FUNNY CASTING IN A PLANET OF SOULS

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

HOPE FOR HUMANITY - Vocals for Collabs

Sur Youtube
https://www.youtube.com/watch?v=O-pRxvqbCvs

Nous allons chanter

[Verse]
Nous allons chanter
Faire de la musique
Ensemble ce soir
Sous les étoiles

[Verse 2]
La nuit est magique
Passe-moi la guitare
Ton sourire éclaire
Tout autour de nous

[Chorus]
Chantons fort
Dansons encore et encore
Le rythme nous porte
Vers des rêves sans fin

[Bridge]
Les notes s'envolent
Emportent nos âmes
Libérés ensemble
On vit le moment

[Verse 3]
Je sens ton énergie
Battre dans mon cœur
Chaque note résonne
Comme un cri d'amour

[Chorus]
Chantons fort
Dansons encore et encore
Le rythme nous porte
Vers des rêves sans fin

Piatitude une série de jeux de piano lancés à l'introduction par moi-même au piano, puis SUNO prend le relais pour proposer une suite de mélodie au piano ou une sonorité au choix. Ce qui est original le logiciel SUNO, de l'intelligence artificielle s'adapte aux tonalités, du rythme, nuances, d'après votre introduction ou échantillon que vous avez produite. SUNO s'occupe du reste et vous propose d'autres possibilités musicales à votre goût.
Un tout nouveau partenariat entre un musicien et l'intelligence artificielle. A suivre et c'est pas terminé !
Chanson produite avec SUNO ia
           https://www.suno.ai/

Piatitude002v6 Chantons Ensemble

Sunbath is a sun-charged Afro House track blending tribal grooves, warm percussion and a complex, uplifting piano melody.
Built for movement and light, it radiates joy and hypnotic energy — like dancing under an endless sunrise. 🌞

Sunbath

Support this release

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

JOY RUSH

I decided to take another stab at this song (went down a rabbit hole for about 10 hours and completely re-played and re-sang the song).  I struggled with the vocals on my original version so I changed the key to E which made it easier to sing.   
****
Guitar:   strumming my Taylor 114CE
Organ: playing my midi keyboard with Native instruments clarinet organ
Wurlitzer 200A  Keys: playing my midi Keyboard with logic Wurlitzer sound.
Wurlitzer 200A:  EZ Keys 2
Bass: PG Music Real track
Drums: EZ drummer 3
****
Lyrics
In the planet of the ape’s movie in 1968
Astronauts crash landed on a planet that was in a sorry state
They stumbled across a society intelligent of apes who could speak
And there were humans, but they were mute and weak
They’d been asleep in their hibernation pods and 2006 years had elapsed
And somewhere during that time humanity had collapsed
And the astronauts didn’t realize they were on the planet where they’d been born as the apes hunted them and they hid in a field of corn
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that monkey fate, hope we smarten up
I wonder what those apes are thinking as they’re sitting in their cages at the zoo
Are they biding their time, making plans for what they’re goanna do
Are they dreaming of the day when they’re on the other side of that glass wall
Are they patiently counting the minutes, waiting for humanities downfall
The apes killed one of the astronauts and they stuffed him and put him on display j
Just like trophy hunters do with animals today
The Astronaut named Taylor, he got shot in the throat
He was unable to talk, so he got a pen and showed the apes what he wrote
The apes realized he was intelligent, and it shook them to their core
And the forbidden zone was a place they weren’t supposed to explore
Taylor met a girl he named Nova, she couldn’t talk but she was pretty.
A couple of apes helped them escape to what used to be New York city
And they rode together on a horse on a beach that looked like the west coast
Until they found that statue and realized humanity was toast
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that Monkey Fate, hope we smarten up
The planet of the ape’s is supposed to be science fiction
Let’s hope it doesn’t turn out to be an accurate depiction

Planet Of The Apes V 2.0

ECCE HOMO ( Extrait )

Composition and piano performance: Anastasiya Ihnatovich
Orchestration and arrangement: Franck Ancelin

The music video is available here: https://www.youtube.com/watch?v=aURLed2mkaQ

Up Until Then (Ft. Franck Ancelin)

Up (Ft. Franck Ancelin)

Gimme / feat. Patricia Edwards / Paploviante Music
Vocals and Lyrics :
Patricia Edwards
https://www.looperman.com/acapellas/detail/16204/gimme-89bpm-pop-acapella
https://soundcloud.com/patriciaedwards
Paploviante:
E Bass, Composing, Arrangement, Mix and Mastering
Picture: AI Perchance

Gimme feat. Patricia Edwards-Papploviante

CANDLE IN THE DARK (Timeless floating in Space - Paploviante)
Backing Track Paploviante:
https://soundcloud.com/paploviante-and-friends/timeless-floating-in-space-open-collab-offer
Vocals Alley ( Gosthack)
https://www.ghosthack.de
Lillithe: Mix, Arrangement and Production
Lyric:
A candle in the dark
And in your own fashion
You burned it to the ground
Its sad but it's true
I can't get over you
I'm trying to breath 
But I'm choked by the fumes
Set me free
I'm just trying to breath
Let it go
Cus I can't keep hold
If I told you that I love you
Would you let everything slide
If I told you that I want you
Would I run and hide?


CANDLE IN THE DARK (Timeless floating in Space - Paploviante)

An Atlas of Perfect Mistakes

I had left the pastorate in 1985 but many friends remained in the little town of St. Francis, Kansas.  One of them was a woman who found love again after the death of her spouse.  I composed this song for them and officiated their wedding and as far as I know, they lived happily ever after.  
Then came the wedding of my oldest daughter and she requested the song be done for her and Thor (yes, his real name;) That was 27 years ago.  
This past summer, I had suggested the song to Axel and after hearing my rough, 35 year old demo, he loved the song straight away, but wanted to change it up a bit.  The song I had written was done in a more devotional 4/4 meter, he wanted to bring to it the flavor of a Celtic dance.  Enter Mike Fox who gives the lyrics a definitive voice and excellent guitar to the backing track.  I loved the track art Axel had created because it resembled the wedding of my 2nd granddaughter Grace at the end of September, a lovely garden ceremony in Oklahoma City.  It resembles it right down to the kilt another son-in-law wore by request.  They didn't use the song as part of their ceremony, but I dedicate this new version to Grace and Ethan and wish them a lifetime of love, happiness and fond adventures together.
Thank you Axel and Mike for lavishing your talents on my songwriting efforts.  I am truly honored.  Hear more of their fabulous music creativity @soundcloud.com/axel-m-501052973, and @soundcloud.com/michael-fox-925325997

Gathered--Lyrics:
 What are we gathered here for, what have we come to see?
Two people who believe that a better life
Is lived together not separately.
Father we ask you blessing upon the union of these two,
That the vows they are both confessing
Will bind their hearts to each other and You.

Bridge:
And it's more than just "tying a knot" and it's more than just getting "hitched"
We're seeing two hearts being sewn together,
We're witnessing it stitch by stitch.
It's the miracle of seeing two become one,
Though the two are really not the same,
Like the paint and the canvas are separate until 
The Artist joins them in a beautiful frame.

Instrumental Interlude

Repeat Bridge

Repeat Verse:
What are we gathered here for, what have we come to see?
Two people who believe that a better life
Is lived together not separately.
Father we ask you blessing upon the union of these two,
That the vows they are both confessing
Will bind their hearts to each other and You.
Will bind their hearts to each other and You
Will bind their hearts to each other and You.

Gathered-A Wedding Song (Axel Menningen, Mike Fox, David Dunham)

Another song from my revival  project.  
There was a time when I travelled quite a lot by ferry and on sunny days, I would get carried away by the sparkling sunlight in the water.   In many occasions, I just ended with some new lines (words or notes) in my head.   This composition was one of those which started that way.

Hope you like the song.  Thanks for stopping by.

[CREDITS]
Music / Lyrics / Vocals / Arrangement / Programming – Michael C. Lynn
Guitar Solo – Brent Mason @Band_in_a_Box
Sax Solo – Eric Marienthal @Band_in_a_Box

[LYRICS]
Eversince you talked to me that morning					
I find myself growing fonder of you each day					
Unfortunately we do not have too much in common					
And I don't know how to treat you the right way					
					
So disappointed, feel like giving up on you					
But your lovely eyes tell me that's a thing I can't do				
Recalling the countless times	you have let me down				
But nomatter how I know I can still come round					
					
(Chorus)					
Sunlight on the water run sparkling thru my mind					
Makes me realize that things can never be such fine			
Sunlight on the water run sparkling thru my mind					
Brings back the dreams I tried to leave behind				
					
I can't hide the passion I feel inside					
And my intension disclosed before your eyes					
It is true, it is you, I'm thinking of all the time				
But nomatter how, our hearts just never rhymed
				
Sunlight on the water, run sparkling through my mind				
Brings back the dreams I tried to leave behind				
					
But I know the dreams I dream are made of sand				
And it will take a long time to be back on the road again				
					
Repeat chorus

Sunlight on The Water

Solar Flare Awakening Soul

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
  Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning. 
  The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
  Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
  This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid at the back of your mind

how could I have been so blind?

 

It was so long ago now it’s just you and me 

it seems I've forgotten the way you like your tea

the house becomes quiet as the guests head for home 

the garden’s been gathered and the kids are all grown 

on their own


“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play” 

our leaders assured us we’d never go poor

and nobody questions the truth anymore 

but what did we do it all for?

 

Our science sustains us like fine works of art

but are we closer together or farther apart?

we’re each on an island alone on the sea

the ocean between us expands rapidly

is this where we wanted to be?

 

It was so long ago now it’s just you and me 

it seems we’ve forgotten the way it used to be

machines tried to help us but something went wrong

the future we wanted was here all along

 

The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid…

Faded Fortunes (Eclectic Collective)

A song about using my defense mechanism of humor to avoid conflict and achieve romance. Dedicated to class clowns everywhere.
Sorry I've been off SC lately, I've been taking care of a few things.

Lyrics:
I was just having a drink
In a bar on the rough side of town
Yeah, minding my own business
And these tough guys come up to me
They say: "Hey, we're tough guys."
"we don't like you drinking sparkling Chablis,"

Well, I had a real good read on the situation
I've got the gift of gab (talk) from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I said: Gentlemen, may  I suggest a truce?
Let me be the peacemaker and buy you a bottle of booze
Then I got loose
I left them with a bill
For a three hundred dollar
Bottle of Chartruse

Oh, I listened to what my Mama say
You're gonna have to fight those boys someday
But if you use your brain
Then you'll find another way
Fight back, hit em in the funny bone (3X)
Funny bone

I was a young undergrad
A full-time miscreant
A part-time handsome man
I needed to get the attention of the ladies
But I wasn't that good-looking
But I knew what I had

I had a good read on the situation
I have the gift of gab from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I listened to what my Mama say
If those girls don't give you the time of day
You're gonna have to use your brain
Then you'll find another way 
Step back, appeal to her funny bone (3X)
Funny bone

Funny Bone

This is the 12th in the Scalar series--the genius of Jo Richter thruout again finds it's voice here--These works are slowly migrating to a stonerjazz/bandcamp album, more for the practical reason of time constraints on my part and of course a way to present them in a chronilogical order and all in one place(it will eventually dissappear from my page completely)--Jo has also made a playlist where you can hear them in order in case you want to pop some popcorn and a beer or some other relaxing beverages and snacks and hear the whole thing in order soundcloud.com/sonic-textures/sets/scalar-fields in either or all scenerios, we hope you enjoy our poetry and music-- jeff g
lyrics: jo richter and jeff gardiner
everything sound - yes, everything! - and premix : jeff gardiner
image, eventual modulation and mix: jo richter

sitting ducks and circling eagles
do not a whole existence make
he told me as I listened listless
tired drained by his insistence
that I would have to be alert
to push past the break
and be clear enough
to find my hands in dreams
and speak in fluent Nirwanese
in Dada-lekt the verses back
from me to him
that he had taught me while I was not aware

and not-I sat without an ear
in the round of ember eyes still glistening
for both are made of themselves
each other and of fear
but the duck will have to feather up and fly
and the eagle will go hungry as it passes by
this he told me cunning, sly
on this I will rely
not now but when
time runs dry.....

scalar fields pt 12: glitchy glyphs-with Sonic Structures and Silent Stretches

Hoping you enjoy this latest song  , Gary has  added all  of the beautiful vocals , harmonies and lyrics too! 
Thank you for all of your kind plays reposts and  playlists!

Vocals  :- Gary Scott
Lyrics  :- Gary Scott
Music and arrangements : Annette Scott
(C) 2025



Cast Away (Ft Gary Scott)

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players.

Intonarumori Trio LIVE @ Ten Days On The Island Festival

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

(Don't follow me here, best on my main page ;)

FUNNY CASTING IN A PLANET OF SOULS

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