The Producers Corner new track #196.

Full Track soon ;)
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Dragons

TPC#196 - Dragons

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 30th December 2020

haiku by Morikawa Kyoroku http://chevrefeuillescarpediem.blogspot.com/2018/11/carpe-diems-leafless-tree-3-morikawa.html

picture by Linus Nylund https://unsplash.com/@doto
@https://soundcloud.com/naviar-records

Carp Dreams [naviarhaiku364]

Lo-Fi.mp3

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

Phase - Transition - Disquiet0471

I have this great t-shirt that always gets laughs whenever I wear it. It says, "Losing My Mind One Kid at Kid at a Time." When people find out I have 5 kids, their eyes get real big and they start nodding like they completely understand why I have lost my mind. Like I have a “good excuse” to be a basketcase of a mother. Here’s the thing, they had no idea what I was really dealing with. My anger was&nbsp;not funny.&nbsp; And then it happened, the day that I decided to have it out with God. For full show notes, go to

Ep 1: The day I SCREAMED at God (and how He responded)

More on this 473rd weekly Disquiet Junto project — Placebo Effect (2 of 3) / The Assignment: Record the second third of a trio that others will complete — at:

https://disquiet.com/0473/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0473-placebo-effect/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Israel Avila, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/5bFGMU

https://creativecommons.org/licenses/by-nc-sa/2.0/

Sand Blasted / collaboration with Ryan Scott Mattingly(disquiet0473)

[disquiet0473] Cellular

luv jonez submission for Sample Challenge #177 at The Producers Corner. I sampled Jamaica Farewell and Westchester Lady. Completely recomposed to take some of that magic known as Bob James out of the beat and put a different spin on sampling his records.

Bobbie Jameson 71bpm Gm 24bit

How did I get here produced by DRTYTECH for the producers corner beat battle #177

TPC#178 HOW DID I GET HERE  DRTYTECH

WreckLess

luv jonez submission for Sample Challenge #179 at The Producers Corner

TPC#178 HOW DID I GET HERE DRTYTECH

DRTY.TECH