same event can be told in a thousand different ways.
What is the temporal limit of memory and its reinterpretation?

« Tout est une voix, tout est un parfum, tout dit dans l’infini quelque chose à quelqu’un » 
V. Hugo

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

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