Track from the new album Thou by Port Mone.
More info:
http://www.hevhetia.com/Hevhetia/portal/ViewItem.xhtml

Nina

Tornada - Inside My World

At the heart of this music lies the steel pan — an instrument born in Republic of Trinidad and Tobago in the early 20th century.

During the colonial era, African drumming was banned under British rule, out of fear that rhythms could unify enslaved and marginalized communities. Yet, music could not be silenced.

People turned to bamboo sticks, metal containers, and eventually oil drums, transforming restrictions into invention.
From this resilience emerged the steel pan, the first acoustic instrument created in the 20th century.

The word Creole itself speaks of mixture and convergence: in Republic of Trinidad and Tobago it refers to Creole languages shaped by African, European, and Indigenous influences, and more broadly it names cultures formed where worlds collide.

Reflecting this spirit, Creole weaves the luminous timbre of the steel pan with tribal rhythmic currents, embodying hybridity, memory, and the unbroken force of music.


all instruments, program, artwork
produce and mastered by Setsuya KUROTAKI

releases September 9, 2025

All tracks are copyright protected. All rights reserved.
℗ / © 2025 MNTN rec. under exclusive license to NOiR Inc.

bandcamp

Creole

The war will end

Леонид Федоров какое мне дело

'All My Gods' Remix by celebrated Canadian-Ukrainian duo Ummagma, released February 2016 via U.S. label Moon Sounds Records. https://moonsoundsrecords.bandcamp.com/album/all-my-gods-single   Known for their ethereal compositions and for tastefully blending multiple genres, and collaborations with such notable musicians as Robin Guthrie (Cocteau Twins), Malcolm Holmes (OMD), Sounds of Sputnik, Graham Bonnar (Swervedriver, Brian Jonestown Massacre), and Fran Ashcroft (Damon Albarn, Lords of Acid), in this remix, Ummagma give 'All My Gods' the downtempo treatment. 

Featuring in numerous 'Best of 2015' lists, 'All My Gods' was the no. 9 single internationally according to America's Stereo Embers Magazine, in which Ummagma also featured at no. 5. Omodada's debut EP ''Kimnaty' was also selected as the no. 2 Ukrainian Release of 2015 according to British blog The Sound of Confusion. 


https://www.facebook.com/omodadaband 
https://omodada.bandcamp.com
https://soundcloud.com/omodada
https://www.youtube.com/channel/UCY1KFDuKhnP7_OS02AALTBA/videos

All My Gods feat. Tik Tu (Ummagma Remix)

Recorded at Hi5 Productions
Mixed by Max Andrukh
Cover Art by Nikita Liskov
I - Reimagining of 1st Prelude by D. Shostakovich
X, XX - Citation of D.Shostakovich

A Girl with a Kitten in the Moonlight

🎶 TBPOFT (The Best Part Of the Trip) like time travelers, they come back from the era of golden disco hits, the era of vinyl and funk to bring dance to the world of electronic music. Nowadays, Vinyl is the inter-temporal transmitter, their Gerber Wells, time-machine, their best part of the trip. 
• Guys always been interested in vintage musical instruments, which they often heard on vinyl. This album TBPOFT started writing in their small studio, surrounding themselves with people in the evenings, they filled the studio with stories and dances under the crunch of vinyl in cramped, but warm place. 
• Once they stumbled upon Estradin (an old Electro-Organ). That was dope!!! Someone would call it a piece of junk, garbage, someone, but not for TBPOFT. For them it was a feeling, it was warmth, it was the history guys could touch. That’s when musicians started to work on this material. It’s been with guys through time, and has enjoyed the best part of the trip.
• With all its pompous, easy mix of electronics and funk, Album states that it’s time to destroy the patterns, to think out of box, fight against prejudices and stereotypes, and to know yourself through dance. 
• "With a huge desire and passion we continue to create music that lives inside us, and which we want to share. We keep messing with time and being a part of the history which, perhaps, someone will want to come back to through music." 🚀

- #tbpoft #electronic #dance #indie #funk #music

🎶 TBPOFT (The Best Part Of the Trip) как путешественники во времени, они возвращаются из эпохи золотых хитов диско, эпохи винила, фанка, чтобы привнести танец в мир электронной музыки. Сегодня винил - это их Герберт Уэллс, машина времени, лучшая часть их путешествия.
• Большой интерес у ребят всегда вызывали винтажные музыкальные инструменты, которые они нередко слышали на виниле. Этот альбом TBPOFT начинали писать еще на своей маленькой студии, окружая себя людьми по вечерам, они заполняли студию историями и танцами под хруст винила в тесноте.
• Однажды к музыкантам попал Эстрадин (советский электроорган). Группа была в восторге. Кто-то скажет, что это старьё и хлам, но не TBPOFT. Для них он был историей, к которой можно прикоснуться. Именно тот момент можно считать началом записи материала. Альбом прошел с ними через время и насытился лучшими частями их путешествия.
• Всей своей напыщенной, громкой смесью электроники и фанка, он заявляет, что самое время разрушить шаблоны, свободно мыслить, бороться с предрассудками и стереотипами, познать себя через танец.
• «Мы продолжаем создавать музыку, которая живет внутри нас, которой мы хотим поделиться. Продолжаем быть частью истории, в которую, возможно, кто-нибудь тоже захочет вернуться с помощью музыки» 🚀

Gone

Litak remake by Tony Tekk

Lюk feat. 5'nizza - Парапланы

DZ'OB is an electroacoustic ensemble from Dnipro (Ukraine).
A cross-genre 7-piece orchestra crashes to the ground a well-established musical concept in which, for example, house and art music exist in completely different frames of reference. Eventually, DZ’OB not only synthesizes disparate genres, the band comes up with their unique, eclectic sound that blurs the line between epochs, schools and traditions. Piano Preludes by Shostakovich fused with bits and samples are reborn in the most incredible pieces of IDM. With the same radicalism in musical technique, DZ'OB treats songs of one of our time’s most eccentric DJs - Aphex Twin. Suchwise ensemble generates inconceivable instrumental metamorphosis: electronic music becomes academic with a wave of a cello bow.
DZ'OB is not about genres, but a new vision of the music itself.