> mixed for high-volume headphone listening <

Performed by Charlotte Mundy and Marina Kifferstein

Max Murray | Szilárd Wept / for soprano, violin, and electronics

music composed by Martin Arnold (2019); words: traditional
performed by:
Sharron Kraus: voice; bamboo flute
Angharad Davies: voice; violin
Martin Arnold: melodica
BBC Scottish Orchestra conducted by Ilan Volkov

The Gay Goshawk (excerpt)

Jan Jelinek Live @ Betalounge 28-07-2001

Solo for flute, performed by Thomas Bauer 28 November, 2014 at UVic's PTY Hall.

Refactoring

i am going to look out the window and think about you

Sarah Davachi (CA) @sarahdavachi
Thursday June 2, 2016 - Musée d'art contemporain de Montréal (MAC)
Mastered by @Pheek

WHO: Vancouver, now Montréal-based musician, composer and musicologist Sarah Davachi
STYLE: Minimal electronic and electroacoustic compositions, synthesized ambient sonics of a bygone era, extended drones and harmonic textures
LATEST WORK: Barons Court (2015), Qualities Of Bodies Permanent (2015), neustadt/altstadt EP (2015), Σ = 4 (2015)
LABELS: Students of Decay @studentsofdecay, Constellation Tatsu @constellationtatsu, Cassauna
MORE: Holds an MFA in electronic music and recording media from Mills College in Oakland, California and works for the National Music Centre in Calgary as an interpreter, researcher and archivist of their collection of acoustic and electronic keyboard instruments

Making her MUTEK debut last festival, Vancouver now Montréal-based composer and synthesist Sarah Davachi, turned in a gorgeous sweep of richly emotional electronic harmonics and textures. This is the live recording of her delicate and elegiac set.

Full bio: http://www.mutek.org/fr/fm/podcasts/muteklive/735-muteklive112-sarah-davachi


MUTEKLIVE112 - Sarah Davachi

Solo live improvisation with synthesizer, grand piano and effects in the Thames Tunnel Grand Entrance Hall.

Lots more amazing music from Sarah here:
https://sarahdavachi.bandcamp.com/
http://sarahdavachi.com/index.html

Sarah Davachi live at Bleep43 - 6th October 2016

Scott Worthington- double bass
Matt Barbier- trombone
Scott Cazan- electronics

WasteLAnd Music @ ArtShareLA. 5/7/2017

Catherine Lamb- Matter/Moving

2020.05.07.

This is the first part of a long interview with Paul Davis, founder and lead developer of Ardour, free/libre digital audio workstation.

We covered many subjects throught the interview: how much sense the source code freedom has for end-users vs. extensibility via scripts a-la Reaper, how happy Paul is with the outcome of the long Ardour rewrite, how well the project is doing financially, why Ardour continues dropping GTK for UI toolkit, and whether there's usability testing on the horizon for the project.

00:00:00 Intro
00:01:50 Greetings
00:02:55 Free and open source vs. deep extensibility
00:06:14 Using FAUST for DSP
00:08:59 The 2.5 years long rewrite outcome
00:17:16 Pressure from users during the rewrite
00:20:50 Project financials
00:23:31 The GTK exodus
00:34:19 Best technology stack for a DAW in 2020
00:38:22 Usability testing
00:41:43 Outro

Edited transcription is available at http://libregraphicsworld.org/blog/entry/podcast-ep-002-paul-davis-on-the-deep-rewrite-of-ardour-daw

You can support me on Patreon, Liberapay, or do a one-time donation: http://libregraphicsworld.org/donate

Circular As Our Way

002 - Paul Davis on the deep rewrite of Ardour DAW

there are no faces
by Nolan Krell
for fixed media
2020

there are no faces

Composer, bassist. Some tracks here are better indices to their performances than others.

Refactoring

Dave Riedstra