[Pertin-nce 108] Koichiro Okada - Aqua

1. Lichen 
2.Incantation's groove 
3.Track B 
4.Track a 
5.Negril 
6.Track e 
7.Aqua 
8.Track f 

About:
We welcome and congratulate Koichiro Okada for his first release on Pertin-nce.
This album has it all; pure techno, house and electronica.
Raw, groovy, moody, fun, dance floor oriented and dj friendly but also appropriate for more relaxed situations.

I hope you will enjoy it as much as i do.

Stream & free download
https://pertin-nce.bandcamp.com/album/pertin-nce-108-koichiro-okada-aqua

Koichiro Okada
soundcloud.com/koi

Pertin-nce
https://pertin-nce.bandcamp.com

released October 14, 2025

Music by Koichiro Okada.
soundcloud.com/koi

Cover, artwork and mastering by Maxime Tanguay.
www.instagram.com/mtandjaded
license
some rights reserved


Tags : electronic house japan koichiro okada kyoto ambient dubby experimental minimal techno tribal

Track_b

Traveling Throw The Unmastered Partitures

Returning once again to claim the spotlight is our own @DennisApec 

Slaving away meticulously in his studio perfecting his sound. Three prime time weapons showcasing his dark brooding sound combined with mesmerizing lead lines. All three cary the Pursuit seal of approval. 

Adding to the fire are the Polish duo Duss, delivering a melodic behemoth of the Dennis’ original. Deep, dark and hypnotising. Just how we like it.

-Pursuit

Dennis Apec - Illusory EP (Inc. Duss Remix)

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I am excited to present the first full release from Balthazar & JackRock on Terminal M. I am playing all three tracks since a few month and always had a huge response. Also I got some goosebumbs when Adam Beyer played „Nymph“ at his set at Awakenings x Drumcode at the Gashouder. I hope you enjoy this release as much as I do! (Monika Kruse)

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Landing 10 years after his first concept album, Wehbba’s drops his debut full-length on Drumcode, featuring collaborations with David Caretta, Thomas Gandey and Brazilian vocalist L-cio.

Following a series of globally adored EPs and inclusions within the imprint’s esteemed A-Sides compilation series, the chart-dominating São Paulo native now reflects upon his life as ‘the artist’, offering an immersive montage of stories that echo a tenacious dedication to his craft. Enlisting the talents of multi-instrumentalist Thomas Gandey, Electroclash pioneer David Carretta and fellow Brazilian L-cio, with his unparalleled flute mastery, Wehbba’s synergetic cuts span the breadth of electronic music’s sonic landscape, as he challenges the notion of genres with seasoned voices.

Birthed from the purest inspiration, the album’s 13 cuts represent a myriad of musical references close to Wehbba’s heart, running parallel with the organic sensibilities of his field recordings. An ode to eternal growth, the LP highlights a cycle of perception and projection, as Wehbba studies the morphing of genres through his own musical filter. Discussing the upcoming album, Wehbba commented:

"The musical references on these works trace back to the 90s, when I started listening to electronic music and had no judgement of what was cool - when I was totally free. So they represent, without any filter, what touched me, ranging from braindance to goa trance, from ambient to hard house, and from drum n’ bass through every single mutation of techno and house music."

As a key ambassador for Brazil’s dance music community on a global scale, Wehbba’s long-standing career has seen him affiliate with many of the industry greats on both remix and collaborative projects; testament to his flourishing reputation. Following on from the geometric-led titles of his first two albums, Straight Lines and Sharp Corners alludes to the difficult decisions and blunt shifts he has faced in his career, and their capacity to shape his identity over time. Studying the great Antoni Gaudi, Wehbba’s third LP title takes reference from his perceptive quote: "There are no straight lines or sharp corners in nature, therefore buildings must have no straight lines or sharp corners. Anything created by human beings is already in the great book of nature."

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