Great energy and polish. Vocal and guitar on point

Fantastic guitar intro great song lyrically and an excellent vocal, there is nothing to dislike here 👏

Wow! Sounds great! Brilliant guitars,  vocal, drums. Quality

I am a fan now. So loving your originality 🎶🎶

Mixed for Lillithe

Kettle Black

Deep Cut Thin Lines

Cover Art by DWQ, Image of Apolloniuss Elipse and Evolute courtesy of Robert Jantzen and Frederick Hartmann.

Lyrics:

Intro
Deep cuts thin lines run through
Deep cuts thin lines run through
Deep cuts thin lines run through
Deep cuts thin lines run through

Verse
The mind is powerful
But for the feelings that it craves
The mind's unstoppable
But for the heart’s compulsive ways

If the place you flow, your energy through 
Is the place that you blow your mind
Take a taste from the cup, that replenishes you
All else is a waste of time…

Bridge
I've got this screen you see
It keeps on feeding me
It's like pure nicotine
It keeps me hungry

Chorus

Deep cuts thin lines run through
You better hold on to the lies and the truth
Deep cuts thin lines run through

Deep cuts thin lines run through
You better hold on to the lies and the truth
Some of us spend our lives in a vision
Some of us spin lies for a livin 

Verse
Though the mind it is powerful
There’s this fear sometimes
And it’s unstoppable  
And though the colour may fade from sight
Without the darkness  
There is no light

The place that you flow your energy through
Is the place that you will find
Slower songs than anyone
Deeper cuts and thinner lines… 

Bridge
In this quiet time
You are crying out
You are a friend of mine
But I can't hear you shout

I've got this screen you see
That keeps on feeding me
It's like pure nicotine
It keeps me hungry

Chorus
Deep cut thin lines run through
You better hold on to the lies and the truth
Deep cut thin lines run through

Deep cut thin lines run through
You better hold on to the lies and the truth
Some of us spend our lives in a vision
Some of us spin lies for a livin

Repeat Chorus

Outro, End.

This song is about trying to spend more time on the things and with the people that make you (and them) thrive. Its about the struggles of getting out of habits of inaction, wasting time on the stuff that doesnt matter, instead of spending time engaging in more life enhancing moments. These habits and compulsions to pay attention to the worthless are difficult to shift. They can form deep cut thin lines in our minds that are hard to notice and even more difficult to escape from. The song culminates in an instrumental outro which echoes the positive feeling of breaking free into the 'flow' state and finding yourself thriving on life...kinda the way I felt when I was playing it. I hope you enjoy it. 

DWQ.

Deep Cut Thin Lines

New EP available on Bandcamp -
https://moodexhibit.bandcamp.com/album/replicant-hearts

Replicant Hearts kicks off with it's title track,  an epic 9 minutes of multi-sectional, constantly evolving electro techno. Then the 4 hearts are showcased, each with their own unique qualities. Peppy, Vital, Deeva, and Vizor have their own expressions, but they all share in a celebration of upbeat electronic sounds.

Mood Exhibit - Replicant Heart

In Every Dream Home A Heartache is a Roxy Music classic. Lyrically, the song is a sinister monologue, part critique of the emptiness of opulence, partly a love song to an inflatable doll. This is a Trap style remix.

Dreaming A Heartache

If You Go Home Before I Do=,Gene Jumper, ( Original ) Norm Evans, On Pedal Steel Guitar

if you go home before i do

If You Go Home Before I Do =, Gene Jumper, ( Original ) Norm Evans, On Pedel Steel Guitar

HILLS STILL LEFT TO CLIMB  by Doug Roossien

This the “newer version of distant lovers” …lol …
In the original version ~ Cave men used to write on stone walls.

Only took one moment, … so, I turned back the hands of time 
Now, I’m traveling, … places in my mind
So many mountains that were traveled,  … since Montana’s left behind 
I was young, … with hills still left to climb 
Still so young, … with hills still left to climb

Notebook from the commissary, …back in 69
Letters stuck between the pages, … yours and one of mine 

Twelve nights in Montana, … can be a long time ,… now I know 
Halfway home, …  called and you were fine. 
There’s moments and there’s mountains, …there’s lonely and there’s love 
Always took for granted … somehow you’d be mine 
So long ago, … we had hills, … still left to climb 

Notebook from the commissary, …back in 69 
Letters stuck between the pages, … yours and one of mine 
If I’d sent you what I wrote, …If I’d told you, … long ago 
Who knows, … ooooooh, … who knows 
But I had too many hills … still left to climb 
I thought deep down , …you were always mine, … but Hills still left to climb 

As I sit here wandering, …in these places in my mind 
All comes back so painfully, what it is we find 

Only took one moment, … so, I turned back the hands of time 
Now, I’m traveling, … places in my mind 
I was gone the day I left you, … You were gone, … when I returned 
Should have known much better, … too late, … now to learn 
You were young, … with hills still left to climb 
Hills to climb 
You were young, … with hills still left to climb

HILLS STILL LEFT TO CLIMB

Sazanka is a name of winter flower often seen anywhere in Japan. I love to see the flowers falling on the ground like snow flakes. It makes me think of our life time and all the beautiful gifts from the nature.
Spotify   https://open.spotify.com/track/4RkZzZX7YVXGNk5iWYUwil

Lyrics

Flowers, blowing wind
Flowing over my head
Slip inside ,Break me down
I see you, how once we, lately again

But I hope you remember me 
There are leaves falling on
Still my eyes keep on (the ) flow
Couldn’t take my eyes off, All…

When we’re outside into the shadows
Fall on ground
She left behind away
 I missing you all alone
 In the world
                    
When we’re outside into the shadows
 Fall on ground
 She never find your way
 I missing you all alone
 
  I missing , dreaming, over over again

Sazanka

A song that wonders whatever happened to Jolene from the famous Dolly Parton song as the years went by…  Jolene, did you ever find your forever man?

Thanks to Paploviante for another Open Collab!
Image by Sketchepedia 
https://www.freepik.com/free-ai-image/woman-with-long-hair-white-top-is-standing-beach_41068582.htm

Original track here:
Let Me Know - Offer Open Collaboration 80 Bpm by PAPLOVIANTE and FRIENDS
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

Wild Christopher main playlist here: https://soundcloud.com/wild-christopher-lyrics/sets/my-collaborations-by-wild

Jolene (Ever Find Your Forever Man) - Paploviante Open Collab

Based on the version/performance of good ol’ Riley Puckett

Moonlight, Shadow and You - Riley Puckett - Cover

Sci-fi influenced.

A dark, abstract poem with elements of Dalism and Boscheanism.

"An unfamiliar land of shifting scenes.
Shadows expose the nightmares inside my dreams.
What once was my reflection, a silhouette.
I think I used to know me, but I forget.

A flock of birds that circle above my head
surrender rationale to my growing dread.
I think I have forgotten how I appear.
I still can't find the mirror, and no one's here.

And I remember you..."

Music and lyrics by Rob Blade.

Memoria X

This is a song that originated with Steve of Steve's Planet. He came up with a really cool guitar instrumental and the vocals, which he is very passionately singing, while travelling through the primordial forests of Central Europe and shared it with all of us. I added the bass and the electric piano. Tez (Llanpsych) added the really cool guitar parts that sound like orchestral violins. Ken (K2 and the Three, and K2 and the Four) added the perfectly complimentary rolling drums. Stephen (TexMex Shaman) added the awesome, trippy sitar and pulled the whole thing together as an expert producer and mixer. Tez also mastered it. Hope you enjoy listening to it as much as we did making it.

Bird in the Blue Sky  - (Eclectic Collective)

White Heat

This composition started with a few earnest and honest piano chords. What emerged was a personal attempt to deal with loss through electronic symphony. 

More will come...

Art by Jane Langvee.

The Way [DEMO]

Mysterious Decibel--@themysteriousdecibel--MD—lyrics and vocals

TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production

J.J. Terrell–@j-j-terrell– piano and composition

K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion

Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar

This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 

  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 

  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 

  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar


It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night - The Eclectic Collective with Mysterious Decibel

« TÉLÉ » 1981 extended version intégrale inédite pour le nouvel album

Dublin based music producer, songwriter and musician. Here to listen, share and enjoy music.

Deep Cut Thin Lines

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