All tracks mastered by Dmitra
2021 Club Cringe

Art by Maicha Keita

quasistate - Armer Diamant

A_De Grandi

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SINERAW - WHAT'S MY NAME?

Jenn leads us on a blood-pumping ride with SOMA, his sophomore EP now out on formforum.
@jennjennnnjenn
https://formforum.bandcamp.com/album/soma
With bouncy, yet disorienting patterns that keep you on the edge of your seat, SOMA cranks the tension to max, like a heart-racing POV horror movie, showcasing Jenn's reborn thirst for radical sound wizardry and alien club solutions.
As you navigate through the depths of this release, you may find yourself ensnared in an intricate web of sonic aberrations, questioning reality and wondering what lies around the next sonic corner. Jenn's immersive arrangements convey a sense of relentless pursuit, like sprinting through a dense, eerie forest with a shattered handy-cam, with the same crushing intensity of "The Blair Witch Project."
For this installment, Jenn joined forces with underground heavyweights Talpah, EKSE and TVVASTE, each of whom infused their unique poison to one of the tracks. The EP is completed by Ludwig Wandinger's remix, which feels like the theme of a game over screen. Finally, the chance to regain your breath you were seeking for.
SOMA invites you to surrender yourself to the unknown, to embrace the thrill of the chase, and to revel in the exhilarating uncertainty that lies within. Allow the ominous allure of Jenn's music to consume you, as you step into the dark and twisted sonic abyss he has conjured.
Composed and mixed by: @jennjennnnjenn
Mastering: Raphaël Valensi
Cover Art: Giorgio Cassano

Jenn - Miracle Blade (feat. TVVASTE)

All the profits generated by the sales of this compilation will be donated to the Legal Team Antiraciste fund, which aims at helping the victims of french police violence and their families, fighting against systemic racial discrimination as well as defending their access to fundamental rights.

Huge thanks to Casual Gabberz <3
Mastering by Lorenzo Targhetta
Cover by JB Normand

RougeHotel - IX.II.0o

GUESTMIX#97: 2HC @2hc-728303320
Artwork by Khrystyna Shostak [https://instagram.com/keykhry]
Read more [https://paynomindtous.it/guestmix97-2hc]
***
2HC is an experimental musical project conceived by Irene Di Rosa and Manuele Milani, born from a shared passion for pushing sonic boundaries. The duo ventures into sharp auditory territories, weaving industrial soundscapes with raw, hardcore elements. The project’s essence lies in its ability to blur the lines between structured rhythms and chaotic, freeform expressions. 2HC's sound is deeply rooted in industrial music's gritty, mechanical tones, but it doesn't stop there. They dive headfirst into the heavy, aggressive energy of hardcore, creating an intense listening experience that is both immersive and challenging.

What sets 2HC apart is their embrace of deconstructed post-club aesthetics. They dismantle traditional club music tropes, stripping away predictable patterns and replacing them with a sense of fluidity and unpredictability. The usual constraints of BPM do not confine their mixes, instead, they flow organically, morphing and evolving in unexpected ways. This approach results in a sound that feels like a living, breathing entity—shapeless yet cohesive, chaotic yet deliberate. We hope you enjoy 2HC's contribution to our GUESTMIX series reaching today its 97th episode!

PAYNOMINDTOUS GUESTMIX#97: 2HC

Shakelia & Suxxy Puxxy - Tape Cleaner

Honkai: Star Rail Original Soundtrack
Version 3.7 “As Tomorrow Became Yesterday”
℗ 2025 HOYO-MiX

Virus · Amphoreus Battle Theme (Extended) - Honkai: Star Rail 3.7 OST

4 new club tracks from myself and @kattiebeats

live, laugh, club.

Bandcamp

Klahrk + Kattie - Pull

Delighted to launch our "premiere" series with Lyon-based @xliks, who is featured on the brand new record label Music for commercials (@user-16359218), dedicated to environmental preservation. All the label's profits are donated to associations for the protection of the environment and anti-advertising actions.
Music for commercials promotes diverse and open aesthetics, from noise, to IDM (Idiocratic Dance music)and destructured pop.

From an ecological point of view, the Lyon-based label's releases take place on floppy disks (these floppy disks are second hand). The race for innovation can make us lose the sense of our priority. They prefer
to use obsolete material to make useful and usable work of art. Nothing is obsolete as long as it is still usable.
musicforcommercials.bandcamp.com/releases

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