Kaiserdisco start the three-track single with ‘El Tiburon’ that has a pulsating bass line, which isn’t for the feint hearted. This peak time stomper uses a melodic synth and unusual synth effects to create the building atmosphere before it kicks back into the throbbing beat. The ascending bass line on the second track ‘La Caballa’, is supported by white noise and a rising synth that will make any dancefloor erupt into a heated flow of energy. The third and final track ‘La Morena’, is a bit more on the funky side of techno, using rhythmic percussion to create a cool, peak-time vibe.

DC121 - Kaiserdisco - El Tiburon - Drumcode

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ALLEY331
MAX WEXEM Synchronization

001 asterism
002 synchronization
003 aliens

/ written and produced by Maxim Mikhailov
/ mastering by Anton Make

ALLEY331 MAX WEXEM Synchronization

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MAX WEXEM Synchronization

Dimi Mechero - Looking for Space

Mark Reeve - Hold Me (Original Mix) [Drumcode]

Bart Skils’ fifth Drumcode offering comes in the shape of ‘Black Vans’. A high energy, full force, four track EP of powerful techno; he showcases his skills to produce four tight and solid tracks. Layering the EP with samples, synths and hard hitting drums, the four tracks create an emotive journey that proves Bart Skils is still on top of his game.

Bart Skils - Starfighter - Drumcode - DC153

After bursting onto the scene in late 2017, Hyperloop makes his Drumcode debut with Green Velvet in toe. 

Followers of Truesoul will be clued up on the quality one can expect from Hyperloop. Last October he marked the label’s 100th with ‘In The Loop’, a superb three-tracker that signalled his arrival on the scene and highlighted a stunning year for the label. As 2018 picks up pace, Hyperloop returns with a tougher follow up for Drumcode. 

His ‘Mentalizm’ EP is a classy example of his versatility, a trio of original works, accompanied by two DJ tools. Beginning on a menacing tip, ‘In Your Mind (Reflections)’ is a low-end brew of industrial stabs, eerie melodies and subterranean vocals. ‘S-Sound’ is his collaboration with Chicago legend Green Velvet and is a percussive masterstroke of loops and drum riffs which drive the eight-minute track with all the puffing ferocity of a steam train. ‘Spring on the Battlefield’ is the perfect contrasting accompaniment, as a warm rush of strings covers a bed of intricate analogue effects and stomping kicks.

Hyperloop - Spring On The Battlefield - Drumcode - DC188

Contained within this eleven-track compilation is a collection of tracks submitted to Drumcode as demos but which didn’t have other tracks to be partnered with to make up a classical Drumcode EP. Such was the quality and quantity of these stunning one-off tracks that the idea of making them into a compilation was born primarily for practical reasons. As the project grew the idea became a theme and the theme evolved into a finished project – A-Sides - which tells both the story of Drumcode’s recent past with familiarly high-octane tracks from Adam Beyer, Alan Fitzpatrick, Joseph Capriati, Gary Beck, Gregor Tresher and Dustin Zahn & Rachel Palmer but also gives a glance into what is to come as the likes of Patrick Siech, Luigi Madonna, Roberto Capuano, Dhillon and Manic Brothers get their chance to contribute to the shaping Drumcode’s future.

DC97 01 Dustin Zahn & Rachel Palmer - Melange - clip

‘Camargue’ gets a fresh treatment on Drumcode, as a handful of techno’s finest give new life to an R&S classic. 

Coming from the studio of CJ Bolland and Portuguese journeyman The Advent, the track was born out of a golden age of Belgium dance music and first released in 1992. It stands as one of the most treasured pieces of vinyl in Adam Beyer’s collection and this six-part compilation of remixes and remakes marks a highpoint in Drumcode’s history. 

The package consists of a punchy pin-sharp 2019 version of the original, as CJ Bolland and The Advent polish the edges of their time-honoured rave favourite. Maceo Plex makes his return to DC after 2014’s ‘Conjure Dreams’ and his is a bustling industrial take, with distorted vox that gives way to sheaths of stirring melody, before the spine-tingling chords enter the fore and the cut drops into broken beats. Vintage Maceo. Enrico Sangiuliano delivers a trademark cosmic rework underlined by tribal bass stabs and twisted synth lines to accompany the famous riff. It’s an outstanding remake that’s already a big summer favourite for the Drumcode crew. Adam Beyer and Layton Giordani team up with their own groove-injected, future-focused adaption, all the while never losing sight of the misty-eyed spirit of the original. In contrast to the peak-time prowess of the other respective versions, rising Dutch talent Keith Carnal moulds a liquid smooth interpretation heavy on hypnosis and sparse drums. The Advent rounds out the package with his own fresh version, a whip-smart cut that chops and changes between pounding drums, dreamy synth interludes and warbled effects. 

“Camargue is one of my favourite tracks of all-time and has been part of my life for 25 years. To put it out on Drumcode with fresh remixes is a dream come true.” – Adam Beyer

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CJ Bolland & The Advent — Camargue 2019 (The Advent Remix) — Drumcode — DC210

Gregor has delivered four outstanding tracks for Drumcode that are creative, whilst still functional. Relevance uses a filtered, bubbling synth line and sparse percussion effectively to build a groove that will rip through any club. System X uses a detuned synth stab and an unusual bass line harmoniously to construct a track that sounds like its from out of space. Secura is a straight-laced techno groover that uses some distinctively unfamiliar sounds. The track is gelled together with a repetitive hum sound that adds to the groove. The fourth track on the EP; Call To Arms, uses a melodic rhythmic sequence and reverberated drums to eloquently smash any dancefloor.

01 - DC106 - Gregor Tresher - Relevance - Drumcode

Independent record label owned by Adam Beyer.