No One is a print magazine that celebrates underground queer nightlife around the world. 

Each year, we focus on a different city’s LGBTQIA+ scene, sharing locally written stories of individuals and collectives who are organizing spaces and movements for their communities to build identity and connection through electronic music.

By focusing on print, No One intends to take up physical space, demand attention, and facilitate deep engagement with each page, seeking to be an antidote to the fleeting nature of digital media and the ephemerality of nightlife.

To complement the magazine, No One also hosts events and creates projects like zines, films, and other creative experiments—often tied to the cities featured—to further explore distant scenes beyond the print.

Whether a queer kid in the suburbs, an elder (re)finding their community, or an ally who appreciates and wants to learn more about queerness, No One exposes the beauty in each individual and inspires the courage to discover more of oneself and those around them.

We hope to bring the global LGBTQIA+ community closer, sharing challenges, celebrating victories, and ultimately opening up this whole world to us: the dancing queers.

B O R N T O D J
WORLD IS A DANCEFLOOR
鬼神 Groove them all 2024 
I am Tan The Gioi 410,757,864,530 MASHUPS

ⁱᵈᵐ "𝖙𝖊𝖈𝖍𝖓𝖔" 𝕯єรςờɭ๏ภเz̶̝̱͐͌ค๔ô! ◌
Two Hot Lil' Southeast Asians
#MALUKU ✺ y #VIETNAM 越南
XAKALELE & rbf.linh ○ 🏳️‍🌈 NL
bookings: katarzyna@annexagency.co.uk

@club-accela

add me on discord: glxbi
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Born in Milan in 2001 and raised in northern Sardinia, he developed a passion for electronic music at a young age and over time he was able to carry it forward by playing as a DJ and producing.
He then returned to Milan to refine his production and audio skills by attending SAE Milan, always continuing to produce new minimal, house and tech house tracks.


Contact: pie.business01@gmail.com

trance
☆…@underdotnet…☆
☆…@laeuphoria…☆
☆… dwamsmusic@gmail.com…☆

  "｡＾･ｪ･＾｡",
  "( ͒ ु- •̫̮ – ू ͒)",
  "( ^..^)ﾉ",
  "( =①ω①=)",
  "( =ω=)..nyaa",
  "( =ノωヽ=)",
  "(´; ω ;｀)",
  "(^-人-^)",
  "(^･o･^)ﾉ”",
  "(^・ω・^ )",
  "(^._.^)ﾉ",
  "(^人^)",
  "(・∀・)",
  "(,,◕　⋏　◕,,)",
  "(.=^・ェ・^=)",
  "(｡･ω･｡)",
  "((≡^⚲͜^≡))",
  "((ΦωΦ))",
  "(*^ω^*)",
  "(*✧×✧*)",
  "(*ΦωΦ*)",
  "(⁎˃ᆺ˂)",
  "(ٛ⁎꒪̕ॢ ˙̫ ꒪ٛ̕ॢ⁎)",
  "₍˄·͈༝·͈˄₎◞ ̑̑ෆ⃛",
  "₍˄·͈༝·͈˄₎ฅ˒˒",
  "₍˄ุ.͡˳̫.˄ุ₎ฅ˒˒",
  "(=｀ω´=)",
  "(=｀ェ´=)",
  "（=´∇｀=）",
  "(=^ ◡ ^=)",
  "(=^-ω-^=)",
  "(=^･^=)",
  "(=^･ω･^)y＝",
  "(=^･ω･^=)",
  "(=^･ｪ･^=)",
  "(=^‥^=)",
  "(=･ω･=)",
  "(=;ω;=)",
  "(=;ェ;=)",
  "(=；ェ；=)",
  "(=;ェ;=)",
  "(=；ェ；=)",
  "(=；ｪ；=)",
  "(=‘ｘ‘=)",
  "(=⌒‿‿⌒=)",
  "(=ↀωↀ=)",
  "(=ↀωↀ=)✧",
  "(=①ω①=)",
  "(=ＴェＴ=)",
  "(=ｘェｘ=)",
  "(=ΦｴΦ=)",
  "(ٛ₌டுͩ ˑ̭ டுͩٛ₌)ฅ",
  "(≚ᄌ≚)ℒℴѵℯ❤",
  "(≚ᄌ≚)ƶƵ",
  "(○｀ω´○)",
  "(●ↀωↀ●)",
  "(●ↀωↀ●)✧",
  "(✦థ ｪ థ)",
  "(ↀДↀ)",
  "(ↀДↀ)⁼³₌₃",
  "(ↀДↀ)✧",
  "(๑•ω•́ฅ✧",
  "(๑ↀᆺↀ๑)☄",
  "(๑ↀᆺↀ๑)✧",
  "(p`･ω･´) q",
  "(p`ω´) q",
  "(Φ∇Φ)",
  "(ΦεΦ)",
  "(ΦωΦ)",
  "(ΦёΦ)",
  "(ΦзΦ)",
  "(ฅ`･ω･´)っ=",
  "(ฅ`ω´ฅ)",
  "(ฅ’ω’ฅ)",
  "(ะ`♔´ะ)",
  "(ะ☫ω☫ะ)",
  "(ㅇㅅㅇ❀)",
  "(ノω<。)",
  "(ꀄꀾꀄ)",
  "（三ФÅФ三）",
  "[ΦωΦ]",
  "] ‘͇̂•̩̫’͇̂ ͒)ฅ ﾆｬ❣",
  "＼(=^‥^)/’`",
  "<(*ΦωΦ*)>",
  "<ΦωΦ>",
  "|ΦωΦ|",
  "|ｪ･`｡)･･･　　",
  "~(=^‥^)",
  "~(=^‥^)_旦~",
  "~(=^‥^)/",
  "~(=^‥^)ノ",
  "~□Pヘ(^･ω･^=)~",
  "⊱ฅ•ω•ฅ⊰",
  "└(=^‥^=)┐",
  "✩⃛( ͒ ु•·̫• ू ͒)",
  "❤(´ω｀*)",
  "ヽ(^‥^=ゞ)",
  "ヾ(*ΦωΦ)ﾉ",
  "ヾ(*ФωФ)βyё βyё☆彡",
  "ヾ(=｀ω´=)ノ”",
  "ヽ(=^･ω･^=)丿",
  "ヾ(=ﾟ･ﾟ=)ﾉ",
  "0( =^･_･^)=〇",
  "٩(ↀДↀ)۶",
  "b(=^‥^=)o",
  "d(=^･ω･^=)b",
  "o(^・x・^)o",
  "o(=・ω・=o)",
  "V(=^･ω･^=)v",
  "ლ(=ↀωↀ=)ლ",
  "ლ(●ↀωↀ●)ლ",
  "ฅ ̂⋒ิ ˑ̫ ⋒ิ ̂ฅ",
  "ฅ( ᵕ ω ᵕ )ฅ",
  "ฅ(´-ω-`)ฅ",
  "ฅ(´・ω・｀)ฅ",
  "ฅ(^ω^ฅ)",
  "ฅ(≚ᄌ≚)",
  "ฅ(⌯͒• ɪ •⌯͒)ฅ❣",
  "ฅ⃛(⌯͒꒪ั ˑ̫ ꒪ั ⌯͒) ﾆｬｯ❣",
  "ฅ(●´ω｀●)ฅ",
  "ฅ*•ω•*ฅ♡",
  "ฅ•ω•ฅ",
  "ฅ⊱*•ω•*⊰ฅ",
  "ㅇㅅㅇ",
  "ミ๏ｖ๏彡",
  "ミ◕ฺｖ◕ฺ彡",
  "=＾● ⋏ ●＾=",
  "ฅ^•ﻌ•^ฅ",
  "₍ᵔ·͈༝·͈ᵔ₎",
  "ฅ(⌯͒•̩̩̩́ ˑ̫ •̩̩̩̀⌯͒)ฅ",
  "₍˄·͈༝·͈˄*₎◞ ̑̑",
  "ଲ( ⓛ ω ⓛ *)ଲ",
  "=^._.^= ∫",
  "ଲ(⁃̗̀̂❍⃓ˑ̫❍⃓⁃̠́̂)ଲ"

With a wide range of releases & collaborations on several major labels his appearance proves the capability to work hard and more importantly – deliver. Not attracted to just one certain style or genre, each track is different.

Drum & Bass, Crossbreed, Hardcore and many, many more – You can hear all that in his productions. Over the years he earned his stripes with many singles, not to forget his 3 successful full length album releases.

As time’s passing Switch Technique never stopped working on his creations and continued developing them into his 4th album released not a long ago!

For bookings enquiries contact:
Worldwide & Therapy Sessions: angeruk@gmail.com
Prspct Nights: bookings@prspct.nl 
Poland: rise.agencybooking@gmail.com

DWAMS™ is following