STNDRD @ BAHN· 22
23102021 - LoLiTa
Razzmatazz
Barcelona

[BIO]

Diogo Lopes aka STNDRD (Montalegre, PT) started his techno Journey in 2018 with some releases as STNDRD and Simbiose (duo).
His music has been released in labels such as Dynamic Reflection, Children of Tomorrow, Edit Select, Subsist, INNSIGNN, ATD, TMM, R[3]volution, or Selected Records to name a few...
In 2020, STNDRD launched BAHN· Records, hand by hand with BAHN· team, where he is an active member of the collective since 2019.
Diogo has shown his skills lately in Barcelona, where he is now based, but also abroad in Oporto, Braga, Berlin, Luxembourg, Amsterdam, Sofia and Cluj.


More about STNDRD: 

www.soundcloud.com/stndrd3333
www.ra.co/dj/stndrd
www.facebook.com/stndrd.3333
www.instagram.com/stndrddddd
www.bahnrecords.bandcamp.com

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STNDRD @ BAHN· (23102021 - RAZZMATAZZ)

STNDRD

STNDRD @ BAHN· (23102021 - Lolita | Razzmatazz)

MARINA GEORGE @ TRESOR (07.02.2024)

Trying something a little different this week, and dipping my toes into some modern waters on episode 005 of The Techno Files.

This time on the dark and atmospheric side, I’ll be giving a modern take every 5th episode for perspective and to keep things interesting. At the halfway mark I share a funny encounter I had while playing this very set at an odd private event in Miami.

Featuring music from: Linear System; S-File; _asstnt & Roll Dann; Justin Schumacher; Inigo Kennedy; Hertz & more.

For full tracklistings and more, head to my website: www.dylandrazen.com

For No Talk All Techno version, head exclusively to my Mixcloud page: mixcloud.com/dylandrazen

The Techno Files | 005

Gabi Bury is a DJ and promoter from the Bieszczady Mountains, currently residing in Krakow. She is the initiator of the Fantasmagoria project and a resident DJ at the Krakow club Noce. Her sets navigate between atmospheric, dark experimental techno and fast, energetic grooves. She has shared the stage with artists such as Błażej Malinowski, Raär, and Axel Karakasis. Gabi Bury has gained recognition in the Polish music scene, performing in renowned clubs like Szpitalna 1, STK, Noce, Święta Krowa, and Luzztro.

Social Media:
FB: https://www.facebook.com/GabiBuryDJ
IG: https://www.instagram.com/gabi_burydj
SC: https://soundcloud.com/gabi_bury

Playlist:
1. Jan Goertz - Amarus Loop (Jan Goertz Remix)
2. D.Dan - Hide and Seek
3. Taimer - Tunel Esoterico
4. Danny Wabbit - Eternity
5. Lindsey Herbert	- Coming Into Contact
6. Toru Ikemoto - DONT PLAY 084
7. Kamellia - Se Leurrer
8. Nicolas Vogler, AD7USTMENT - Your
9. Egotot & Franz Jager - Spare Matrix
10. Klint - Menthe (Orginal Mix)
11. Ned Bennett - Meltdown (Orginal Mix)
12. J.Blofeld - Arcade (Orginal Mix)
13. Bours? - Another Mirage
14. Motion Symmetry - Torr
15. Red Rooms - Zoia
16. Alberto Tolo - Zone[ALT08]
17. Kuss & Mac Declos - Dhaka
18. Sons Of Hidden - Cristals Heal (Orginal Mix)
19. Paul Hauck - Wasteland
20. Rony Group - Dogwood
21. Amarou - Spiral

[Znamy się z Techno Podcast #70] Gabi Bury

For the next edition of our Prozedur Podcast Series, we are thrilled to welcome a true pioneer of electronic music: Eduardo de la Calle. With over two decades in the scene, Eduardo has become synonymous with innovative, boundary-pushing sounds. As a DJ and producer, he’s known for blending deep, hypnotic techno with jazz, experimental elements, and spiritual influences, creating a distinct sonic signature that resonates on and off the dancefloor.

Having released on labels like Analog Solutions and Planet E, Eduardo has left a lasting imprint on the global techno community. This mix is a reflection of his vast musical journey, bringing raw energy and profound depth that will transport you to another dimension.

Tune in, get lost in the frequencies, and let Eduardo de la Calle take you on a deep, mind-bending trip.

Prozedur 008 I Eduardo de la Calle

Track: Stockum Childhood
Artist(s): H4
Catalog: [H4001]
Format: Digital 
Genre: Electronic
Style: Techno
Release Date: 19.12.2025
Mastering: Max Tebbert
Artwork: Luca Hessenthaler 

Support the artist
SoundCloud: https://on.soundcloud.com/QQXiAxed1os7YhhVP4
Bandcamp: https://h4music2.bandcamp.com/album/shift-soul-ep
Instagram: https://www.instagram.com/hfourr/

ANTIDOTE Premiere: H4 - Stockum Childhood [H4001]

Free Download

MEXUT - 2000 [ FRE DOWNLOAD ]

Hard-Style Techno created to make you Dance.

DANCE WITH ME

Inigo Kennedy is a pioneering and respected techno and electronic music producer and DJ. Since early on he experimented with electronics and technology and immersed himself in the airwaves, music stores and scenes of London, Manchester and beyond. From there has evolved his distinctive sound and attitude to music making and performance - entertaining accidents, taking risks and steadfastly following his heart rather than the herd.

https://www.residentadvisor.net/dj/inigokennedy
https://www.discogs.com/artist/3055-Inigo-Kennedy
https://www.facebook.com/inigo.kennedy.music/

twitter.com/slamdjs
facebook.com/Slam.soma

Slam Radio Playlist on Spotify: bit.ly/SlamRadioSpotify 
slam-djs.com 
iTunes: itunes.apple.com/gb/podcast/slam-radio/id584845850

Slam Radio is produced at http://www.glowcast.co.uk 
For syndication or radio queries, email conor@somarecords.com and contact@syndicast.co.uk

Inigo Kennedy

#SlamRadio - 293 - Inigo Kennedy

English:
Susanne Kirchmayr aka Electric Indigo works as musician, composer and DJ. Her name stands for the intelligent interpretation of techno and electronic music. She started her DJ career 1989 in Vienna and worked at the legendary Hard Wax record store in Berlin from 1993 to 1996. In 1998 she founded female:pressure, the international network for people operating in electronic arts that was awarded with an Honorary Mention at Prix Ars Electronica 2009. She feels equally at home in the Berghain DJ booth as on the live stages of Europe’s and North America’s most adventurous festivals. Electric Indigo’s compositions premiered at festivals like Wien Modern, CTM and Heroines of Sound. In 2018, Imbalance Computer Music released her debut album 5 1 1 5 9 3. Her new album Ferrum came out on Editions Mego in March 2020.
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Español:
Susanne Kirchmayr, también conocida como Electric Indigo, trabaja como músico, compositor y DJ. Su nombre es sinónimo de la interpretación inteligente de la música techno y electrónica. Comenzó su carrera de DJ en 1989 en Viena y trabajó en la legendaria tienda de discos Hard Wax en Berlín de 1993 a 1996. En 1998 fundó female: pressure, la red internacional para personas que operan en artes electrónicas que fue galardonada con una mención honorífica en Prix. Ars Electronica 2009. Se siente como en casa tanto en la cabina de Berghain DJ como en los escenarios en vivo de los festivales más aventureros de Europa y América del Norte. Las composiciones de Electric Indigo se estrenaron en festivales como Wien Modern, CTM y Heroines of Sound. En 2018, Imbalance Computer Music lanzó su álbum debut 5 1 1 5 9 3. Su nuevo álbum Ferrum salió en Editions Mego en marzo de 2020.

Profile:
SC: https://soundcloud.com/indigo
FB: https://www.facebook.com/electricindigo
IG: https://www.instagram.com/electricindigo_official/

Available on:

sptfy.com/medellinstyle
youtube.com/medellinstyle
apple.co/2NirUXY
soundcloud.com/medellinstyledj/sets/podcast
www.mixcloud.com/MedellinStyle/
www.deezer.com/es/show/657932
tun.in/pjCgO
medellinstyle.com/category/podcast

Electric Indigo / MedellinStyle.com Podcast 060

Stay Home Soundsystem 35
https://youtu.be/9jJh5taRkI4

Surgeon x Speedy J live

Birmingham x Rotterdam Remote Jam

@dynamic-tension
@jochempaap

Youtube

SHS 35 Surgeon x Speedy J live

No discussion of underground techno purism and technical DJ mastery would be complete without the mention of Dylan Drazen’s uniquely remarkable life and career, and the myriad of musical influences it has brought. Conforming to no one person, genre or entity, Dylan has fiercely charted his own path since his sonic journey began over thirty years ago.

With the outset of Drazen’s path arriving in the early 90’s at the age of 18, a crescendo would already manifest by the late 90’s when Spain took note of his visionary methods and pioneering sound during the earliest days of the Internet, and he quickly became an originating stalwart of its nationwide underground techno scene for years, putting in over a million air miles commuting from his New York base, crisscrossing the Iberian peninsula many times over, as fans couldn’t get enough of his relentlessly energetic, organic and authentic rhythms that were so novel to a generation of partygoers.

Yet at the height of all this in the mid 2000s Dylan became swept up in the worldwide poker boom and found himself at a crossroads with dual careers. Maintaining both for nearly a decade, he decided to relocate to South Florida in 2012 to take poker more seriously and music took a back seat. By 2020, Dylan’s poker talent would bring him over $1 million in cash and tournament winnings. Then the pandemic hit, the world ground to a halt and everything was reset as he noticed fans begging for his return, bringing him to yet another crossroads…

So let’s reset.

Dylan’s exposure to multiple forms of music began at the age of 16 getting his first job working at his local record store on Long Island, NY. He quickly gravitated to electronic music, heavily inspired by what New York’s FM airwaves had to offer well before the hiphop era would take over. That summer he would sneak out to NYC and into his first club experience, The Limelight, where he instantly fell in love with its debaucherous environment and DJ booth, which he vowed to get into.

By graduation in 1993 he was beyond hooked. Before heading off to college, he took that summer to intern at a few Manhattan based labels: Todd Terry’s Freeze Records, as well as Astralwerks and Instinct Records. All the while insatiably crate digging through NY’s various vinyl shops, Dylan’s teen self was already swimming in local contacts and influences.

But college awaited, and throughout his time at Boston’s Emerson College (obtaining a degree in audio engineering) he launched a weekly radio mix show called “Underground 88” on WERS 88.9 FM through 1997, working his contacts and continuing to hone his technical skills live on air. During these formative years Dylan maintained working at various vinyl shops in NY and Boston doggedly advancing his exposure to every genre imaginable, thus contributing to his encyclopedic knowledge of electronic dance music and all of the wide-ranging influences it would bring him. As a byproduct, his position enabled him to recommend tracks to and influence the taste of bedroom DJs and a myriad of luminaries alike.

Through these years, he even made good on his promise to play at The Limelight before it shuttered, as well as other infamous New York megaclubs like The Tunnel, Twilo and Save The Robots. And thanks to his stint as assistant engineer at The Looking Glass Studios where David Bowie was recording his latest album in 1997, Dylan was hired to DJ Mr. Bowie’s private 50th birthday party after his sold out birthday performance at Madison Square Garden.

But by the turn of the millennium it was off to the races and Dylan was spending more time on the road than at home, as he found himself in demand not only in Spain, but also in The Netherlands headlining the Awakenings festival three times, as well as other major events and festivals in Germany, Brazil, Japan, and Colombia, spreading his unique form of techno gospel one city at a time. 

Between journeys Dylan made the most of his audio degree by building out his own studio in Brooklyn, releasing a handful of original releases and remixes on some of America’s more influential labels of the era: François K.’s Clicktracks; Ascend; Blueline; Remains; and Ultra Records. Even after moving to South Florida in 2012, Dylan continued to work on remixes for other Spanish and European labels.

Then as Dylan began to go dark quietly diving head first into South Florida’s world of high stakes poker, he made sure to finalize the curation of his life’s work on his website and SoundCloud page, with that nagging feeling he would one day return…

That day arrived in 2021 when Dylan decided to look for work as a local DJ in Fort Lauderdale and its saturation of gay nightlife. His bimonthly residency at the legendary Ramrod helped pave his way back, growing just as comfortable in today’s booths as he did 20 years prior.

After a couple years of this and then launching The Techno Files podcast, he realized it was time for more. So in 2025 Dylan decided to relocate once again, this time to the birthplace of where it all began: Detroit.

Within his first year as Detroit resident, Dylan was already playing events for Detroit Techno Militia & Bang Tech 12, along with multiple appearances at Spot Lite, Spkrbox & TV Lounge.

New York-born, Miami-tested, now Detroit-welcomed: Dylan Drazen is primed and ready to return to the world’s electronic stage showing modern audiences how 30 years of sonic mastery, experience and musical influence can be put on brilliant display in a single set.