The scrambled egg!!! 2

Underground Punk

roawr

Esquizofrenia Masiva - 2

Neon Leather

Now THAT'S what I call Post-Punk !!

The best protest songs of 2021

The Men Who Rule the World

On a quest to find a new drummer. We since got back to practice anyway to have a jam and took turns.

Personnel:

Dell - Vocals (Tracks 2-7, 13), Guitar (Tracks 1-6), Bass (Tracks 7, 14-17), Drums (Tracks 8-13)

Den - Vocals (Tracks 8-17), Guitar (Tracks 8-15), Drums (Tracks 2-6, 16-17)

Mikel - Vocals (Tracks 4-6, 8-9, 11-12, 14-17) Guitar (Tracks 16-17), Bass (Tracks 2-6, 8-13), Drums (Track 1, 7, 14-15)

Uploaded for the lols and in hope that the band Squid will hear us and let us support them.

From Helio with love x

All We Need Is A Drummer

Houseplants (Squid Cover)

Orwellian

Alphabetically Arranged

Orange Marker

Always Was

Remember The Future? Vol 2 & 1

Infinite Growth

Bit Much

Fairy Rust

Regular Demon

A Foul Form

Too Late for Suicide

Daffodil

Optimizer

Super Snõõper

Music For Spies

Crashing

Post-punk is an umbrella term in music, so it makes sense that our latest love letter to it is sonically, and thematically diverse. 
At times intimate, at others, scathing. Warm melodies, bitter grunts, and crashes. A dance of harmonious rhythms, with varied lyrical delivery styles to suit different tones, and intents. 

Unremarkable Product made itself. One of us would make a noise, the rest of us would respond. The songs fell in to place. Refined through performing them to both strangers, and loved ones. 
The EP serves as a concise package that exemplifies our joyous exploration of what will happen if we keep pushing ourselves to try new things. 

We are a live band, and the EP was recorded as such. Production was utilized with the intent of conveying our live sound. 

Lyrical themes that delve in to the bittersweet territory of reminiscence, the undying struggles of just coping, and more. All found within this truly Unremarkable Product.

Yarbles

Escalator Man

The Pink Frosts EP. Serving as both a homage to our existing body of works, as well as a farewell to our fans. The thing that sets it apart first and foremost is actually in the production process.
That is, the distinct lack of one. The EP is a recording of us performing the songs. Back to back. ONE take. Recorded straight to tape through 8 channels. Entirely analog, up until we digitized it and made sure that none of the audio levels spiked too high for streaming platforms to handle.
It was an experiment, and the production/recording method itself an extension of the prevailing sense of play that we share through The Pink Frosts.

And a sense of play, combined with the creative safe space that the members of The Pink Frosts have curated, is exactly what defines what this project has been all along.
With the safety of our creative space we’ve had the freedom to traverse musical ideas that might seem unconventional to some. The freedom to explore, and express deeply personal thoughts. Ugly thoughts. Dissatisfactions. Successes. Everything in between.
Across these 4 tracks, we double down on the extensive list of musical influences we’ve explored, and touch on new thematic, and tonal territories.

The cover of the EP acts as another distillation of what this EP is. It’s a celebration of what we’ve done, through referencing a few fan-favourite tracks. Much like the recording process itself, It’s far from over-edited. It’s an expression of us just having some fun. We take ourselves seriously, absolutely. But that does noone any good if It’s not a good time. 

And that’s all for now. In order to stay true to the sense of play, and the creative safe space, we need to leave The Pink Frosts be for now. I believe there’s something beautiful in walking from the thing you love, from a place of love, to safeguard what it is that you love about it. 
In letting go, The Pink Frosts preserves the integrity of intent. It will never be a bastardization of itself.
The Pink Frosts are dead, long live The Pink Frosts.

Hookworm

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Squid - Subtle Radio - 20/10/2024

Squid Game, Red Light Green Light

Squid Game, Red Light Green Light (Techno)

430. how i long for peace (peggy seeger).mp3

Whatever People Say I Am, That's What I'm Not

Dancing Shoes

I Bet You Look Good On The Dancefloor

The View From The Afternoon

You Probably Couldn't See For The Lights But You Were Staring Straight At Me

Fake Tales Of San Francisco

From The Lion's Mouth

New Dark Age

Two outstanding tracks off of Landowner's debut album "Impressive Almanac" displaying its sonic diversity. Released through Good Person Recordings on 10.8.16. 
Purchase a cassette or find out more through http://goodpersonrecordings.com/

005 Places To Put Cars - Landowner - Impressive Almanac

The Lord of Lightning

15) undergrowth

Paranoia

Big Tiger / S.A.M.

S.A.M.

HANK WOOD AND THE HAMMERHEADS, YOU WANNA DIE

Erik Nervous and the Beta Blockers

Gravure

A Spine

GB 174 - GEE  TEE -  Atomic - 7" ep

The GEE TEE is back on GB recs. 
with 4 new SMOKIN hot track on black wax
play like with the bands Blah blah.. blah blah... 
This is Rock 'n' Roll!!!! This is GEE TEE !!!!

Limited 250 copies

1 cover art 200 copies black and white 
2 cover art 50 copies negative

GEE TEE - Kombat Kitchen

No (Doesn't Mean Convince Me) is the second single off our forthcoming EP (DE)HUMANISE.

Watch the music video on YouTube: https://youtu.be/MzMJFln3qJg 

Listen on Spotify: https://open.spotify.com/album/438DpMlQxG8Z6rr5Kx337B?si=LfRym2oLRCuHbBJ6eLKuSQ 

// Lyrics //
Lights out
Under a veil of darkness
Haze of alcohol
Feel your eyes
Following me
My senses stir

I’m the prey
You’re the hunter
Anonymous
Not responsible

No doesn’t mean convince me
I said no, doesn’t mean convince me
No doesn’t mean convince me
I said no, doesn’t mean convince me

I’m done
With feeling like a piece of meat
I’m human too
It’s time
This normalised behaviour
Is put to sleep

I’m a person
You’re a predator
Identified
Held responsible

No doesn’t mean convince me
I said no, doesn’t mean convince me
No doesn’t mean convince me
I said no, doesn’t mean convince me

Sexualised then demonised when we don't reciprocate
Sexualised then demonised when we don't
(I know my mind)
Sexualised then demonised when we don't reciprocate
(I know my mind and I won’t play)
Sexualised then demonised when we don't

I know my mind
I know my mind and I won’t play
I know my mind
I know my mind and I won’t play

How many times do I have to tell you to leave me alone?
Didn’t you hear me the first time?
I said no

// Credits //
released March 24, 2021
Written, recorded and performed by Naz & Ella
Mixed by Dan Lucas at Anchor Baby Recording
Mastered by Charlie Francis
Artwork: drawing by Meera Solanki

No (Doesn't Mean Convince Me)

Infinite Growth

Dr Sure's Unusual Practice