Thought about sampling that vid but there really isn't any improving on this track.

even after all this time im still coming back to this master piece!

Along with Leonard Bernstein, Purdie is the greatest music educator of all time.

Tracklist and download available here: http://blrrm.tv/2TxE4U

Henry Wu Trio Boiler Room London Live Set

Mother Braintree Let Me Stay Beside You unissued 1973 soul kinsman

Carlos Niño & Friends - Going Home
release date October 20, 2017
VINYL + DIGITAL PREORDER 
https://leavingrecords.bandcamp.com/album/going-home

"OrganicSelf" featuring Deantoni Parks, Dexter Story, 
Josh Johnson, and Miguel Atwood-Ferguson
-- -- -- --

Revered Producer / Musician Carlos Niño engages 
the 5th album in his ongoing "& Friends" series with 
Going Home, a definitive six-song odyssey in tribute 
to "passing from the earthly realm" featuring 
Deantoni Parks, Dexter Story, Jamael Dean, 
Josh Johnson, Miguel Atwood-Ferguson, 
SK Kakraba, and New Age Legend Iasos.
--

Going Home Record Release Party / Performance 
Monday, October 20th at The World Stage 

Going Home Sonic Boom Love Wave Performance 
Wednesday, October 25th at Low End Theory 
-- 

November 2017 - On Tour Opening for 
and Dueting with Laraaji: 

08/11/17 Wed Berlin DE Kiezsalon 
10/11/17 Fri Antwerp BE Hetbos 
11/11/17 Sat Eupen BE Europalia @ Alter Schlachthof 
12/11/17 Sun The Hague NL Rewire x Korzo 
13/11/17 Mon Dublin IE Sugar Club 
16/11/17 Thu Aarhus DK Tape 
18/11/17 Sat Hamburg DE Uberjazz @ Kampnagel 
19/11/17 Sun London UK London Jazz Festival @ Jazz Cafe

VINYL + DIGITAL

Carlos Niño & Friends - OrganicSelf

Yussef Kamaal - String of Light (Live @ Jazz Cafe) ::: Mixing / Mastering (2016)

New Dreamcast!
Out 9/28

USA pre-orders: https://bit.ly/2Ciito1
EU/World pre-orders: https://bit.ly/2Q6KH8b

DC's Dreamcast continues to effortlessly flow across 7" wax, following his stellar releases on PPU. He goes in again for Future Times, with Max D on production. "Outer Space" is a wistful electro cruiser and "Up 2 U" gives off visions of walking home really early in the morning, confused and happy.

Written and produced by Dreamcast & Max D at Future Times. Up 2 U features Will DiMaggio on piano and DJ EAZ on bass. Mastered by Dietrich Schoenemann. Photography by Flash Frequency.

Outer Space b/w Up 2 U

Dreamcast - Up 2 U - FT047

Pre-save the album on Spotify:
https://presave.kud.li/jrf0016

Drift Glass

Afronaut - SEED ENSEMBLE

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Juntos Mais Uma Vez

Azymuth - Manha

* Read more: https://boltingbits.com/abase-gbe-ra-nie-get-off-di-floor-cosmic-compositions
* Watch on YouTube: https://youtu.be/qQgNxY4cBgU
* Pre-order: https://abase.lnk.to/invocation

“Invocation” is the debut EP of Budapest born and Berlin based producer, pianist and multi-instrumentalist Àbáse. Seven pieces of instrumental artistry, each one channeling a musical journey of its own, inviting the listener to a personal trip of emotions. Àbáse recorded most tracks with two drummers and two bass players playing simultaneously, a flute player, a percussionist and himself playing Rhodes and synths. Along the “base” band, there are several guest artists from different continents and backgrounds, adding their majestic contribution.
The first track of Invocation, which goes by the same name as the record (“Invocation”) has Brazilian percussionist Roque Miguel as a special guest, with whom Àbáse worked on new material during his stay in Rio de Janeiro and Salvador de Bahia. 

“Get Off Di Floor” is a afro-funk track which has a brass section and a guitarist, as an addition to the core band. It’s a take on the classic afrobeat “big band” arrangement, an environment different than the rest of the EP, where Àbáse proves again his artistic versatility.

This record was created in a live recording session set up with Àbáse’s home-band in Budapest, with a few overdubs from the guests which he encountered during his journeys in Brazil, Ghana and Europe. Each track carries a personal input from the culture of every musician and it blends in beautifully with Àbáse’s ideas of mixing jazz and hip-hop in it. There is a strong West-African and Brazilian influence that is especially to be felt in the percussion and a lot of experimentation with jazz and hip hop.

PREMIERE: Àbáse - Gbé Ra Nlè (Get Off Di Floor)

Kamaal Williams DJ-Kicks is coming in November

pre-order ⟶ k7.lnk.to/KamaalWilliams

Game-changing multi-instrumentalist Kamaal Williams has put together the latest DJ-Kicks mix. Due for release on November 8th, it features four of his own brand new and exclusive tracks and hints at the wide world of influences that have made him one of the most prominent artists of the last few years.

Williams has taken his long standing love of seventies jazz fusion and mixed it up with the contemporary sound of the London underground to devastating effect. House, broken beat, grime, soul, funk, hip hop and jazz all permeate his work, which has seen him evolve from one-man producer Henry Wu to acclaimed live band Kamaal Williams, backed by talented drummers and bassists. His pioneering work in the studio and live arena has influenced a whole new generation of like-minded musicians that have helped make the capital one of the most musically exciting and quickly evolving cities in the world, with Williams' own virtuoso drumming and percussion right at the heart of it all.

Follow !K7:
www.facebook.com/K7Records/
www.twitter.com/K7records/
www.instagram.com/k7records/
www.facebook.com/K7DJKicks/

Kamaal Williams - Snitches Brew (Live In Atlanta)

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"DUKOBANTI" 2012

10 - Ghostnotes (Feat Bernard Purdie) DUKOBANTI

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