Everytime i wake up its 4:39 am and this is playing on shuffle 

have been comin back to this since years now! what a great piece of art you created jan! hör nie auf 🥰

"Passionate about house and techno, digger-extraordinaire @molly_music is always on the lookout for new tracks, and provides us through her monthly show with ever-more exclusive gems.

Catch Molly every 4th Saturday of the month from 16h to 18h [CET] on rinse.fr"

Rinse France Podcast

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Molly invite ORION - 26 Mars 2022

Bittersweet groove from the Dial Records head.

Download: https://xlr8r.com/podcasts/podcast-744-carsten-jost/

XLR8R Podcast

XLR8R Podcast 744 - Carsten Jost

    Ozy - "Drama Club"
    Oscar Schubaq - "Triade"
    Global Communication - "4:14"
    Lowtec - "Untitled"
    Benjamin Brunn - "Echoes Of BCN"
    Photek ‎- "Kanei"
    Donato Dozzy - "Vaporware 01" (slow version)
    Joris Voorn - "Listen"
    Arctic Hospital ‎– "Rotating Water"
    Boards of Canada - ""Reach for the Dead"
    Two Lone Swordsmen - "As Worldly Pleasures Wave Goodbye..."
    Dettinger - "Untitled" 
    Theorem - "Shift"
     µ-Ziq - "Hug" 

Eli Verveine Ambient Mix For Mixmag.Info

"Over the past few years I’ve dealt with an especially overwhelming amount of depression, grief, anxiety, & heartbreak. 

Sometime over the summer, something shifted and my mental health improved immensely. 

Not sure if it was moving to New York, getting a job I don’t hate, adopting my beautiful cat/son Paquito Gordon, or moving in with my best friend. 

Less frequently indulging in self-destructive behavior, I ended up happier than I’ve ever been,
& I am no longer fighting demons.

I’m filled with gratitude. 

I am slowly getting my attention span/ability to watch movies and read back, and I even cooked with garlic for the first time in my life last month. Aware that none of the aforementioned things are generally considered a big deal, yet none would have even crossed my mind at the beginning of this year.

This mix is an accurate representation of the inner changes experienced. 

From Olorun to Billie Eilish. Vangelis to Erika De Casier. 

Grateful for the space to share it. 

Enjoy my blade runner blues…" — https://soundcloud.com/sabro96


Tracklist:
Rainforest Spiritual Enslavement - Jungle Is A Shapeshifter
Vangelis - Blade Runner Blues
HTRK - Give It Up
Nils Petter Molvaer & Moritz von Oswald - Further
Erika De Casier - The Flow
FKA Boursin - Coma (Dead Dancefloor Mix)
Billie Eilish - Overheated
Olorun - Corcovado
Architectural - Plastic Dreams
Lawrence - Oolong High
Norm Talley - Cosmic Nights (XDB Remix)
Frank & Tony - Hands to Hold (featuring Bob Moses)
Map.ache - Can Be So Plain, If

Sabrout's Mixed Feelings

'fraida' - ambientkveld på kruttverket
oslo, 8/1/2023

tren - live from ambientkveld

Jan Jelinek Live @ Betalounge 28-07-2001

Since 2014, UK-based label, https://soundcloud.com/astralindustries have been responsible for some of the most enlightening and entertaining releases of recent years. Their output has helped otherwise forgotten or out of print music see the light of day, provided new takes on previous classics, whilst also pushing forward new music by some of the most well-respected artists within the ambient genre. 

Debuting with a release by dub-techno legend DeepChord in 2014, Astral Industries went on to release Wolfgang Voigt's live project, Rückverzauberung Live In London in 2015.  In 2016 they followed with a 1985 recording from disbanded dutch collective Chi - a timeless and undoubtedly classic record, whilst in the same year pitching Wolfgang and Deepchord together for the very first time, with reinterpretations of Peter Michael Hamel's classic, Colors of Time. By then, and combined with the continually brilliant artwork of Theo Ellsworth, we knew that Astral Industries was a label with staying-power, and a growing catalog of releases worth collecting - be it just for the framed artwork, or moreover, the complete music package. 

In 2017, we've seen an LP by Heavenly Music Corporation, aka Kim Cascone (likely encouraged by the recent re-release of his own label Silent Records), a third LP by The Chi Factory, and then just last month a beautiful album by Waveform Transmission (Rod Modell of DeepChord and Chris Troy), with a sublime follow-up album, a massive 20 years after their first. 

The man behind the Astral Industries machine, Ario is a proven expert at plucking obscure gems from the past, or ensuring that good music gets the platform and artistic presentation it deserves. In just a few years, Ario has curated a highly respected and anticipated label roster that demands attention, and has yet to disappoint. The music is always gentle, deep and often extremely vivid, be it deeply hypnotic ambient, or gentle murmurs of dub-techno. 

With curatorial talents like this, we're overjoyed to host an exclusive 2hr+ mix of Ario digging into his record collection, and interlocking a few select exclusive Astral Industries bits in-between. It's one hell-of-a hypnotic journey and just like the Astral Industries releases, deserved of your full undivided, escapist attention.

ASIP - isolatedmix 73 Astral Industries

isolatedmix 73 - Ario/Astral Industries

Now, this one is technically cheating a little bit... It's not quite a mix but a live set but who really cares? 

Anyway, Alex Albrecht is a producer and dj from Australia. He releases music under the guise of Melquíades and has done so to great acclaim for Scissor & Thread and his own Analogue Attic imprint. He also produces music alongside Sean La'Brooy as part of a dynamic duo who have appeared on Night Tide, Voyage Recordings and Butter Sessions to name a few. 

Alex has a sound which is fundamentally rooted in the deeper fringes of dance and electronic music. Drawing upon influences from the natural world his music could be described as a subtle blend of balearic intricacies, deep house, electronica and beyond. His sound is reminiscent of the nineties in which breaks and the ethereal ruled supreme under the principle of free thinking dance music and psychedelics. 

With a recent EP for Scissor & Thread and a new collaborative release for Apollo Records he is having a busy summer. 

Presently on tour, this mix was recorded as a live set from somewhere along the way and it really is very special indeed.

Read & Download

Alex Albrecht: The Ransom Note Mix

@analogueattic founder Alex Albrecht (@melquiadesmusic) shows off his celebrated musical vision in an hour long live takeover of the show. Highly recommended. - - Full show here: https://soundcloud.com/willoirson/sets/analogue-attic-recordings

Alex Albrecht (live) _ The Something Something on Red Light Radio #40 pt. 2

It's with great pleasure to welcome long time dear friend Jonny Nash (@jonnynash) who in 2019 released 'Make A Wilderness' with us (MFM037). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Jonny, welcome to the series. So, it's already been over a year ago since Make A Wilderness came out. How do you look back on that now? 

JN: In many ways Make A Wilderness marked the start of a new chapter for me, the first steps into new territory - a wilderness you could say! That record was really about exploring a simple question - what kind of sounds resonate with me, and why. I think the record was primarily an exercise in sound, and not necessarily in arrangements or songwriting. I felt it was necessary to open the doors to new sounds in this record, and I feel like I got pretty close to creating the album that I wanted to make. 

MFM: You went to different places to record specific instruments and in certain environments. Why? 

JN: It took me a long time to make the record, not in terms of actually writing the music, but determining what the instrumentation should be. I wanted a finely balanced mix of alien, unfamiliar sounds and organic human sounds, to somehow express a feeling of “ancient future”, the sense of floating in some timeless space that could be millions of years in the past or in the future. I found that the Cristal Baschet, was perfect for expressing this feeling of “deep time”. Capable of beautiful harmonics and also wonderful atonal textures, it was a central part of the album. I contrasted these sounds with familiar instruments such as piano, vibraphone and voice. It was very important to have some sparse elements of voice in the record to somehow keep it grounded on earth. 

MFM: Have you always been that interested in sound and sound sculpturing?

JN: Well, I’m a naturally curious person and I think my brain and also my ears are always developing and learning new things. I think that I am able to hear sound in a different way than I did a few years ago. A big switch from focussing on melody as the dominant element that catches my attention. Of course, melody is still a central element for me but I now spend alot of time thinking about timbre, the colour of the sound and how the distinctive character of a sound sits in context with other sounds in a given composition. New ways of hearing influenced the record and took me to a place where “sound sculpting” was of equal importance as deciding what chords and melodies to choose. 

MFM: You mentioned earlier that the past couple of months your label Melody As Truth got a lot support through digital sales. Does that have effect on your label vision and strategy?

JN: The switch towards digital and especially streaming does undoubtedly have an effect on how I think as a label owner. It is pretty clear that this is an important area of growth and although there are lots of issues with certain platforms and revenue models, I find it important to keep on top of what is going on and try to adapt. In the future I can see the label experimenting more with digital only releases, I think there are interesting areas to explore here. Quiet dynamic music cut on vinyl in 2020 often sounds worse than a WAV file to my ears. I also buy hardly any vinyl myself these days, it is expensive, taxing on the environment and often a form of object fetishism. The other side is that a physical object looks amazing, can sound great, gives full importance to the artwork and design, can be treasured and won’t be lost. So a physical object is almost like an insurance policy for not losing the music too. I guess I’m sitting somewhere in the middle.

MFM: Thanks for contributing your mix. Can you tell us a bit about it?
 
JN: The mix is pretty much a selection of music I have been enjoying or discovered this year. A few older favourites too. I had no idea except to make something that I would enjoy listening to whilst having a walk or reading in the morning.

MFM Mix 020: Jonny Nash

Music for Plants (along with a video) was first shown at Public Access TV's Ambient Café (July 9th, 2020).

Jan Jelinek Live @ Betalounge 28-07-2001

Mklazes

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