The four songs on this album are ment to listened to at around the time the titles suggest. The idea of creating a specific mood for the day or night time.

12 PM (erase)

These 5 Songs are also aveileable on Vinyl.

Rushhour

Frozen

This song is highly influenced by my stay in Hong Kong.

Hypnopolis

Diamond Valley

The Return (Part2)

The voices you hear are from old tapes I once found on a flea market. From somewhere deep within the 70ties. The cuts are part form a large conversation spanning around 20 reels. This family used to send tapes from Berlin to Australia and back. A beautyful window into a different time when there was nothing like modern forms of communication.

The Void

TeaTime

For this album I composed 7 short and longer pieces in which I tried to achieve a classical atmosphere.

The arrangement and the mixing process would like to give the impression of being in a baroque palace or court listening to a small chamber music orchestra.

Chamber music for a chip.

All sounds have been created with a Commodore 64 sound chip, the SID. Mixed on a commen DAW with a lot of convolution reverb.

The Daydream Machine

Niki Neecke Live @ Schlachthof 09.01.2010

Das Pianosyndrom, für 1 Pianistin, 4 Flügel, Elektronik, Live-Elektronik und Lichtregie. UA Piano: Anmari Wili, Elektronik: Simon Tanner, Lichtregie: Dominik Keller. Innerhalb ihres Piano-Duo-Projekts: “Trompes d’Oreilles”, mit Werken von Dieter Ammann, Frederic Rzewski, Pauline Oliveros, Anmari Wili, Daniel Weissberg, Barbara Monk Feldman, Conlon Nancarrow. Pianos: Anmari Wili und Daniel Cholette, Konzertreihe der IGNM Basel.
Hier die Studioaufnahme mit Fabian Neuhaus live-Elektronik, Niki Neecke Aufnahme!

ANMARI MËTSA YABI WILI DAS PIANOSYNDROM Studioaufnahme Musik-Akademie-Basel

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