Trying something a little different this week, and dipping my toes into some modern waters on episode 005 of The Techno Files.

This time on the dark and atmospheric side, I’ll be giving a modern take every 5th episode for perspective and to keep things interesting. At the halfway mark I share a funny encounter I had while playing this very set at an odd private event in Miami.

Featuring music from: Linear System; S-File; _asstnt & Roll Dann; Justin Schumacher; Inigo Kennedy; Hertz & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 005

Raw Lee, based in Granada, started playing at the beginning of year 2000 he has shared booth with professional like The Advent, Gary Beck, Terence Fixmer, Angel Molina, NeverDogs, Bem Sims, Alexander Kowalski, Dominic Eulberg, Extrawelt, Dj Emerson, Bea Tricks, Unam Zetineb, Renne Breitbarth, Carl Falk, Nhitto, Horacio Cruz, C_System, Alvaro Sanchez, Animatek, Motzler
His personality is always spread to shake the dancefloor. Your intuition with the public, the place and time, again and again shows his talent, leading him to go through halls of reputation as Metro Dance Club or the legendary Granada Industrial Copera room or festivals such as Sunny Day.
With a careful and deliberate selection technique, his sets are distinctly ambitious and refreshing. Incorruptible in their sound, maximum expression of suspension and hypnosis, deep and weightlessness coming to drag the public to its highly flammable sounds, always working hard in their blends to create new sound structures.
Few DJs can represent a variety of styles and Raw Lee, but his forte is techno, for its dishes have paraded different musical genres, are the industrial sounds, technoid purely dark as the beginnings of electronics, which vibrate this tireless explorer and collector of rarities and sound environmental tunnels.



Making strange dancemoves since 1990.
Mixing techno since 1998.
Co-founder/organiser of the infamous Techno Ad Mosa parties in and around Maastricht (1999-2004).
Resident dj at Sub Club nights in the now defunct alternative club The Backstage.
Played at most venues in Maastricht between 1999 and 2010; Backstage, Löss Theater, De Hiemel, Café Zondag, Ipanema, De Kadans, Vendex, Café Zuid, Muziekgieterij, Il Cavo.

Lover of dynamic technogroove by (amongst manymany others): Jeff Mills, Robert Hood, Undergrounnd Resistance, Laurent Garnier, Dave Clarke, Matthew Herbert, Steve Rachmad, The Advent, Steve Bicknell, Surgeon, etc

Enjoy the music of sound!


No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.