unleashing a real fun memory from the archives.. 
me & @jmmoser going peaktime festival set style at main stage friday night at sustain-release in 2023.

dj fart in the club b2b jm moser @ sustain-release year 9 [2023]

The in-demand US DJ unfurls dubby, dance floor poetry.

Where does sentimentality fit on the dance floor? For Liv Klutse, AKA livwutang, the answer is everywhere. The New York-based DJ is guided by a deep desire to stir connection, finding themes and points of correspondence across an impressively broad range of sounds, tempos and eras. 

This emotional intuition lends Klutse's sets a depth few others can match. Her selections can seem unpredictable, rooted in an appreciation for feeling over genre—hard and soft sounds are carefully balanced with surrealism and bursts of nostalgia (for instance, the Lazy Dog bootleg edit of Everything But The Girl's "Tracey In My Room"). But as versatile as she is, a few signature traits colour her style, such as a love for dubwise music and rhythms from across the Black diaspora, alongside a refreshingly introspective energy that invites dancers to find moments of meditation—even during peak time. 

A former staffer at our New York office, Klutse has long merited an RA Podcast. Her slow-burning blends and mystical selections have graced near-enough every major festival and club out there, from Dekmantel and Sustain-Release to Nowadays, where she's been a resident since 2022. Despite this cross-continental touring schedule, she still plays plenty of grassroots venues—testament to her days with TUF collective and Orphan Radio in Seattle, as well as her enduring belief in the power of DIY, community-orientated dance music. 

"How did you come down off life?" James Massiah asks at the beginning of RA.975. Across nearly 90 minutes, Klutse's downright beautiful mix seeks answers to this question, reflecting on hedonism in times of political decay. She's in full-on dub mode, moving through meditative bassweight, glitchy house and flat-out weirdo techno with a deftness we've come to expect from one of the most promising, singular voices in dance music right now. She's got there all on her own terms—and we couldn't be prouder.

@livwutang

Read more and find the tracklist ra.co/podcast/975

RA.975 livwutang

@2shy2dj

For cheeky Q&A with DJ Fart in the club... 

https://pipipi.life/mix/djfartintheclub

DJ Fart in the Club - 12.7˚

My set (with crowd noise) from the Grove Saturday Night 1-3am, after Djrum, before Identified Patient. 

Out to all the sexy witches of the forest, thank you to everytone there + entire crew @sustain-release-nyc :)

<3 Mastered by the best @wordcolour

CCL @ Sustain-Release Year Ten

sub alchemical unreleased gems 

https://www.instagram.com/ccl_url
https://www.soundcloud.com/ccl_url



CCL @ The Lot Radio 10-09-2025

A stunning recording from Liquidtime at Kwia by the inimitable Cousin @secondcousins
<3

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 #16 ft Cousin: Babbling Brook @refugeworldwide (LIVE from Kwia)

This is the recording from my set at Parameter 10, Public Works, San Francisco on 17 May 2025. 

The room was comically packed by the time I started (11pm) and the crowd was visibly itching to lift off, but it was so early in the night and the rest of the (stacked) lineup leant so heavily towards UK and bass-heavy music that I decided to leave the dubstep to the professionals, keep it slow and go in the opposite direction: mid 120s, wriggly, psychedelic, gurgly, engrossing, a little weird but also sometimes fun. Maybe on some level I was level preparing myself for Return To The Source in Detroit the following weekend – though ironically I ended up playing much faster and with more broken beats at RTTS than I did here. In any case, I had a blast. Been really enjoying exploring the 120-130 zone recently. Thanks to Nick for having me back, hope you all enjoy the recording.

Tracklist:

Alexi Baris - Tilde
Kaoru Inoue - Etenraku
Facta - SLoPE
Heiko Laux - Granulate One
Meat Beat Manifesto - TRS2
Emmanuel Top - Bon Acid
Kumo - Kromotron
Sun Electric - Osram 418
Ogoya Nengo And The Dodo Women's Group - Orutu Run (Lena Willikens Remix)
Mutsumi - Paris Hilton
Freaky Chakra - Get Up, Get It
Housebound - Electro Rhythms
Zersetzung - Chaos Vortex
Terrence Dixon - No More Time A3
Mordant Music - Olde Wobbly
Monolake - Digitalis
AOKI Takamasa - mnd-sng01
Exos - Hood
Clay Wilson - Osho (Jasen Loveland’s Twisted Interpretation Remix)
Shards - SHARDS004 A1
Sepehr - Monokrome (demo)
Gong Gong Gong 工工工 - Inner Reaches III 慾望的暗角三 (Zaliva-D Remix)
Beroshima - Volca Polka
Esser'ay - Forces
Xyrex - Psychedelic
Accessories to Murder - Danger
Xes Noiz - B1
Tres Demented - Demented (Or Just Crazy)
Call Super - Mothertime

Objekt at Parameter 10 San Francisco 2025.05.17

live recording of my dj set at Sustain-Release Year 11, playing the Grove stage at sunset on friday night <3

adobeprincess @ Sustain-Release Year 11

CCL b2b Yushh at Draaimolen Festival 2025

On the first day of the new year, we kick off 2026 with absolute sonic precision. Our 100th mix captures a live recording of Objekt (@keinobjekt) at the PURE G event in FINAL Taipei, a fitting document of an artist widely regarded as one of the most formidable of our generation. Objekt is TJ Hertz, a Berlin-based producer and DJ whose background is as multifaceted as his sound: born in Tokyo to British-American and Filipino parents, raised between Belgium and the UK, and settled in Berlin in 2009. He first turned heads with the self-released white-label 12"s Objekt #1 and #2 in 2011, before a string of defining releases on labels such as Hessle Audio and a remix for Radiohead. Tracks like “Cactus,” “Unglued,” “Agnes Demise,” and “Ganzfeld” didn’t merely shake dancefloors—they rewired them, introducing a generation of clubgoers to a sound that felt both violently disassembled and eerily controlled.

Listening to Objekt is like watching a vast structure built from nanomachines collapse and reassemble in real time. His music reveals an almost pathological obsession with spatial depth and sonic texture—precision so severe it borders on the cruel—yet within the fractured grids and skewed rhythms pulses a startling vitality. Cold digital signals are transmuted into something fiercely alive, futuristic without losing its physical impact. This approach earned early admiration from figures such as Aphex Twin and Autechre, led to a split EP with Drexciyan pioneers Dopplereffekt (with “Ganzfeld” crowned Resident Advisor’s #1 track of 2014), and produced crossover moments like the breakbeat house anthem “Theme From Q” on Objekt #4. Even his slowest record to date, Objekt #5 (2022), twists dancehall rhythms into something unmistakably his own—measured, menacing, and exacting.

That same hyper-detailed vision extends to his album work on Berlin’s PAN label. Flatland (2014) and the landmark Cocoon Crush (2018) treat the LP as a canvas for immersive, hyperreal sound worlds—synthetic simulations of splintering wood, dripping caverns, and insect wings that trigger an acoustic uncanny valley, at once familiar and alien. Pitchfork awarded Cocoon Crush an 8.0, praising it as containing “some of the most meticulously arranged compositions that dance music has ever produced,” and the project later evolved into a full-spectrum live A/V show with visual artist Ezra Miller, touring festivals such as Unsound, Atonal, and Primavera. Parallel to this, Objekt has built a fearsome reputation as a DJ: crowned Mixmag’s DJ of the Year in 2018, capable of guiding a room through half a dozen genres or plunging it into a psychedelic wormhole of self-discovery with surgical precision. His 2016 mix CD for Tresor, Kern, Vol. 3, was described by Resident Advisor as “a window into the very essence of DJing.” 

Underpinning it all is relentless quality control, a genre-agnostic ethos, and a deeply technical mind—honed not only in clubs and studios, but also through his ongoing work as an engineer at Native Instruments, developing audio and machine-learning algorithms. In Objekt’s world, rational calculation and visceral intensity are not opposites, but twin forces locked into a singular, unmistakable circuit. With the launch of his own label Kapsela, he continues to conjure dancefloor weapons that are both fiercely experimental and immaculately detailed, carving out a singular sonic circuitry where rational calculation and visceral intensity collide.

PURE Guest.100 Objekt

You Belief, I Belief

Carefully curated. Grown from the forest floor. Rooted in music, art and independence.

DRAAIMOLEN FESTIVAL 2026
September 4 & 5
MOB-Complex, Tilburg

CCL b2b Yushh at Draaimolen Festival 2025

DRAAIMOLEN

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CCL b2b Yushh at Draaimolen Festival 2025

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MagnoliaElectric

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