Sound Signature: A symbol or icon defined by things heard. No sound is wrong. No sound is too elusive to escape arrangement, one's signature.

Sound Signature: An event, emotion, or feeling described by sound, but not limited to it. Expression given a direction. A focus through arrangement, our personal language at any given moment. No one can duplicate your signature, your mark, your life.

The difference between imitation and emulation is specific experience. No one else has walked your path, lived your vision.

There is no right or wrong way, only different ways as there are different people. We will learn reverence from each other through expressing our symbols, our hieroglyphs. This is my attempt to share mine.

Theo Parrish
Detroit 1997

MANTX005 - Loxxe
https://mantissa.bandcamp.com/album/plains-of-passage

Premiere Requests: mantissa_1@outlook.com

@thomasallman-1
@james-acquaye-nortey-glover
@oatyg

Run by @reycolino
Brussels - Amsterdam
info@kalaharioystercult.com
Distributed by @oneyewitness
Bookings & label showcases: peter@klsbookings.com // +44 (0) 7742 600894

Still Music is based in Chicago, IL, and is the brainchild of Jerome Derradji. Now in its seventh year, Still Music has been instrumental in the worldwide proliferation of some of America’s freshest underground dance music. From raw disco to beautiful, refined techno, and stopping at every tempo and mood between and beyond, Still Music and its sublabels Past Due and Love For Music have found room to include artists both established and new, releasing what can only be described as GOOD music. 

This is the natural way of working for Mr. Derradji, who moved to the US in 2000 and cut his teeth working with various record shops and electronic music distributors in Chicago. He decided to launch Still Music in 2004, with the inaugural release featuring Amp Fiddler from Detroit remixing Patchworks from France. With this template set, Still Music went on to release music from veteran dance producers such as Rick Wilhite and Gerald Mitchell, while also stretching out into other genres on Randolph’s “Lonely Eden” album and Seun Kuti’s political afrobeat on “Think Africa”. Still also dropped the In The Dark compilation, showcasing the then-emerging Detroit house sound and featuring the production debut of Keith Worthy, which was touted as Groove Magazine’s #1 release the month it came out. These credentials have earned Still Music “Label of the Month” status in XLR8R magazine and on leading dance music site Resident Advisor. 

Not satisfied with Still Music’s impressive breadth and depth, Jerome also launched two highly successful sublabels to compliment the main label. Past Due records is the place for long-forgotten independent disco and funk gems to be unearthed, reissued, and remixed by modern producers, bringing artists like DIT and Greyship Daviz into the spotlight they (wrongfully!) never achieved the first time around. Love For Music (also known as Stilove4music) is the label dedicated to more underground sounds, from disco edits to lo-fi house and techno madness.

Label & party series founded by @annamorgan_dj and @bell_curve, dedicated to  promoting producers that excite us. We curate events showcasing our love of soundsystem music, deep rave, and of course fast bpms.

Regularfantasy / Plush Managements Inc.
For Bookings
North America: marlena@liaisonartists.com
EU: jo@klsbookings.com

We Out Here Festival is a Worldwide Family Gathering in the heart of the Dorset countryside. This year the festival takes place from 20th - 23rd August 2026.

A festival that joins the musical dots between soul, hip hop, house, afro, electronica, jazz and beyond, showcasing both outstanding live music and some of the best record collections in the world. 

Curated by Gilles Peterson in association with Brownswood Recordings and Worldwide FM.

20th - 23rd August 2026, Wimborne St Giles, Dorset. 
Tickets: www.weoutherefestival.com

IMMANENT RECORDINGS
https://linktr.ee/immanent

Native to New York, musclecars is a DJ / Producer duo consisting of Brandon Weems and Craig Handfield. As musicians, they equally share an admiration for the art form. Their desire to blend genres and express their appreciation for music is focused around their community- the end goal is to bring people together. Through a regular stream of high quality mixes, they have begun to turn heads in underground circles. 

In 2018 they launched ‘Coloring Lessons’, a party that was aimed to add value to their city’s nightlife culture. While the party and sound is not genre specific, it is heavily focused around house, disco, jazz, and soul, embracing the musical elements of their black and brown ancestors. The monthly party's intention is to bring New York City's dance music scene back to what it was during the golden era of NY nightlife. They aim to spread the music that has been influential to them, and share it with a younger generation of their peers.

Drumwarp is following